Crappy Album Covers #216 — Stereotypes and other things that bug me

Come to Sweden, “… where the facts of life are stranger than fiction.” “The most permissive state in the world!” (sez the cover) Well, that’s got to mean only one thing, folks. That they’re all a bunch of debauched perverts, and the rest of us uptight Westerners should pass up this film or become debauched ourselves. Oh! Our virgin ears! Our virgin eyes!

I guess no film has ever lost money over simplistic stereotypes.

Avco Embassy Pictures made mediocre to half-decent movies. They filmed The Graduate (1967), and The Producers (1968) for example. Later films included Blade Runner, and This is Spinal Tap.

Avco changed hands and names several times over the decades. The 1968 film “Sweden Heaven and Hell” is not listed as one of Avco’s “Notable Films” under Wikipedia. The “Hit Single” “Mah-Na-Mah-Na” never made the Billboard Top 40 (peaking at #55 in the US in 1969), but was later used on The Muppet Show and Sesame Street.

Don’t remember the song? Oh yes you do! Scroll down, plress “Play” to hear the Sesame Street version on YouTube. It won’t leave your head for a week! I guarantee.

Here are more things that bug me… Bugs!

Hi-Fi bugs are a class of “bug” species that all point to Magnetic North whenever they hear the key of Middle A, as depicted in this real-life nature photo.

Pete Rugolo was born in Sicily on Christmas Day, and has spent most of his life in Califronia. He played in a band with Paul Desmond druing World War II. Since 1949, he was hired as the East Coast music director for Capitol Records, backing and arranging for such notables as Mel Torme, Nat King Cole, and Peggy Lee. During the 60s and 70s, he contributed music to a number of TV shows, including “Leave it to Beaver”, “Felony Squad” and “The Challengers”. His most recent work was for music to the the 1997 movie “This World, Then The Fireworks”, an adaptation of a Jim Thompson novel.

Mah-Na-Mah-Na was on Sesame Street at one time, apparently:

Visits: 68

Crappy Album Covers #204 — Even More Big Heads

Decca records seemed to also have caught on to the “Big heads” aesthetic, and the resulting album cover is designed to catch your attention and make you buy it before it sinks in that the cover is ugly and, well…

I would place this record in the mod-50s to mid-60s. Fritz Schultz-Reichel (his real name) was born in 1921 and acquired his alter-ego of Crazy Otto in 1953. He was touted to do the same for Jazz that Victor Borge did for classical music, and that is to be its court jester, poking fun at many aspects of  the genre.

A reissue was made in 2008 on Apple ITunes on the Hallmark label with a redesigned cover and Otto’s big head again.

Neil Young should be commended for still making records these days. This is his 40th year as a musician and he’s still at it, with his 2009 album “Fork In The Road”.

No more pretty boy record covers for him, like Decade. No, he would play the part of an Amish farmer better than of a travelling troubador. So you do what Amish farmers do when they see something like a camera: you say something like: “what happens if I press *this* button?” SNAP! and there’s your album cover.

If we do a turn on an old ethnic joke: a <fill in your ethnic group> drives by and asks Neil for help. He can barely speak English:

Neil: Can I help you?

Ethnic: Me looking for a fock

Neil: There’s a cat-house down the road a mile-

Ethnic: I no look for cats! Meester, you no unnerstan’. I want a fock on the road-

Neil: I don’t know if any of them are into that. Sorry I couldn’t help you

Visits: 78

Crappy Album Covers #203 — Creepy Similarities IV

1972’s Exile On Main St was one of those Rolling Stones records that grew on the reviewers. It went from having lukewarm reviews in ’72 to being worshipped as Rolling Stone Magazine’s #7 of the 500 greatest rock records of all time in 2003. The Rolling Stones had no albums ranking higher than this. 

But what always creeped me out was that guy in the upper left, who has three large balls in his mouth. See it? Okay …

Reuben Wilson was ahead of his time in 1969 when he decided to depict a lady, with three balls in front of her. Although, we don’t get grossed out by seeing if she could fit them all in her mouth. 

As for the “hair”, they look more like fish scales.

A CD was issued with this cover in 1997.

