For the most consecutive gold and platinum albums by a rock band, first place is The Beatles, second is The Rolling Stones, and third place is the Canadian group Rush (24 gold, 14 platinum). The members of Rush have worked hard to reproduce their album sound in their concerts, so Rush concerts have been known for having lots of instruments about each musician. They have also made use of digital sampling to fill out their sound.
All three members of the rock band Rush received membership in the OOC in 1996.
Neil Peart – Each member has over the years had made the most of their membership by making themselves into multi-instrumentalists. Apart from drums, Peart has in the past included tubular bells, a glockenspiel, and other obscure percussion instruments, both electronic and not. Peart has been voted the greatest performing drummer by fan-zines like Drummerworld, and many fans attend live Rush concerts to hear Neil Peart do a drum solo. He certainly ranks up there with the likes of Ginger Baker and John Bonham. Peart is also the primary lyricist of the trio.
Alex Lifeson – Alex is the sole remaining founding member of Rush, and possesses the ability to play several kinds of guitars, and on occasion some keyboards. According to Rolling Stone magazine, he ranks among the 100 greatest guitarists of all time, just below Eddie Van Halen and Queen’s Brian May. As for vocals, I could find no indication of him doing more than backing vocals for the band.
Geddy Lee – Bassist and the voice responsible for the band’s signature high-register vocal. He actually possesses three octaves, ranging from baritone, to tenor, and then to alto, reaching into mezzo-sporano. While his vocal styling may have received some criticism, his instrumentation rarely has. Besides bass, he also plays keyboards including synthesizers. He once did a cameo with Bob and Doug MacKenzie on their album Great White North, and the song Take Off was the largest-selling single of Geddy Lee’s career. While Geddy Lee cannot strictly be called a founding member, he joined when the band was 1 month old, and happens to be a high school chum of Lifeson.
Only 5 days to Christmas, and you need some music. Let me help out …
It’s that time of year again, and here are some musical genres listed at Every Noise at Once that have “Christmas” in the names:
This is a good, Irish-influenced way to hear Xmas music: Clannad, The Chieftans, Enya, …
As opposed to …?
The standard fare
More standard fare
Another nice addition to the holiday spirit. Why do you need to hear Burl Ives or Bing Crosby for the bazillionth time anyway?
Just about any country musician will do. Too many to list: ranging from Tennessee Ernie Ford to Dwight Yoakam.
Folk? I am unsure how they justify listing Elton John, Natalie Marchant, and Bruce Springsteen as Folk. I can see Peter Paul and Mary, and Bob Dylan, but Death Cab for Cutie? Really? My favourite Christmas song, “Calling on Mary” by Aimee Mann is listed here. More bluesy than folky, though. Most of the names listed under “Folk” are notable for pop music.
If you want your Christmas tunes sung by bands like Warrant, Dokken, Faster Pussycat, or Ted Nugent, you’ve come to the right place.
For those who wish to drink their egg nog to the musical styings of Fountains of Wayne, The Dandy Warhols, Ben Folds, Andrew Bird, My Morning Jacket, Weezer, Liz Phair, among many others.
There are all the standard Jazz names there: Chick Corea, David Brubeck, Herbie Hancock, John Scofield, and while Miles Davis is listed, there is no musical sample available of him. Boo!
Latino Christmas music, not Christmas in Latin. Both exist. Could confuse people.
A near-copy of the Folk genre. In addition, you have Cher, Bowie, Mariah Carey, Backstreet Boys, Carly Simon, and too many more to list.
If you would rather kiss under the mistletoe to Blink-182, Jimmy Eat World, or NOFX, then this is the genre for you.
Now, wouldn’t it be a good idea to listen to your favourite carols to the vocal stylings of Donny Hathaway, Marvin Gaye, Diana Ross, Chaka Khan, or Gladys Night and the Pips?
From what I can tell, what is listed here is mostly South American influenced.
Whether due to the fusion of too many genres or names which relegate the band to certain obscurity, these are ones I chose which I cannot even imagine what the sound must be like. To know, the website Every Noise at Once gives sound samples of most bands and genres they list.
alternative new age
Most of these could just be labelled “techno”
Pop that will never be viral … ?
deep alternative r&b
More “deep” genres
deep happy hardcore
deep space rock
From now on, genres will be given serial numbers
grim death metal
melodic death metal
For your melodic death
Who gets to decide what the difference is between “melodic death metal” and “necrogrind”?
The website everynoise.com deals in some way with plotting the musical classification categories of all music that exists (to which they are aware) on their web page. The next few articles form a small sample of the nearly 1500 genres listed. On that website, if you click on a genre, you are given a sound sample. Click again, you are led to another page consisting of band names in that genre. Now, as a former college DJ, I have heard of a lot of these genres, but here is a list I have not heard of at all:
australian alternative rock
brutal death metal
This is actually one of many genres that are made new by placing the word “brutal” in the genre name.
classic chinese pop
classic peruvian pop
columbus ohio indie
stomp and whittle
technical death metal
Where music goes to technically die, I suppose.
This is the first of a series of lists of strange music genre names listed at the site. For a complete list along with band names and music samplings, visit the site Every Noise at Once.
I didn’t need to say anything else, didn’t I? MacArthur Park is that unlistenable 1968 hit whose only strength lay in the instrumental piece. How often does Jimmy Webb need to remind us that someone left his bloody cake out in the rain, then strech the metaphor until it loses all focus and meaning? But, ah! it’s that 90-second instrumental near the end that rescues it. That 90-second piece often impinges on younger ears as cliche beyond belief. But that is only because this original recording has appeared so often in advertisements, theme songs, and the like in the decades since, that it in fact has become cliche. Stuff like that only happens to really good music (unfortunately). And that 90-second part is so different from the rest of the 7-minute tune that it doesn’t seem to belong. And it’s the orchestration, not the words or the vocalist, that won the Grammy in 1969. For your edification as well as for a bit of nostalgia, here is the 90-second passage in question:
But of course, this is the difficult listening moment, and I’m afraid that wasn’t difficult enough to listen to. And no, I won’t subject you to Richard Harris’s singing, or even Donna Summer. What I will do is to play for you the Cockney version by The Burtons. The whole thing reeks of Morgan Fisher.
I have some things to say in response to Mark Rayner’s article, as personal reflections. BTW, Rayner did the usual good write-up job with these kinds of articles. But you know, I can’t read these kinds of “What is a Canadian” article without making a lot of mental responses. Here are my responses to a selection of his articles.
International Stars. The Canadian vocalists who obtained international fame which Rayner focuses on are the later stars of the past 20 or so years. One exception is his mention of Joni Mitchell. Contrasting the music of Joni Mitchell or The Band with anything in the past 20 years is interesting. For one thing, raw talent is passed up for what becomes instead a compromise between good looks and talent. Today’s talent are more the product of focus groups than anything. In the past 2 or 3 decades, I doubt that anything will have the same staying power as a song like “Big Yellow Taxi” or “The Night They Drove Old Dixie Down”. The only really compelling conclusion is that our music has become more American. I only thank God he didn’t mention Justin Bieber.
Hockey. My connection with hockey is that my dad drove the Zamboni in Maple Leaf Gardens back in the late 60s/early 70s when rooting for the Leafs actually meant something. Strangely, I was never that much into hockey, and only vaguely know the rules. I also find it obscene that, as of late, the season now goes into mid-June. I don’t know what impression that gives the rest of the world, but trust us you guys, we do have other things to do with our spare time aside from watching or playing hockey. Frankly, since the Leafs are probably now one of the worst teams in the NHL, and have been for decades, I wouldn’t mind if the team got sold to, say, a franchise in Florida or something. Hey, it isn’t that far to go if you want to see them that bad … want to see them lose that bad.