Crappy Album Covers #56 — Self-Help for the Helpless II: A Gallery

In today’s blog, I am experimenting with another method of presenting these album covers. I am finding that doing it this way prevents me from looking at the covers directly as I am discussing them. But to see an enlarged image, just click on the ones you want to see.

But from memory, I recall I have three albums on how to stop smoking, one album on avoiding probate, and one on touch typing.

The three non-smoking records appear to promise a painless way to kick the habit, proving that no one has ever lost a dollar by promising the listener that the cessation of bad habits involves some hypnotic hocus-pocus or some other easy way out.

A record about touch typing? I’m not sure how that is supposed to work, unless it comes with a booklet.

“Probate” is a service a court provides to prove the validity of a deceased person’s will, allowing all involved parties to settle the affairs of the estate of the deceased, according to Wikipedia. This can be expensive, and the real beneficiaries to the estate could be the lawyers. Wikipedia says that establishing a living trust is a way of avoiding probate, so that is probably what is being discussed.

All album covers come from thriftstoreart.com. Another side effect of having this kind of  a gallery is that I can’t link the photos to the website. So just click on the aforementioned link, and you’ll get to these albums, and many others.

Visits: 273

Crappy Album Covers #55 — I don't need no STIIINKING album cover artist! — I'll just do it myself!

album-cover-crap-45_zonicweb_netGood evening, ladies and gentlemen. Welcome to the amateur hour, as our guest Manfred, presumably Manfred Voss sings you the love songs of song meister, Arthur E. Werlang.

We have to be fair here. These albums are definitely as low-budget as you can get, and it wouldn’t surprise me if  the photo of “Manfred” was scotch-taped on the cover, and the lettering was hand drawn directly on to the cover.

As is true of all of the albums in today’s entry, this album is very likely from back in the days when cutting and pasting was an act that involved xacto blades and glue, rather than a computer and Photoshop.

I just worry that our hero Manfred is singing these love songs “with a new accent”. His old accent was too obvious, so he had to make up a new one? Is that how that works?

album-cover-crap-46_zonicweb_net“Gongs: An Audio-Mystical Trip to the Orient”, by Nesta Kerin Crain claims to be “an excellent aid for meditation”. I know of few meditation aids involving gongs that I would call excellent.

This is another scissors and glue effort with more pen work than “Love Songs”.

What’s the swastika doing there in the lower right-hand corner? Creepy.

I now wonder what this album will instill in you as you are meditating while the album is playing.

I also have a certain paranoia about playing records and meditating, outside of all talk about swastikas and other nonsense: what if the record skips?

album-cover-crap-57_showandtellmusic_comThis is by a fellow named Gary Baker, who in 1982, penned an album entitled “Why?” This time, there is no cutting and pasting, just pen and pencil.

Too much is made of this existential question. Much ink has been spilled trying to pursue the meaning of the question, and then trying to formulate an answer.

One essay writer in a university-level Philosophy exam answered it best: “Why not?”

The album is supposedly Christian, but the question and the artwork seems to convey a mood of Elton John’s “If There’s a God In Heaven (then what’s he waiting for?)”, a 1976 song from his Blue Moves album. So, maybe that’s healthy.

album-cover-crap-47_zonicweb_netWhenever a title is misspelled, such as “psychodelic”, (should be “psychedelic”) you get the impression that the mistake is intentional, and that Jr. and His Soulettes are merely taking artistic license.

All fine and dandy, and if that is the case then that really changes the meaning of the word. Perhaps the album is more “psycho” and less “delic”. Hard to say.

Visits: 143

The origin of the phrase "silent majority"

This phrase was made popular by Richard Nixon around 1968 when he attempted to discredit Vietnam war protestors as a group of vocal fringe elements, while he was secretly escalating the war into Cambodia. “The silent majority”, it was supposed by Nixon, still supported the US involvement in Vietnam.

It must be admitted, that 40 years later, the phrase still resonates with us. But as clever and smart as Nixon was, he did not come up with it himself; the phrase actually had its origins in classical literature. It was used to describe dead people. So, surely that must mean that in Nixon’s democracy, we should always respect the opionions of the dead, since there will always be more of them than of us. This need to respect their opinions is made more urgent by the fact that dead people cannot speak for themselves, and thus have no voice of their own in our political discourse. In addition, most of them are hard-working dead people who have never committed crimes.

In recent elections, however, dead people have in fact lent their weight to various political parties by voting in several recent elections in several states in the US. Dead people have also run for political office, and one of them won an election in a race against John Ashcroft. In America, dead people are full participants in the democratic process, benefitting both Democrats and Republicans.

Surely, Nixon’s phrase has resonance, not in the apologetic, hawkish, warmongering sense, but in the originally intended sense, backed by over 1000 years of classical European literature.  I think Nixon really was referring to dead people, and he may have even been invoking the spirit world.

What is the true origin of that phrase? I was itching to find out.

At first, I thought “silent majority” must have originated from Dante’s Inferno, where would likely have used it to describe the dead. It turned out to be too juicy a fact to be true. He doesn’t use the phrase.

Phrases close to this have been pointed out a few years ago by the late classical scholar James B. Butrica, who quoted several writers, including the ancient Roman writer Petronius (AD 27-66): “Abiit ad plures” or, “S/He’s gone to the majority”, a fancy way of saying “S/He’s dead”. Butrica says that the same phrase was also used some 200 years earlier by Roman writer Plautus (circa 254–184 BCE).

At any rate, all I have to say is: one man, one death. It wouldn’t be terribly democratic if one man had two deaths. And also, I believe quite strongly that if you vote when you are alive, then if you die right after you leave the polling station, then you shouldn’t be allowed to come back and vote again as a dead person before the polls close.

In closing, I must say that the constant invocation of “the silent majority” over the years whenever most discourse opposes what a politician does, is a fallacy. We only have one way to read “silent majority” (I’m talking about the living this time), which is to say that if you don’t speak up, it is because it (whatever “it” is) doesn’t arouse your passions, and thus you don’t care. If the majority of voters decide not to vote, for example (as is too sadly the case most of the time), then their silence is not seen as a vote for anyone, and their non-votes are never counted. A politician cannot “listen” to the silent majority, because there is nothing for them to hear.

Visits: 143

Crappy Album Covers #54 — Scary Stuff, Kids!

album-cover-crap-9_lp-cover-lover1Some of my readers, in particluar the members of the LoudFans mailing list listened to WFMU, at least once, since The Loud Family appeared on there in 2000 or so to be interviewed. They had performed there to promote tracks from their album which had just been released, called Attractive Nuisance.

WFMU also seems to be pretty heavy on this guy: Robbie The Werewolf. Except that this is not a current album. “At The Waleback” was recorded way back in 1964, according to WFMU.

I dispute the claim that this was done in 1964, mostly because of this song: Tiptoe Through the Wolfbane, an obvious send-up to “Tiptoe Through the Tulips”, a folk song made famous by Tiny Tim. Except that Tiny Tim didn’t release his single for another 4 years. But he is ahead of his time in other ways. Back then, the themes he covered were considered sexually explicit, and would not be considered kosher until at least the mid 1970s.

“Tiptoe” is an obvious parody, but if it were released after 1968, it would have had way more impact. The album is considered rare, commanding between $200 and $500.

album-cover-crap-12_lp-cover-loverOnce again, here is a foreign-language record, whose album cover speaks “scary” in all languages.

Columbian musician Calixto Ochoa released “El Dentista”, a 1962 album that presumably drills down into the heart of Latin music.

I have not heard too much about the author, or, regarding the listenability of the album: “is it safe” to listen to most of the tracks?

This is probably what the dentist is asking the patient in this photo.

I hear that, on the whole, some parts of the album will only hurt a little bit.

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farragoelvisK-Tel International, I have been reminded, is a Canadian company run from its headquarters in Winnipeg, who can be credited for almost single-handedly rescuing Western Canada from its stereotype of rednecks, farmers, and bald, flat prairie.