Visits: 97

Crappy Album Covers #200 — Full of sound and Fury, Signifying nothing

“Empire of the Sun” is the name of a 1987 Stephen Spielberg movie, but it is also the name of an Australian musical duo consisting of Luke Steele and Nick Littlemore. The bombastic cover has them depicted as a cross between Michael Jackson and Adam Ant, but the music seems to have been received to warm reviews, and has charted well with the buying public. I have a problem with the title, though: “Walking on a dream?” How exactly does one walk ON a dream? Hmmm.AOL rates this cover as the 10th worst cover of 2009.
This 2009 cover by Ciara has her depicted as a comic book heroine. And this is part of what she wanted to portray, it appears. However, this reviewer gives her efforts spotty reviews, and AOL rates this as the 6th worst cover of 2009, even ahead of Neil Young’s new album cover.You can say it’s overdone, ostentatious, but I just think they could have done better. There was a DC alternate depiction I’ve seen, of the UK release. Much improved. There was also another one, a cartoon depiction of her alter ego (a kind of Wonder Woman goddess), which was even better. Sorry, can’t find the link to that.

Visits: 105

Crappy Album Covers #199 — Crappy for the Holidays

I promised Bunk I would post a 3 Stooges Christmas record in answer to this post by him earlier this week.

Not much info on The 3 Stooges’ “Happy Yuletide Songs”, not even the year of release. However, to put some context into this, when exactly was the last time that a record, even one that’s 45 RPM, in new condition, was marked at $0.49? But you get three, count ’em, three complete Little Golden Records on a single 45 RPM record!

'Twas the night before stocks closed
and all through the house
the free market was rich enough
to feed only a mouse.
The stocks were all kept in the safe box with care
In hopes that Ed Greenspan would soon reappear.
LP Cover Lover (click on graphic for the link) points out that the cover appears to depict all of the elements of pulling off a heist: the clever Santa disgiuse; the stocks and bonds in the sack; and the guy smoking a pipe in an office chair, obviously enjoying his booty.

The title of this 1966 album by God-knows-who is roughly translated as “A Peaceful and Prosperous Home” (the “um” at the start of the title may be a misprint). When we have holiday images of peace and prosperity, it is usually in the context of family and friends. In this cover, there is nothing more than just this guy with a smirk on his face, whoever he is, with his stocks and bonds to keep him company.

Visits: 74

Crappy Album Covers #197 — Covers with some e'splainin' to do

Desiderio Alberto Arnaz y de Acha III, known to some as Desi Arnaz, came to America as a humble but talented musician from Santiago, Chile, and from the early to mid-1930s, held several odd jobs, including bird cage cleaner, taxi driver, and bookkeeper. He later joined Xavier Cugat in the late ’30s, and showed his musical talents. A couple of years later, he formed his own dance orchestra, releasing several albums during the late 30s and throughout the 1940s.

His role as Ricky Ricardo from Cuba in the sitcom “I Love Lucy” featured the song Babalu in the 1951 pilot episode. He had by this time already been married to Lucille Ball in real life. As a bit of extra trivia, the entire series had always been filmed in front of a live audience.

British comedian Max Bygraves wants us to believe that this series, called “Viva! Congalongamax” survived 10 volumes, although little indication of this appears on Wikipedia. What is indicated, is that this is his tenth album with a different title. What is also indicated, beyond doubt, is his love for album titles with long almost nonsensical words such as the title “Singalongamax”, “Discolongamax”, and this one. These may be found among his 63 album titles Wikipedia says he put out.

The Discolongamax album features such dico smash hits as “Get Me to Church on Time”, “You Need Hands”, and “How Ya Gonna Keep ’em Down on the Farm?”. And of course, he sings “Feelings”.
Faceinhole.com allows its visitors to put a picture in place of Max’s on this cover.

Visits: 94

Crappy Album Covers #196 — Superstition and legend

The Incans were ahead of their time. Their legends may have given us the first samples of pornography. Voice of the Xtabay is a legend about a woman who has sex with countless men, then died with Xtabentum (fragrant flowers) growing on her grave. It has all the elements of a plotless porn film. All it needs now is bad acting in between the sex scenes.

Depicted is a very young Yma Sumac (1922-2008), a Peruvian soprano known for her 5-octave vocal range. For the Exotica genre that was popular in the late ’40s and throughout the 1950s, they don’t get more famous than her.

This 1950 studio album, and Sumac’s first, was produced by no less than Les Baxter, who also helped write two of the tracks. It features Peruvian rhythms, and of course, Sumac’s vocal range. The recording can be purchased in CD form through any number of online vendors.

Two Polynesian dudes are busy singing along, when all of a sudden both say: “Hey, who brought in the white chick?” This is yet another CAC from that veritable CAC factory, TOPS.

The composer was Robert Drasnin (1927-2015), at the time, a recent UCLA graduate with a Master’s in Music. In 1959, he was approached by the upper management at TOPS to produce an exotica record. On that record you will likely hear the piano of John Williams, who would later go on to write the musical scores of Star Wars and Jaws. Drasnin himself would later produce music for the small screen, most notably The Twilight Zone, and Gunsmoke. By 1977 he became the director of music for the CBS television network.

