|1977 was the height of the disco invasion. And I say “invasion” rather than “revolution”, because at least revolutions are welcome in some homes.
Rod McKuen’s Disco parody “Slide Easy In … Disco” has been described as a “gay porn version of Grease”. The hit single “Amor” never made it in North America, but it was quite prominent in many European countries.
|These days, if anyone looked like this at a border crossing, they would be subject to a cavity search on the spot.
That being said, many blogs remember Instant Funk’s brand of Philadelphia Soul quite fondly, in spite of their having changed record labels from TSOP to New York’s Salsoul Records prior to the release of this 1979 LP. Disco and its sub-genres had been on life support after its mega-overexposure by the Bee Gees by that time, and even the best albums of the genre were being abandoned by all but the most hard-core fans by that time.
The TSOP label was home to artists such as Lou Rawls, The Three Degrees, McFadden and Whitehead, and The O’Jays. I like these artists, and have never really associated them in my mind with Disco, except in the loosest sense of the term. They sound closer to R&B, and were grouped together with Instant Funk as part of the “Philly Soul” sound.
|This is a 1966 reocrding produced by Alan Livingston and Lawrence Schiller. Dick Clark is uncredited for the narration, and Dr. Sidney Cohen gives some medical background on various aspects of LSD.
I wish they would have taken the record sleeve designer’s stash of LSD and flushed it down the toilet.
|This is the infamous Timothy Leary (1920-1996), with his recording, also from 1966, called “LSD”. This popularizer of the hippie can you buy viagra otc catch phrase “Tune in, turn on, drop out” and graduate of the University of California at Berkeley in 1950 was a Harvard lecturer but was fired amidst allegations of involvement with various psychoactive drugs.
The lecture on this record came after police raids on his Milbrook esteate, looking for drugs. Hence, it is said this recording has a bitter tone to it, compared to his other recordings.
|After your first bottle, you say “Here come the Elephants”, after about 4 or 5, you say “Here comes the twister” (see below), and the room begins to spin. The album looks at least old enough to have Johnny Bond participate in The Iraq War Drinking Game (the first one), but in reality he was never alive for it, having died of a heart attack in 1978.
Cyrus Bond (1915-1978) had a string of top-10 hits in the 1940s up until the late 50s. In 1999, he was inducted into the Country Music Hall of Fame.
|I had agony researching this group. I ran into a freaking domain-parked website offering info on “Po Boy”, “The Boy” and “The Po”. It is painfully obvious that someone didn’t attend their RESL classes (that’s Redneck English as a Second Language).
Then there was this site. Our boyz don’t look like post-punk/hip-hop dudz, yo’. But if they were those Po’ Boys, they would have a killer logo.
I am new to Po’ Boysology, but according to my observations, any band calling themselves The Po’ Boys seems to consist of
Just what we need … two guys in the band whose names are Jimmy and Jim. Look, guys, they don’t have to be your real names. I’m sure one of you wasn’t christened Snuffy!?! Could one of you have picked a different name?
After a couple of pages of bizarre stuff having nothing to do with this band except the name, I gave up. But there is indeed a genre out there.
There is a brass band called “The Po’ Boys” which does a killer cover of Led Zep’s 1971 hit Black Dog:
[youtube WTZcSS55PP8 zep]
And as for the Twister, here are the Talking Heads, same as they ever were…
[youtube I1wg1DNHbNU heads]
|The Calvary Boys were a traditional Southern gospel group that formed around 1970. They hail from the Piney Woods region of Texas, often called “East Texas” or “Deep East Texas”. “Gettin’ Ready to Leave” might bave been their first album, although it is not mentioned on their website, as far as I could tell.
