Tag: bad artwork

Crappy Album Covers #135 — Food on Vinyl IV

Album_Cover_Crap_221_-_ebay_com Yes, Herb Alpert was at it again, back in 2006, when this CD got released. Re-Whipped appears to have some of the same standards on there, with some new stuff thrown in.

In this age of “Hoochie Mamas” and Paris Hilton getting laid in front of the whole Internet, the whipped cream idea doesn’t have the same impact it used to have.

Having discovered many of these covers, I now have a plethora of Herb Alpert wannabees which have now engendered an extension to my “Food On Vinyl” subseries over the next few days.
Album_Cover_Crap_223_-_amright_com At least Peter Nero isn’t flogging food but he certainly is a Herb Alpert wannabe, having stolen his typeface design for his own album. This was released in 1967, about the same year as Alpert’s “Whipped Cream and Other Delights”.

Having won two Grammies, and having many honorary degrees, you would think that he wouldn’t need to play a “salute” to anyone.

Nero has been playing Jazz and Pop music since 1958. He still conducts and plays piano for the Philly Pops.

Views: 146

Crappy Album Covers #128 — Channelling the Great Rock Legends

Album_Cover_Crap_168_MinstrelOTMorning_John_Bayley The design element (there is only one) that John Bayley uses combines all of the most incoherent elements of late-60s album design, hoping it will amount to something, for this 1976 album, “Minstrel of the Morning”.Lessee … what do they throw in? A clay tiger, a kid in a lotus position (who will surely become warped when he gets older), a nearly comatose woman in a flowing dress (the feeding tube was temporarily disconnected for the photo shoot), a sitar, a mandolin, John Bayley channeling Mr. T, and a Wal-Mart circular rug, curtains, a painted over Roman blind, and some artificial plants.

A copy of this was sold on E-Bay last year for $75.00
Album_Cover_Crap_171_Flickr The closest explanation for this disaster of an album cover is … okay, some guy goes to the Harlem branch of the Salvation Army store in New York City, buys a random mixture of men’s, boy’s and lady’s clothing, then goes to the neighbouring soup kitchen at the Habour Light, and tells four jobless hoboes that he is willing to pay them two cases of beer each if they will dress up in these clothes for an album cover. At this point the hoboes still hadn’t bargained for mascara being part of the deal. But hey, there’s two cases of beer on the line. Each! That wasn’t so bad, but then the photographer told them they had to bathe first.One of the hoboes angrily responded “What’s wrong with our personal hygeine? We take a bath every February 29th whether we need it or not!” That was almost the last straw, and after nearly an hour of thinking about it, they realised that they won’t be able to afford that much beer for a very long time, so they grudgingly obeyed.

This is why “They have got to rock and roll.”

Views: 147

(May be disturbing) Crappy Album Covers #127 — Plastic Surgery Disasters II

Album_Cover_Crap_186_Flickr This is the kind of thing that gives the LGBT community a bad name. Don’t know the artist, album or anything else about this disaster of an album design. 

This is worse than an album cover, because it is a picture disc. Notice the hole punched in the center, near the price tag? Yeah, you take this, put it on your turntable, and watch this guy/girl/whtever rotate as he/she/it sings you some tunes.

Don’t picture this as a rotating CD, because CDs rotate too fast. You need to imagine this rotating at 33 1/3 rpm, where you could still make out some of the details as it spins.

I am usually a curious hound for finding out about most CAC’s but the blog I got this from also didn’t know, and I wasn’t sure I wanted to know.
Album_Cover_Crap_159_showandtelmusic_com_Greatest_Picks This appears to be by a member of the profession that is responsible for disasters like the one above. 

With this album design, I would say that John Butterworth should stick to medicine.

Views: 134

Crappy Album Covers #115 — Trophy animals and trophy women

Album_Cover_Crap_195_Flickr First, let’s talk about trophy animals.Kind of reminds me of the 1986 college radio smash hit “All I Got Were Clothes For Christmas” by Happy Flowers.

Also, looks like the musician is getting friendly with his trophy deer.

There is no info on who this person is or why he has the logo for the American Lung Association painted upside-down on his forehead.
Album_Cover_Crap_192_Flickr Everything was going romantically until Ethel noticed trophies of a beheaded blonde and redhead on the wall, and remembering she is a brunette, she concluded that George must be a collector. Things became tense after that.Yes, trophy women. That is, women’s heads as wall-mounted trophies. This should have been the album cover for Fine Young Cannibals’ “Hunters and Collectors”.