To date there has been at least two reissues of Voodoo on compact disc. To show that Exotica has not yet died, Drasnin recorded Voodoo II on CD in 2007 when he was 80.

 

Visits: 100

Crappy Album Covers #176 — Un-subtle and Cliche

Album_Cover_Crap_322_Supertramp-Crisis-What-Crisi Supertramp could have done better with their fourth album, “Crisis? What Crisis?”, released in 1975. Their artistic skills, which served them so well for songwriting should also be reflected in their choice of album cover. The title and album cover says utterly nothing original, even by 1975 standards.
Album_Cover_Crap_323_Kenny_Loggins Creator of what O’Donnel and Guterman call “The twin towers of movie theme stupidity ‘Danger Zone’ and ‘Footloose'”, Kenny Loggins leaves no cliche unturned. They forgot a third: “I’m Alright” (Theme from Caddyshack). Alive was released in 1980, and at least, unlike Supertramp, the album cover comes by its cliche qualities honestly, without all that bothersome high literary and musical quality that burdens Supertramp.

Visits: 93

Crappy Album Covers #175 — Thinking you have something important to say

Album_Cover_Crap_217_-_worstalbumcovers_com I guess anyone who ever wondered what had happened to the members of Milli Vanilli after Rob Pilatus (1965-1998) and Fabrice Morvan were outed to being nothing more than two good looking guys lip synching someone else’s music, need wonder no further. By 1990 they went by the name “Rob + Fab”, and had an album out. 

However, the lip-synching allegations followed them to this album also, and sales remained low. No further albums were released by them since. Morvan has released a solo effort in 2003, called Love Revolution, 5 years after the passing of Pilatus, who died in 1998 of a drug overdose.

Album_Cover_Crap_220_-_worstalbumcovers_com Whenever 70s music goes bad, it looks like this. I have no salient info on this group, but I would bet it is from the early 70s. The lettering is bad, the superimposing of the band members on top of a nebula as if crawling out of an acid pool at Yosemite National Park is beyond cliche, beyond amateurish. “You R Us” has a cover that “r” sucky in the extreme. 

Friends, I believe that we now need a new word in the English dictionary to describe a record cover so bad, that you have to work very hard to stoop to this standard. I propose “craptasmagorical” as a possible word. It is easily recognisable what it means, rolls off the tongue well, and is a word that should only be reserved for CACs that go above and beyond the call of duty to look as crappy as possible. “You R Us” is so craptasmagorical, it is actually out of this world.

Visits: 103

Crappy Album Covers #174 — The Return of Monsters!

Album_Cover_Crap_280_rateyourmusic_com_1982 Oh No! It’s monsters, again! Time to run and hide. Judging by this monster with granny glasses, you don’t need to run that fast. This self-titled record was released in 1982, and again in 1983, as an attempt to revive ’70s-style hard rock. were the granny glasses meant to convey a message in that vein?
Album_Cover_Crap_281_stylusmagazine_com Super Furry Animals formed in Cardiff, Wales in 1990. This single, released in 2004 has actually two different covers which I am aware of. The other one is an Elvis lookalike giving a peace sign.SFA is a group with mostly techno roots, who have charted on and off with their various releases.

Visits: 103

Crappy Album Covers #173 — Genre confusion

Album_Cover_Crap_287_musicforants_com This is the second album released by The Ben Folds Five, called “Whatever and Ever, Amen” released in 1997, and remastered in 2005.

The combination of seepia photos of the band members against a tablecloth background is unbecoming of an alternative record. Maybe a Johnny Cash album, if he was still alive. Or for that matter, Porter Wagoner. There is also the problem of The Ben Folds Five consisting of only three members.

The alternative “attitude” lies solely in the strength of the title.

Album_Cover_Crap_292_wikipedia_org This is one of those album covers that make you think that Mr. Pop should go back to mutilating himself and throwing himself into the audience, along with his other “neurosis-as-theatre” antics. Released just over four months ago, Preliminaires leans heavily toward New Orleans-style jazz with a toned-down rock edge.

Hear him sing songs taken from Louis Armstrong, Jelly-Roll Morton, and Edith Piaf. Quite the departure from The Stooges.