They call themselves a quartet. That might be because the other 3 folks in the picture are the mechanics. In Deep East Texas, you repair your own damn touring vehicle!
|Chicks dig motorcycles. Dr. Dave had a novelty hit with “Vanna, Pick Me A Letter“, sung to the tune “The Letter” (a #1 hit in 1967 by a group from Memphis Tennessee, calling themselves The Box Tops). “Vanna” was a staple on the Dr. Demento show, having been played on 38 episodes between 1986 and 2008.
Dr. Dave (David Kolin) channels his best Cheech Marin imitation (at least that’s what it sounds like), making it a matter of debate in the song that phone is spelled F-O-N-E, and trying to convince Vanna to come to his place to play The Home Edition.
What you are looking at is the cover of their 12″EP released in 1986.
Here is a Lous Wain’s cat, after having late onset schizophrenia:
And here are the 13th Floor Elevators with one of their bigger hits “You Gonna Miss Me”
[youtube cYh5oMDlWwQ You Gonna Miss Me]
Here is Metal RAPsody by Lone Rager:
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Ta da!!! Here is Russell Oliver, the Lone Arranger:
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And here is an Air Farce satire on Russell Oliver:
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|After some looking about, I can’t for the life of me remember where I got the record cover from. While the name of the jpeg has the word “coverbrowser” in it, I tried “Coverbrowser.com” and several search strings, to no avail.I recall it was a jazz band, possibly one that was popular in the night clubs. I know nothing else. All evidence of the origin of this photo has disappeared into the Internet memory hole.|
|Guy Drake had a minor spoken-word hit with “Welfare Cadillac”, a song which poked fun of welfare recipients. Johnny Cash was asked to perform for Richard Nixon, and Welfare Cadillac was one of the songs Cash was requested to play. He refused, citing “short notice” rather than political reasons.Drake’s tune was one of a small group of “right-wing” hits; another from the same period being “Hokie From Muskokie”, a tribute to Nixon’s Silent Majority who didn’t protest the war, didn’t use recreational drugs, and didn’t listen to rock-and-roll.|
|Colby was a TV series that began in the late ’80s, that send a Christian message to children. You can find Colby records and CDs for sale at on-line Christian bookstores everywhere.The title “God Uses Kids!” smacks of this other CAC posting.|
|If I was a child and I wanted to be introduced to jazz, I would let Cannonball Adderley introduce me to it. In the 50s and 60s, he, Miles Davis, and others were considered the best in their field. Adderley played on Miles Davis’s “Kind of Blue” LP, released in the late 50s, the album which was to Jazz what Sergeant Pepper was to Rock and Roll.|
By some coincidence, both of these album releases are from Cuba, and from the year 1968.
|Eduardo Davidosn (1929-1994) is a cuban-born musician who released a 1968 album called “Le Chien (The Dog)”, perhaps in an early effort to make himself the darling of animal rights groups.|
|A muted version of The Many Facets of Roger… here, we see the two sides of La Lupe’s armchair.
Guadalupe Victoria Yoli Raymond (1939-1992) had a brief but rewarding career in the late 60s and early 70s, being the first Cuban singer to sell out in Madison Square Garden, but was in an increasing state of poverty later in life.
|You have to feel sorry for the model. She must feel pretty tired holding those pineapples, and I wish I could help by holding them for her, … her pineapples that is.No information exists on the album “Go with me to Hawaii” (Fahre mit mir nach Hawaii), except that it is likely from Germany, and the album title appears to come from the song “Riding in the Dreamboat of Love” (Steig In Das Traumboot Der Liebe), but maybe not.|
|I would like to have known when this trend started. I obviously missed this boat, for sure.WFMU has lavished more bandwidth than I will ever spend on this 1982 album, complete with presenting all of the mp3s. WFMU reminds us, it’s not just the marketer on the album cover, it’s what’s inside that counts. And we hear a guy in a fake French accent tell you what moves to make with your body over seductive classical music.|
|J. C. Crabtree questions Nietsche’s assertion that God is dead. It is likely that Crabtree didn’t read Frederich Nietsche when he made this record, but who knows?
There is no information I could find on this person, although a search turned up this J. C. Crabtree, but makes no mention of a ministry or of making records.
|Here is Gertrude Behanna for the second time, here to just show up J. C. Crabtree with her assertion that God is in fact not dead. Heck, with her it’s not even a question.
This album was already discussed here.
To finally settle Nietsche’s question, well, I was talking to God the other day, and He told me Nietsche was dead. That final assertion is much more provable.
|Allmusic.com lists at least 100 albums under the name King Crimson. There are their main releases, countless live albums, and a raft of LPs under the label “King Crimson Collector’s Club” released as recently as 2004. And don’t forget the fact that Robert Fripp re-mastered the entire KC catalogue in the late 90s. And then there are all of those compilation LPs, released as recently as 2009.
This 1969 album, “In the Court of the Crimson King” is the LP that started it all. A prog rock heavyweight at a time that Led Zeppelin were just starting out, it expanded on the then-new idea of “The Concept Album”, started by The Beatles’ Sergeant Pepper in 1967. “Crimson”, like “Sgt Pepper”, had no singles, but the LP peaked in 1970 at #28.
A view of someone having fun with this cover is found here.
Musicstack.com lists this vinyl LP as a collector’s item, commanding prices as high as $172.00.
|This is Yes’s 1978 offering, Tomato. This album has most of the original Yes members, sans Bill Bruford. There were musical disagreements as to the direction of the music, divided into classical and pop-oriented camps, which hampered the quality of the album. So, not a single song on this LP is over 8 minutes long. By Yes standards, the songs are so short, you might as well be listening to K-Tel.
Then there was the album cover. Hoooly moly…. Rumor has it that the artist had this black-and-white photo of some dude with drumsticks which he thought would go nicely if a bright red tomato were thrown at it. Ohhhh… the contrast in colours! The juxtapositions! Whatever…
A copy of this LP in “excellent” condition currently sells on musicstack.com for as much as $54.95 (US).
|Why have album covers of the disembodied heads of women? According to Swamp Dogg (Jerry Williams Jr), all that really matters is their lips. And tongues as well. After that, ol’ Swampie just gets happy with the cut-and-paste tool on Photoshop, and pretty soon, he has himself the album cover he had been salivating over.|
|Roger is a complex guy. Sometimes happy, sometimes sad. Sometimes troubled, sometimes glad. Roger Troutman, with freres Lester, Zapp and Larry and a couple of other musicians give their R&B best to many of the 70s classics in this 1981 LP. Roger is known for being a virtuoso with a vocorder, and it is said that this LP has a lot of other electronic instruments and effects that won mild accolades from reviewers.
This album has been re-released on CD (Rhino) as recently as 2002, with bonus tracks.
Pink Martini is a class act, in every sense of the word. While they do jazz and “international” music, their musicians are classically trained, and there are enough band members using traditional orchestral instruments to call them an “orchestra”.
I had to include band Pink Martini’s 2007 album “Hey Eugene” into the CAC blog, since it looks tacky. But of course, it is consistent with the hit song which makes the title of the album. Lead singer China Forbes is depicted here sitting on the edge of the tub of the bathroom where presumably Eugene’s skinhead friend passed out for several hours, according to the narrative of the song.
In the following year, China released a solo album called ’78, which has a more relaxed, folksy version of Eugene.
Moscow Nights is, according to Wikipedia, one of the best known Russian songs outside of Russia. This record is something like the old K-Tel/TeeVee International compilations, containing 20 hit songs.
This record possibly comes from the 1970s, and had at one time been released on the American Smithsonian-Folkways label.
There was a re-release in CD format in 1993, and mp3s are for sale on eMusic.
Here is Pink Martini’s 2007 atypical cult hit “Hey Eugene”, as aired on PBS, with lead vocalist China Forbes and bandleader and composer/arranger Thomas Lauderdale being interviewed at the start of the song:
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