This is a 1977 K-Tel release, “For Elvis Amateurs Vol. 2, By Popular Demand”, containing songs sung by Quebec singer and Elvis tribute artist Johhny Farago. Could Johnny just shave off his beard so that he looks at least a little more like Elvis? And maybe grow some sideburns or something?

Visits: 178

Santa Claus Bailout Hearings | National Lampoon

C-SPAN coverage of Santa Claus asking Congress for a financial bailout of the North Pole – Present Giving Industry. If they dont approve his aid package request, it will be the end of Christmas as we know it … watch now

Visits: 92

Santa Claus and Saint Nick

In my last Crappy Albums posting, I seemed to have made a connection between the Santa myth and the legend of Saint Nicholas.

I have read from Wikipedia that Saint Nicholas was born Nicholas of Myra, some time in 300 BC. He has had many miracles attributed to him, and was sanctified later because of this. However, he was known for the use of his inheritance for the giving of gifts to the needy. This connects with the modern myth that “all gifts come from Saint Nick”, because at one time it really was true.

“Santa Claus” is a corruption of the Dutch “Sinterklaas”. Not sure of the connection of what must roughly translate from “Saint Claus” to Saint Nick”. I don’t think anyone I’ve read has attempted this.

And anyway, if Saint Nick is in heaven now, he probably really does know if you’ve been naughty or nice.

Visits: 94

Crappy Album Covers #53 — With all those Santas, Kids will start asking Questions: A gallery

album-cover-crap-38_lp-cover-lover I guess I might have figured sooner or later that Santa would get sick of the North Pole and would want to go to Hawaii, get on a surfboard, and take in a few rays.

Looks like Santa took a few rays too many. Also, his red suit is now going to be a little too warm. If this is his new way of travelling the globe, I think that there will be a few problems.

First of all, if you live in places like Saskatchewan, Montana, Utah, or South Dakota, Santa definitely won’t come to your house, because all of those places are land-locked. Same goes for entire nations like the Czech and Slovak Republics.

album-cover-crap-34_lp-cover-lover Perhaps there are humorous possibilities in Santa being played by a drunk negro. There is no indication on the album as to who the comedian is, being billed on the cover as the “Clown Prince of Comedy”.

The cover, as you might notice, is rated “XXX” and “FFF” (Fabulous, Funky and Funny).

lpcoverlover.com has this album listed under the category “Black Comedy”. This must be a new definition, since I always thought that this was black comedy (the audio below is by Charles Bukowski (1920-1994)):

This is not the most extreme example, but it could qualify as part of a suite of tragedy skits dressed up as comedy. The folks at lpcoverlover seems to think that “Black Comedy” is comedy performed by black people. They might have to find another name for it.

album-cover-crap-37_lp-cover-lover Santa is thinking to himself, “If I find out where this thing folds up, I could get it into the chimney!”

A reader contributed that the shepherd’s staff is a throwback to the days of Saint Nicholas, who was a bishop somewhere within the third and fourth centuries. He used his inheritance to help the poor.

But few know Saint Nick as a bishop. People mostly know Saint Nick the way Coca-Cola depicted him in the 1930s, which is the way he is seen here. The photographers put a staff (called a crosier) in his hand to make the imagery more religious.

Either you’re going to emphasize the materialism of Christmas or its spirituality. There is nothing wrong with doing either one. But when you mix the two, you just confuse people.

album-cover-crap-35_lp-cover-lover Another black Santa. Well, I guess no one can accuse me of having a color imbalance in this posting, since this entry now has two white Santas and two black ones.

If we are to take this posting as a gauge of how blacks prefer to depict themselves, it seems as though they are seen as either drunk or womanizing. Great way to bash those racist stereotypes!

 

Visits: 143

Crappy Album Covers #52 — Sorry Individuals

album-cover-crap-41_lp-cover-lover“Cook’s Tour of High Fidelity” is really a “sound check” record, or maybe even a sound effects record for sorry individuals.

The guy in the picture is clearly more interested in that reel-to-reel tape deck he has there than the chick in the polka dot bikini. This can only create tension here, since all the lady now has for company is the puppet in her hand.