Visits: 102

Crappy Album Covers #172 — Scary warlike thingies

Album_Cover_Crap_315_inspiredology_com Let’s get something stright here. Just because there are scary warlike thingies on your album like the Transformer dude on this Linkin Park record, doesn’t mean it’s a cool record, OK? It might impress a 10 year-old, but not many older people.
Album_Cover_Crap_298_guardian_co_uk Bodies of men with heads of birds as a warlike thingie has been overdone to the point where it has lost its power to scare people, if it ever had it at all. 

There are many scary birds: hawks, eagles, but since the name of this band is called Budgie, well… three guesses as to what species these heads belong to.

Bandolier is Budgie’s fifth album, released in 1975, and combines all the worst elements of the early Yes album covers.

Visits: 105

Crappy Album Covers #171 — Pinin' for the lord

Album_Cover_Crap_244_-_Rodgers_Kenny_-_bizarrerecords_com This is Kenny Rodgers, with his 1981 open declaration of love to his saviour, “Kenny Loves Jesus”.

The next sweet odour you smell may be the sweet smell of the Holy Spirit, which will draw you closer to the Lord. It says so on the back cover of this LP.

Album_Cover_Crap_238_-_bizarrerecords_com I have resisted this crappy cover from Country Church, because, you know, this album has been shown on so many websites in the Crappy Album Blogosphere, that there comes a point where you feel that, such as it is, it already counts as too much publicity.

There is so much wrong with this cover, I don’t know where to begin, so I’ll just let it speak for itself.

Visits: 81

Crappy Album Covers #170 — Unhealthy lifestyles

Album_Cover_Crap_285_musicforants_com_mew-and-the-glass-handed-kites The idea of heads being depicted as eating other heads on this “Mew” album, as an attempt to look disturbing, fails miserably and just becomes another Photoshop hack job.

However, Mew’s CD released some time around 2007 is reputed to be a decent album content-wise.

Album_Cover_Crap_309_progulus_com Carnival in Coal was a French Death Metal band that had been together for 12 years from 1995 to 2007. For those keeping track, they mixed many avant-garde genres, but all releated to death metal.

Maybe they were tired of walking out on stage like corpses. Corpses with lipstick and mascara.

Bunk Strutts has requested at least a video, a link, something that might add another dimension to these people. I was looking at “Carnival in Coal”, and passed over titles like “Shemale Whoregasm”, and “Fuckable (live in Paris)”. Instead, I have them doing “Don’t be Happy, Worry”, a new take on an old Bobby McFerrin tune. (no longer available)

Visits: 84

Crappy Album Covers #169 — Bad Steely Dan Covers

Album_Cover_Crap_288_rateyourmusic_com You are looking at the two albums once rated by band members Walter Becker and Donald Fagen as being the two worst album covers of the seventies, bar none, according to Wikipedia. 

I disagree. I think I could come up with several seventies’ past postings that could be worse than this.

I grew up with this kind of music. I never knew what Steely Dan were about. Did anyone? Becker and Fagen never seemed to be quite sure either, in trying to define their style, which only had tenuous points of contact to rock. For this, they risked having the cover artist also unable to pictorally define their style. There is too much going on in the artwork to make heads or tails of it.

“Can’t Buy a Thrill” was their first LP, released in 1972, sounds more bluesy and jazzy than anything. It was a big album for them, having yielded their two signature tunes: “Reeling in the Years”, and “Do It Again”.

Album_Cover_Crap_289_rateyourmusic_com … And from “The Royal Scam”, “Kid Charlemagne” could arguably be another signature tune. 

A homeless dude asleep on a bench underneath images of mutating skyscrapers? I dunno. Doesn’t work for me, although it is supposedly an artistic attempt to shatter the Horatio Alger myth, that if everyone works hard enough, that one day everyone can own their own skyscraper (or something like that). And the imagery is of the hit-you-over-the-head-with-a-shovel variety.

Visits: 188

Crappy Album Covers #168 — Sucky Latino

Album_Cover_Crap_320_Latino_Love This is Richard Hayman’s 1969 cheezily synthesized “Genuine Electric Latin Love Machine”. Hear synthesized versions of songs like “The Girl From Ipanema”, “The Windmills of Your Mind”, and “Hare Krishna”. 

Wait … “Hare Krishna” is a Latin tune? Naw! And “Windmills” isn’t exactly Latin either, come to think of it. Looks like the robot needs to be re-programmed.

Album_Cover_Crap_295_funniez_net The Pachacamac is an ancient Peruvian site, thought to be nearly 3000 years old. Legend has it that every so often, on a clear sunny day, this dark haired guy in a tank top rises up from the Lurin River nearby and sings Latin hits. 

Of course, it is only the stuff of legend, and no one knows if it’s true.

One blog has Beto Mendez’s nationality as Ecuadorian. The album was produced likely some time in the mid-1960s.

 

Visits: 84

Crappy Album Covers #167 — Negative Brand Recognition II

Album_Cover_Crap_279_rateyourmusic_com_2001 This is the Manchester-based group, The Chameleons, with their 2001 CD “Why Call It Anything” with the world’s biggest UPC symbol to bugger up scanners all over the world. Behind that is some kind of dorky, clowny smiley thingy with too many teeth but excellent bridgework. 

What galls me is that the band, or some human, … somewhere, had to approve this album cover before it got released. It could have all been prevented, but I would say now that all those involved are covering their tracks, now.

Album_Cover_Crap_278_rateyourmusic_com_1983 “Script of the Bridge” their first album. A nice pencil crayon design that their Grade 12 art teacher would approve of. 

I have this album, and have owned a copy since at least 1984. The contents of this album are very good, and it was re-released last year with an additional bonus CD.

Visits: 75

Crappy Album Covers #166 — Negative Brand Recognition I: Weezer

Album_Cover_Crap_282_thealmightyguru_com_WeezerBlue Uh, yeah, like, we’re members of this band “Weezer”, and, uh, like, buy our record OK?

Weezer is a band that may, on some level, be authentic and earthy (in the grunge sense); but with these album covers, they just look like some guys that just came out of Starbucks to pose for a cover before going back to their lattes.

This is thier first album, self-titled (or to re-use an old joke, maybe they didn’t title it themselves).

Album_Cover_Crap_283_thealmightyguru_com The Beatles had their songs on albums referred to as “The Red Album” and “The Blue Album”, so why can’t Weezer? This is their third self-titled album, referred to as “the Red Album”, released in 2008. No matter how they dress, they still look like they are about to trot back to Starbucks to order their biscottis and doppio macchiatoes in the best fake Italian they can.

The picture-of-band-members-on-a-primary-colour-background aesthetic has, I believe, run its course, Weezer. Consider that artistic avenue explored, and move on. Please.

Visits: 80

Crappy Album Covers #165 — Just Hanging Around

Album_Cover_Crap_275_rateyourmusic_com This is the second CD released by the Toronto-based group Our Lady Peace. The cover features septuagenarian model Saul Fox, a frequent flier on many of OLP’s album covers. A combination of bad lighting and bad retouching makes it pretty clear that he is standing on the floor, giving little cause for the fear and tension in Fox’s expression. There should have been more effort made to produce the illusion of being airborne. And Fox ought to lose the mascara.

Considering that Canada has roughly the same population as California, selling one million albums in Canada alone is a rare achievement, and is awarded diamond status. OLP’s album Clumsy went diamond in 1997.

In the United States, Diamond is awarded by the RIAA for sales in excess of 10 million.

Album_Cover_Crap_265_funkyjunktrunk_com This lady likes to hang around too, although she looks more relaxed, and besides, she seems to have bagged a couple of hunters for herself. And while she doesn’t look like a “big dame”, I am sure most guys won’t mind her size at all. My only fear is that she might end up on some guy’s mantle as a trophy woman.

This is put out by “Sounds of A Thousand Strings”, although there are many blogs and sites selling used/reissued copies of this LP that claim it is by Art Neville, the New Orleans-based studio musician. Not much other reliable information seems to exist, such as what year this album was made. I am getting years in the 1980s and 1990s, likely the year of reissue. However, the depiction of late Nebraskan model/actress Irish McCalla (1928-2002) places this LP solidly in the mid-1950s.

 

Visits: 83

(Adult Content) Crappy Album Covers #164 — How they do it

Album_Cover_Crap_300_guardian_co_uk This is a 2005 album by Coco Rosie called “Noah’s Ark”. We see unicorns having a threesome over here (a slight departure from Genesis). My impression was that this album was some kind of progressive/heavy metal/grunge/experimental album. However, this is far from the case. Coco Rosie plays folk. Freak folk, to cite Wikipedia.Coco Rosie is a French-based female duo Bianca “Coco” Leilani and Sierra Rose “Rosie” Casady.
Album_Cover_Crap_291_rateyourmusic_com_cooked I put the black bars there myself, and consider it an improvement. The band name and title say it all anyway, doesn’t it? Their oeuvre deals mainly with taboo and edgy subjects ranging from drug addiction to necrophilia. Their approach is rarely serious; mostly absurdist. “Jim Seed Collector” is the name of a seven-inch single, released some time back.Smell & Quim are a British experimental group, performing in England as late as 2007.

Visits: 86