Allmusic.com sums Pat Boone up best. Having started his hit-making career before the “British Invasion”, Boone was the only worthy rival to Elvis Presley. Boone was the “nice guy” of the set, seeming to symbolise wholesome values at a time when Rock and Roll was considered by many to be a sign of the apocalypse. Many can say what they want about him, but nobody can deny that he’s had 38 top-40 hits, all of them in a seven-year span between 1957 and 1963.
Boone, like Presley, were experts at picking music from R&B and so-called “race music” and delivering it to white audiences at a time that many radio stations would not play music by Black artists.
Descendant of frontiersman Daniel Boone (if Allmusic says it, therefore it must be true), Boone broke away from his recent Gospel singing efforts to blaze a new path for himself in 1997 with “In A Metal Mood: No More Mr Nice Guy”, the subtitle named after the Alice Cooper hit, which he covers.
Hear Boone sing Van Halen’s “Panama”, or Deep Purple’s “Smoke On The Water”; Guns ‘n’ Roses’ “Paradise City”; Led Zeppelin’s “Stairway to Heaven”. Some of this stuff I can imagine being more believable, though it is still a stretch: Nazareth’s “Love Hurts” or Jimi Hendrix’s “The Wind Cries Mary” could remotely be imagined to be sung by Boone. There are no satisfying audio clips that I could find, so you can just preview this stuff at sites like Amazon, where they will have 30-second clips. This link is to CD Universe.
While it should be clear that this album is an abomination on many levels, I think it was intended that way. And Boone knows that big band treatments of this kind of music is best served dedpan. Few had the stomach for this album, which peaked at #125 on Billboard in 1997.
It should be added that this album was recorded when Boone was at age 60. Much of his Christian following didn’t get the joke, and the Trinity Broadcasting Network dropped him from their program “Gospel America” after he appeared at the American Music Awards dressed in black leather and covered in wash-off tattoos.
Completed in 1978, long after they had the wind taken out of their sails by punk and disco, Keith Emerson, Greg Lake, and Carl Palmer released this light album, intended to complete their contractual obligations before their first breakup. Various re-releases have been issued, as late as 2008.
Light as it is, “Love Beach” still sports a 20-minute track called “Memoirs of An Officer and a Gentleman”.