Elliot Lawrence was an American Jazz Pianist and band leader during the late 1950s. He won two Tony Awards for his compositions in TV and film in the early  1960s.

Views: 247

Crappy Album Covers #114 — Cows and Cliches

album_cover_crap_140_cendella_com Moving Geltine Plates (MGP) was, according to this bio from progweed.net, was one of France’s finest progressive rock bands. This album, released on CBS Records in 1972, was their second album, and the critical high water mark of their career. Poor distribution was blamed for the fact that this record didn’t fare well in the stores, and the band soon folded afterward.

I would also blame the album cover which was designed for it. At the time of the first writing of this blog article, I mindlessly thought that this was the head of a cow. Problem is, how many cows are hairless? This one also has half-closed eyes. Like a pig. The ears are cone-shaped like a cow. I’m totally screwed up here.

Lookit. I’m not dumb. I know my cows. Here’s a cow:

HappyCow

What’s so funny?! It’s a goddamn cow! I know my cows!
album_cover_crap_141_cendella_com Former member of White Witch, Ron Goedert recorded “Breaking All The Rules” in 1980, a couple of years after the band broke up. White Witch opened for a lot of seminal 1970s acts, includng Alice Cooper and Grand Funk Railroad.

Allmusic.com makes scant mention of them, except to simply have an entry for Goedert and his record, the only one allmusic.com mentions.

Maybe the fact that one of the members was wearing a yellow sleeveless jumpsuit on the album cover had something to do with it.

 

Views: 256

Crappy Album Covers #113 — Groovin' … or something

album_cover_crap_155_showandtelmusic_com BC and Frenchy are classified by Show and Tell Music as “Hillbilly Synth Wave”. This page discusses the two musicians, Bruce (last name?) and Carroll Frenzilli. An Italian named Frenchy. Nice. 

Obiously a DIY album cover.
pic10383 Reverend Dexter Wise
Rapper In Disguise
Rappin’ with the boyz
Makin’ joyful noise
Is it gangsta rap?
He ain’t into that! 

Not sure when this one came out.

Views: 116

Crappy Album Covers #103 — My Bruthas’ Johnson (more phallic symbols)

album-cover-crap-58_philipharland_com The funk/disco/R&B duo The Brothers Johnson’s 1980 recording, “Light Up The Night”, was the high water mark in their career as  a duo. Rolling Stone listed this record as #48 in the top 100 records of the 1980s.Looks like George is using his Johnson to light up Louis. Probably didn’t help sales, which went to #5 on Billboard’s Top 200 despite the album cover.

The record did not release any pop hits, but likely had at least one dance club hit, “Stomp!”. The Brothers Johnson were probably best known for their mid-70s pop hit “Strawberry Letter 23” (peaked on BB as a single at #5 in 1977).
album_cover_crap_136_zonicweb_com Now we have a guitar as a phallic symbol. But they always kind of were. The drummer never gets the girl. It’s always the guitarist. Lead guitarist? Even better. They are the alpha males in the group (if you want to carry the analogy to apes).Chicks also dig motorcyles. And motorcycles and guitars together? SCORE!!!! Evidently, Ray Nelson’s invention of a guitar-shaped motorcycle never quite caught on, except as novelty. Nelson rode around the country in one which he built himself in 1980.

He also recorded this record 10 years earlier with a few colleagues of his. The idea stuck in his mind to build a motorcycle that had a guitar motif, from the drawing on this album cover. If the drawing was followed exactly (it probably wasn’t), they would probably find that the fretboard was blocking the headlight.

Nelson has made several selefless contributions to society, through his “Guitars not Guns” campaign aimed at wayward youth, and also by being a foster parent.

Views: 185

Crappy Album Covers #101 — Latest religious messages

album-cover-crap-49_thriftstoreart_com No idea of the artist, but I guess that the lesson here is that a fascination with morbidity affects us in different ways. Some of us contemplate death; others form a heavy metal band; still others punk rock; some write about what the experience must be like, and some people, like these folks on this CAC, enjoy walking around on graveyards wondering where the heck they are.

