|1960 crappy album cover (CAC) maker and, oh yeah, comedian to boot, Bill Carty has a variety of albums which all fit the high standards of crappiness that gives this blog such longevity. Here, we see a standard technique for CAC making that has been imitated by many CAC makers in many countries worldwide: thoughtless photo retouching.Workers at a construction site on the other side of Pompano Beach were probably scratching their heads after it appeared that ten of their blasting caps went missing.If Bill Carty is really “Blasting Off”, it’s only his head that is blasted off. Spectators below stare aghast at this horrid spectacle. This would mean that the late 60s the audience in The Space Sattelite Motel in Pompano Beach, Florida were witness to the world’s first suicide bomber. In those days, they didn’t have Homeland Security, either.
The Space Sattelite Motel, which was located in a city located north of Miami and closer to Fort Lauderdale was the epitome of 50s kitch. Carty would have been placed on a stage in the middle of an audience and a bar which surrounded the stage. The motel does not show up anywhere I have looked in the Pompano Beach area, and it may no longer exist.
lpcoverlover.com says this is from “Stere Oddities”, but I think that on seeing another record from the same label, I think it should be “StereOddities”.
|This is the other record I saw. See? The words are closer together. StereOddities just seem to love big heads on their records. And there are more. Many more. CAC collectors even have a special section for albums depicting disproportionately big heads (or disembodied big heads) of the artist on their covers. This is true for lpcoverlover, and it is also true of another account of a curio record store in the states that I have heard about.Nino Nanni (b. ?- d. circa1991) was another comedian on the same label. Both Nanni and Carty are mentioned in WFMU’s Beware of the Blog as “Nobodies”. Nanni did in fact have a great braritone voice, and perfect enunciation, apart from his talent with the piano. The main attraction from Stereoddities will be presented later in this series.|
Both of these albums are rare, and are discussed at length, halfway through this WFMU podcast, starting at about 30 minutes: