It is difficult to get into the reasons why the 50th anniversary of Woodstock was cancelled this year, but it was set to go on the 16th of August. For that, you have to avoid the major networks and newspapers, and that means CBC, CTV, The Globe and Mail, CNN and the New York Times. The major media is not that much invested in the politicking and intrigue underlying the music business.
It is so much better to give a detailed read of the trade publications themselves, because, they can’t get it wrong, or be vague if a little more research or a few more interviews would give the story more flesh. What Billboard and Variety magazines provide is a much more sobering read about the ill-fated concert. I even got quite an education just from reading the comment section of Billboard, which is more than I could say for the journalists in the major media who are trying to make a living on stories like this.
It is a story of organizers getting screwed by promoters, venue changes when the old one couldn’t be secured, a lack of planning (apparently, very little thought to security or how to manage vehicle traffic into or out of a concert which had a target attendance of over 160,000).
Billboard is where I learned that, as a condition of performing at a large venue such as a theatre or stadium, many performers have a “radius clause” imposed on them, meaning that they could not have any concerts within a certain radius of the venue they signed up for. If these performers were performing, say in Virginia, or any place along the middle part of the American Eastern Seaboard, they had to cancel their Woodstock appearance when it was announced that Woodstock was being moved from Bethel, New York to Maryland.
Alas, it was not to be, and seven hours ago, the organizers cancelled Woodstock’s 50th anniversary altogether.
Woodstock 50 was to have among its lineup, original acts such as Santana, Canned Heat, David Crosbie, Melanie, John Sebastian, John Fogerty, Country Joe MacDonald and Hot Tuna (two members of Hot Tuna are from what used to be Jefferson Airplane); and a big name from “classic rock”: Robert Plant; and then a lot of “cool” modern performers, such as Pussy Riot, The Black Keys, and Brandi Carlile. It is not clear that Miley Cyrus fit the general theme of a concert like Woodstock 50, and many thought that by admitting her and some others, that organizers had diverged from the peace/love/positive vibe that they should have been conveying.