Perhaps instead of sound effects, it is a recording of pretty women cracking up as they are being ignored by their male partners who instead fall in love with their stereo systems.

Guys and their gadgets… I’ll tell you…

album-cover-crap-21_lp-cover-loverWhile we are on the topic of sick relationship guys have with their stereo systems, I don’t know what comedian Dave Ketchum thinks he is doing, but obviously, his lady has long left him, and he is getting lonely.

What is even more pathetic, however, is that the turntable is pretty dinky looking. I just hope he cleaned the tonearm. I mean, you don’t know where that tonearm has been.

Ketchum has been a character actor throughout the 60s and 70s in shows such as The Odd Couple and Happy Days. There has been no open admission of whether this is the same Dave Ketchum as the one associated with this album, but the photo sports a strange likeness … hmm.

album-cover-crap-33_lp-cover-loverTalk about Mission Accomplished! Now that a black dick is in the white house, attached as it is to a black body, I think that this album has achieved its object.

Most of Obama’s economic advisors who will set the scene are the ones who accelerated the long slope downward under Clinton. It looks as though the people telling him who to appoint are Obama’s version of Uncle Tom. Some things will never change.

Thaddaeus Martin’s “Black Dick for President” is basically the same joke spread out over all three of its volumes. This is a 3-record set, all spoken word, and containing a sprinking of  profanity.

Very little other information on Thaddaeus Martin or the album is available.

Visits: 162

Crappy Album Covers #51 — The International Language of Bad Taste II

In this virtual tour, we go to what seems to be outer space’s Latin Quarter, then back to China.

album-cover-crap-42_lp-cover-lover This album, “en el espacio”, by Los 4 Amigos, is another obvious competitor to the Devo album cover lookalike contest.

We can learn a lot from pictures of aliens. As you can see, they are aliens with tiny bodies and large heads. On their planet, they seemed to have found a way of playing instruments that are merely printed on their space suits. This enables them to play while floating in deep space.

“Los 4 Amigos” appears to be a common phrase that on a Google search I got everything from restaurants to art exhibits. The group also doesn’t show up on allmusic.

album-cover-crap-43_lp-cover-lover Jalaito Sabroson and their album, “Los Ases del Ritmo”. I almost read that as “Jailbaito”. Where is my head?

Translated, this title seems to be saying “The Pace of Aces”. No info available. Probably another Latin-inspired dance record, by that title.

album-cover-crap-39_lp-cover-lover
Red China Rocks was a band, that, by all accounts, attempted to play in China in the early 1970s. They succeeded in playing most of the way through one gig, then were immediately deported.

The Chinese shouldn’t have been so harsh. See this cover? Doesn’t Chairman Mao-Tse Tung (in this decade, I’ve seen his name commonly spelled “Mao Zedong”) look dapper, dressed for a night on the town? It is likely Mao’s head could have been pasted, Oswald-style, on someone else’s body. But clearly, the photo retouchers of this album could have done worse.

album-cover-crap-40_lp-cover-lover Here, a more conventional-looking Chairman Mao meets Richard Nixon. I have no idea what this album is about. Any Chinese translators out there? Or does someone have this album?

But I just thought you needed to see these two leaders in the same picture.One supplied arms and personnel to the South Vietnamese, while the other supplied arms and personnel to the North Vietnamese.

While it is true that Nixon was bombing the crap out of Vietnam and Cambodia, the war ended soon after Nixon left office.

Visits: 163

Crappy Album Covers #50 — Christmas Records

album-cover-crap-27_xmas_bizarrerecords_comImages for this blog entry came largely from the Amy Oops blog.

The song “All I want for Christmas is My Two Front Teeth” has been around as a recording since at Daryl Gardner penned it in 1946. The one I remember most was one sung by a kid I don’t know the name of, who whistled all his S’s due to lack of said front teeth.

I sometimes think of that kid. He got so famous for not having front teeth that when they did grow back, he probably paid someone to punch him in the mouth so that he could be without them for the rest of his life and stay famous. He probably grew up to be Norberto de Frietas, a crappy album cover maker from another entry.