And that is the question, isn’t it? These folks, like many of us, often have unfinished business with such people for which inconveniaces such as untimely deaths create obstacles for us. If you found such a dead person, say, sitting at a bar, wouldn’t you like to give them a piece of your mind? Or tell them you’re sorry? Or forgive them for something?
album-cover-crap-8_lp-cover-lover An album title which has many meanings, depending on how you emphasize the words. Such as:

“What’s your name?”

“My name is Al Kaseltzer”

“Jesus! What a name!”

Views: 158

Crappy Album Covers #100 — Monsters!

album-cover-crap-55_thriftstoreart_com Barry Louis Polisar is another one of many CAC makers that appear to have one solution or another to deal with rebellious children. And you know, it is something that no parent I know has ever thought about: Threaten to eat them! 

Eating children has been advocated throughout history as the remedy to one social ill or another. If you recall, Jonathan Swift, when he was still a newspaper editor in Ireland sometime in the late 1600s, wrote A Modest Proposal, which advocated the consumption of children for food. But only the poverty-stricken children, so that it would put an end to the problem of poverty-stricken children in Ireland. It was a clever idea, but sadly however, the urgings of newspaper editorials rarely make it into the cornerstone of Irish public policy (or policy elsewhere, so I hear).

It is nice to know that Polisar is willing to take Swift seriously and put himself on the line for the greater good. Of course, the difference is, Swift was only joking to make a point about poverty.
album_cover_crap_163_showandtelmusic_com Let Ron “The Terminator” Curtis show you the Sounds Of Love, as soon as you tell him where you’ve hidden Sarah Connor. 

Does Ron look like he’s in a loving mood? Would you trust him to show you what love sounds like? Is that an Uzi he has in his pocket or is he happy to see you? You can’t tell with these cyborgs. Just stay clear, is all I can say.

Views: 118

Crappy Album Covers #99 — Creepy Sexuality

album-cover-crap-60_playmates This is the 1958 record which started their short career in singing, being the first of four albums for the American novelty act The Playmates. The single “Beep Beep” lasted 12 weeks on Billboard, peaking at #4. The lyrics mention a Cadillac and AMC’s Nash Rambler, which caused sales of the Rambler to skyrocket. 

When the single crossed the Atlantic, the Brits had laws against product placement in the lyrics, so the British single had no mention of specific brand names in the single.

The playmates broke up in 1964.
album-cover-crap-78_lpcoverlover_com I am not sure who recorded this or what label it was on, but, hey, does it matter? The title tells us right away that this is not a singing record. 

To make picking up girls easy, life experience tells me you need to have a lot of money, job security, and looks come second. Actually, this has been proven to be true cross-culturally, and is believed to be a survival tactic of our species that choices of mates take place in this manner.

But this album came out before we knew any of that, more than likely. And someone likely made a mint off of people’s ignorance.

Views: 133

Crappy Album Covers #98 — Still More Belly Dancing

album_cover_crap_119_-_belly_4 One idea I haven’t yet explored is a blog of belly dancer favourites; a kind of “belly dancer top 40”. I don’t know if it will catch on, though. When you buy a record, its about the music. But if a guy says that he likes belly dancing, it probably is not about the music.

However, this record could be about what the belly dancers like. They may like music that has little to do with belly dancing. This could get interesting …
album_cover_crap_118_-_belly_3 Artie Barsamian currently leads the Boston Big Band and Swingtet. Barsamian is an afficionado of the Big Band sound in the tradition of Benny Goodman, and has been following that tradition for over 50 years. Very little info appears on the album “The Seventh Veil”.

Views: 161

Crappy Album Covers #89 — Crappy Beatles

album_cover_crap_127_-_beatlesnonexistentI wish I could say this was a joke. But the 1966 American release of “Yesterday and Today”, which I don’t remember, probably because I only remember the santiized version of this record cover, really did exist. 750,000 of these were released, but most of them had the alternative cover pasted on after the controversy ensued.

So this is how The Meat Puppets got their inspiration. It goes without saying that collectors are reportedly paying at least $40,000 for this album cover, and still more if it is one of the stereo releases.

The Beatles themselves reportedly had mixed reactions. Lennon and McCartney were OK about it, while Harrisson reportely was more retrospect. Personally, I would have left the blood and gore for Ozzy Osbourne and Alice Cooper. I can’t see McCartney biting off the heads of chickens on stage. Not even Lennon.

yesterdayandtodayalbumcoverEven after using this sanitized album cover, this album remains as the only money loser for The Beatles that Capitol ever released, despite the hit songs that were on it: “Yesterday”, “We Can Work It Out”, “Nowhere Man” and “Day Tripper”; and despite the fact that it hit #1 on Billboard, and became certified Gold.

This is way off the other end. Clinically sanitized. The Beatles are neither extreme, and that is their whole appeal, in my view. They established their reputation by taking artistic risks while being in full control of their craft.

Views: 71

Crappy Album Covers #88 — Boots that smell

album_cover_crap_126_-_dylan_starbucksThis is a 2005 first official release of a 1962 recording that Dave Van Ronk  helped record which had been a bootleg for decades.

Now, I have nothing against Dylan making money where he can. But does anyone agree that putting “The Times They Are A-Changing” in a bank commercial, as he agreed to do for Bank of Montreal in the last decade constituted good product placement and promotion of the “Dylan” brand? Do you want that message to be given to you by a folk singer or your bank?

This album was recorded by Dylan before he became well-known. It is done in the packaging which Starbucks approved of for their 6-month exclusive 2005 deal for which he once again became infamous as a sellout. Much ink and electrons have been spilled on this topic, and I won’t venture there. More interestingly, he was also reviled by record/CD retailers such as HMV for doing this. After all, HMV feels (somewhat rightly) that they shouldn’t be competing against a coffee shop to sell CDs.

Give Dylan a break. First of all, “Live at The Gaslight” is a bootleg, and what better way to stick it to the bootleggers than having your own authorized relase? And coffee shops are where common, ordinary, grass-roots people meet, isn’t it? That is, common people who commonly order $5 lattes and $3 biscottis in fake Italian. Near where I live, such common folk walk their 3″ tall toy poodles and wear Florsheims. These customers take about 3 minutes to say the order in a nearly operatic key; then the server takes another 3 minutes to repeat the order in-tempo to another server who works the espresso machine. Who will sing their songs? Who will sing about the time that the chashier, who has a nose ring and a Master’s degree in Anthro for his thesis on “The Impact of the Roncesvalles Streetcar Terminal on Popular Culture in Toronto”, thought he nearly got skin cancer by scanning so many fifty-dollar bills under the UV? And after the customer pays an inflated price for coffee, he leaves out that tip jar. Now, that takes real guts. And no one sings their pain like Dylan.

Here’s one way to really “stick it to the man”: Go to Starbucks, and order “instant”. That ought to throw a monkey wrench in the system. I guarantee you that because most of these people are from a generation that hasn’t heard of “instant” and don’t know how to cook their own meals, no one will know how to handle the order, but everyone will feel that they absolutely must or fear getting fired. For one thing, it’s not fake Italian, and it doesn’t take 3 minutes to say.

album_cover_crap_125_-_nimoy_iii_boot

This is also believed to be a bootleg. Now I am beginning to believe that if Leonard Nimoy can be bootleged, anyone can. Wonder what price bootleggers were getting for this album?

Two late ’60s standards are on this single. One is Peter, Paul and Mary’s “If I Had A Hammer”, and the other is Bobby Hebb’s jazz standard “Sunny”, which quickly got covered by Ella Fitzgerald, Pat Martino, James Brown, Dusty Springfield, and just about every lounge lizard act with a pulse. My father had a James Last LP with Sunny on it. Boney M even put out a disco version of Sunny.

In case you were not alive during the 60s, I started scratching around for a You Tube video to show you. The original Bobby Hebb versions are out there, but you have to go to You Tube directly to view them. Instead, I have a double-bill: a duet with Tom Jones and Ella Fitzgerald from 1970, more than likely on Tom Jones’ own variety show:

Views: 105

Crappy Album Covers #87 — Belly Dancing II

album_cover_crap_114_-_orienta I’ve noticed that in the past copule of posts, album covers of middle eastern music/belly dancing of the ’50s and ’60s appear to prefer redheads. Here, even the blonde has to settle for being upstaged by this redhead. If the bald fella hits the gong, the performance is over and the dancer gets escorted off the stage.
album_cover_crap_114_-_orienta_back “Orienta: The Marco Polo Adventures” could have been made in the late 50s and early 60s when most blockbuster movies consisted of stories of history and exploration. But no exact information exists.
album_cover_crap_108_-_mambobelmontemidnight Mambo at Midnight, by Belmonte and his Afro-American Music. At least it’s not that other Midnight Mambo: the horizontal one. 

Click here to hear a sampling of what Belmonte sounds like.

Views: 132

Crappy Album Covers #86 — Bad Hair II

album_cover_crap_121_-_hair_franklarosa_com I have no idea how many remakes of the Hair soundtrack there were. You know, this hippie chick looks like she has a case of running out of conditioner and shampoo. While this doesn’t hurt album sales in the least, it is still part of the problem.
Once again, we see a gorgeous naked woman but for her hair, “Hair” in large letters and “Music from” in small letters. In the same small lettering are the performers, called “The Sunshine Generation”.Would you rather hear songs like Aquarius and Good Morning Starshine from The Sunshine Generation or from The 5th Dimension and Oliver respectively?
album_cover_crap_109_-_howtosaveamarriage This was not going to be a bad hair album until I realised that the lady in this photo is wearing a wig.

The plot line to the movie is something like: A bachelor tries to save a friend’s marriage only to end up getting married himself, I think, to the friend’s mistress. This is a soundtrack to this 1968 comedy starring Dean Martin opposite Stella Stevens, with music by Micheal Legrand.

 

Views: 142

Crappy Album Covers #85 — One up for the ladies

album_cover_crap_115_-_ragtime Never mind what the (usually male) record company exectives tell you. The real record salesmen are women. All they need to do to sell a record, regardless of its quality, is take off some or all of their clothes and pose for the album cover. Too bad the ones in this blog are entry are nameless, as they are most of the time.
album_cover_crap_111_-_dances This model  remains possibly clothed and looks suggestively at the camera lens. Definitely a “money shot”. Believe me, I have nothing against women who play no part in the music performance on album covers, but what makes this cover crappy is that it has little else going for it. Just a spinning globe in the forground to keep the guys guessing.

Views: 145

Crappy Album Covers #84 — Why sex is like chocolate in record cover design II

album_cover_crap_112_-_lalala Caravelli and His Magnificent Strings seem to have the benefit of a nude model for this 1969 album in order to distract listeners from the fact that big band and non-electric music that wasn’t folk had been dead for decades.And getting a hippie chick to pose nude with the playlist painted on her skin in psychedelic lettering wasn’t going to help.

Notice that 1969 is a couple of years after Herb Alpert hit it big with his suggestive album cover for “Whipped Cream and Other Delights”. The sexy cover gained Alpert a whole audience that would not have given him the time of day. By 1969  all of the nerdy non-rock acts wanted a piece of the action.
album_cover_crap_113_-_bambuco Pancho Purcell also wants his share with his late 60s/early 70s offering “Bambuco Moves In”. It is likely to have been made around the same time, although the exact date could not be even hinted at.Bambuco is moving in, and she hasn’t got a thing to wear. She also does not appear to have a belly button.

Bambuco is a music common in South America, particluarly Colombia.

Views: 120

Crappy Album Covers #83 — Belly Dancing I

album_cover_crap_116_-_port_said Port Said (Bur Sa’id), an Egyptian city lying on the Mediterranean Sea, was originally built in the mid-1800s, so the story goes, to house people hired to costruct the Suez Canal. The Canal runs through Port Said and ends at the Red Sea. 

I would imagine that belly dancing became popular in Western culture precisely by Europeans and Americans coming to Egypt to work on the canal.

I wonder what the deal is with the concentric circles emanating from the dancer’s left nipple. It could be a GPS transmitter.  Ships entering Port Said can use her as a navigation aid.

“Belly Dance Music From Port Said” is one of at least 3 albums from Saffet’s Oriental Orchestra.
album_cover_crap_117_-_belly_2 Exactly how does one convey the music of belly dancing on an album cover? If you have a beautiful wife, you can photograph her in Egyptian garb and have her do various poses and contortions. Take a bunch of polaroids, and paste it as a mini-montage on a hot pink canvas, then title it using a Arabic-style calligraphy. 

Many Westerners who don’t understand Islamic culture (or who understand it only enough to know the tightly-held taboos, especially on women’s mode of dress) have trouble reconciling themselves to this apparent contradiction in their acceptance of belly dancing. But I guess it wouldn’t be a true culture if it didn’t have contradictions.

Ray Mirijanian has had at least 6 albums produced in the mid to late 1960s on Middle Eastern music.

Views: 215

Crappy Album Covers #81 — Crappy By Request

Bunk Strutts has requested that I look at a link he sent me, and here is what I am coming back with. He had sent me a link to Franklarosa.com some weeks ago, and only now I am coming around to the requests. So, you might have to wait up to 3 weeks, since I post a couple of weeks in advance, before people actually see it.

album-cover-crap-106_-_hit_70s_tv_franklarosa_com A group called “The Pop Singers and Orchestra” has this album called “Themes from TV Hit Shows”, obviously from the late 70s/early 80s.

Get a load of these cartoony impressions of the stars of these programs. Kind of makes it look mindless. Just the way I remembered those programs. It’s just that the offerings by networks these days make these 70’s programs look like “University on the Air” by comparison.

We witness Valerie Bertinelli, the hearthrob from One Day At A Time, looking as if she has Down’s Syndrome; Angie Dickinson (Police Woman) gritting her teeth instead of smiling; Jack Lord (Hawaii Five-O) looks like Dudley Moore; and Lindsay Wagner (Bionic Woman) looks like an 18 year-old valedictorian. Archie and Meathead look like they’re gonna kiss and the ladies look terribly worried; and Sanford is going to be strangled by his son.

Michael Landon (Little House On The Prarie) looks like a seventies’ lead guitarist surrounded by his child-age female groupies (Hold it! That’s exactly how he looked on the TV show!). Lee Majors (Six Million Dollar Man), whose portrait presented here was drawn during his brief encounter with a moustache, looks sad that Charlie’s Angels has borrowed all three of his pink turtlenecks, and he had to settle for wearing a crappy orange one.

Then, there’s The Waltons. Look, I grew up on this program. It was my mother’s favourite, since she grew up in the praries in the ’30s, the same period of the program. This means that the theme is forever burned on to my cerebral cortex. Why on earth does someone feel the world needs yet another rendition of that infernal theme?
album_cover_crap_121_-_cabot_franklarosa_com Going back a decade, Sebastian Cabot played the butler Giles French in the sitcom “Family Affair”. Here, he recites (not sings) the greater works of Bob Zimmerman (nee Dylan) in his album “Sebastian Cabot, Actor/Bob Dylan, Poet”.

I am unsure why the silhouette of Dylan is distorted near Cabot’s head. Looks like Dylan’s harmonica is trying to eat his face.

You have not lived until you have heard Sebastian Cabot read (not sing) “It Ain’t Me Babe”. I can’t seem to find an MP3 of this, but he recites it like he is reciting Shakespeare. I heard it once years ago, and I recall it was unintentionally hilarious. The “music” is in the same league as William Shatner’s “Transformed Man” made around the same time. Recall that in that album, Shatner distinguished himself by reciting (not singing) “Lucy In The Sky With Diamonds”. Or you’re maybe better off not recalling that one.

I went through his track listing, and he thankfully does not do “Subterranean Homesick Blues” or “Lay Lady Lay”.

This album has since been re-released in 2007 on CD, and is sold on Amazon, if you really want to hear “It Ain’t Me, Babe” that bad. You can download the individual MP3 from there, I believe.

Actually, I have found the song embedded in a video from You Tube:

Views: 180

Crappy Album Covers #80 — Wanna Come to My Place?

bongodate This is Jazz artist Mike Pacheco with his 1957 LP “Bongo Date”. Back then, there was the fascination with Beatnik culture. It was the Hip-Hop of the 1950s. 

Guy says to the girl: “Wanna come to my place and I’ll show you my instrument?” And the pick-up line actually works! It’s a date! Or maybe the girl is saying it to the guy. For me, it works both ways in this photo. Cherche la femme, indeed!
harmonicagang Johnny Puleo (1907-1983) was a pantomine artist, dramatic actor, and in his later years, master of the harmonica. He has recorded at least two albums with “His Harmonica Gang”, and has had at least two solo efforts. 

He’s the short guy in the foreground. Standing at 4′ 6″ tall (1.37 metres), he would show up on Ed Sullivan playing a bass harmonica that was almost the size of his head. He started in Vaudeville playing all of the large night clubs in the United States. His last performance was on television in 1982, when he appeared once on SCTV.

Views: 161