It was probably not sung by the kid depicted in this photo.  As you can see, he clearly has his front teeth. But what is more worrisome, and what he really needs are corrective lenses.

album-cover-crap-26_xmas_amyoops_com1If I have to spend Christmas with Rico, I will pay him to take off the costume. And what makes him think that colouring his eyebrows blue makes him into any more of a Santa Claus?

You get the feeling he has a screw loose. Santa is supposed to be cheerful and jolly; Rico does not appear to be smiling. I think I remember seeing a guy like that lined up at a soup kitchen once.

I hope his eyebrows grew back into their proper colour.

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album-cover-crap-28_xmas_bizarrerecords_com1In the last post, comedians Joe and Bill were wrestling a rifle from a cockeyed farmer. There seems to be a trend with comedian crappy album makers that they just go by their first names.

Here, we can see Swedish comedians Stan and Doug adding the comic conclusion to the saga begun by Rico.

The house looks so bare and dishevelled, that it looks like these guys are breaking into it and stealing everything in sight. They appear to have even stolen the family photos from the walls. You’re a mean one, Mr. Grinch!

Visits: 144

Crappy Album Covers #49 — I walk the line

The prison thing that the late Johnny Cash had going on was quite a cash cow for him. And so it was too for other singers like Porter Wagoner.  There must have been quite a spate of prison records during that period, because so many of them have crappy album covers.

Not that the intention is necessarily to ride on their coattails. Take this album here. This was produced by Folkways, and was meant as a field recording for a folklore society in Louisiana.

It is likely that it is intended to be the social record of the work songs of prisoners in that prison in that period.

Anthropologists would be sent to Angola prison located on the Mississippi River, also near the Mississippi border. The prison was a former plantation whose slaves came from Angola, a country on the African continent.

Ronnie Neuman appears to have been (and continues to be) a popular jazz musician, since I see him prominently on many search engines. However, I have learned in my researches that this does not necessarily mean that there is actually any information about Mr. Neuman.

Little information is known about Neuman or his album “A Little Bit of Latin and a Little Bit of Jazz”, recorded at a Minneapolis night club called The Padded Cell.

A wrestler I knew from Chapionship wrestling in my childhood, Sweet Daddy Siki looked unusual to me as a child because of his black skin and what appears to be blonde hair. He hails from Texas, but came to Toronto in 1961 to tour in wrestling. Despite his name, he played the villain in some of his wrestling matches.

Here, Mr. Siki is doing something more villainous than taking a piece of wood and beating his opponent with it. Here, he goes outside of his talents in wrestling to sing you a song. And to make it worse, a country and western song (OK, I hate country music, so sue me). He is said to “square off” with Country Music. My bet is that Country Music loses.

Visits: 128

Crappy Album Covers #48 — Couldn't hit the broad side of a barn …

album-cover-crap-25_lp-cover-loverNot clear on this idea of double-barreled handguns.  Especially guns that use actual wooden barrels to guide the bullet.

Some guns are not made for actual shooting, I suppose.

Dave and Ansel Collins put this reggae album out in 1971. The title track of this album peaked at #22 on Billboard back then. It was a bigger hit in the UK, where it topped the singles chart.

If that’s double-barrel, then it’s a trigger and a hammer short.

album-cover-crap-2_lp-cover-loverThere’s farmer John with a rifle. And there’s the broad side of a barn. I think he missed.

After farmer John’s 10th attempt at seeing if he could hit the broad side of a barn with his shotgun, Joe and Bill come on the scene, trying to take the gun away, because he is getting dangerous with it.

And, during the ensuing struggle, the damned thing goes off again.

Visits: 136

Crappy Album Covers #47 — I don't get this

album-cover-crap-6_lp-cover-loverDonnie and Joe Emerson’s 1979 offering, Dreamin’ Wild, is classed in some blogs in the psychedelic rock genre.

So, then I if I look at this picture and think that I see two heads growing out of one body, then I suppose that it’s because I am on acid?

If this is not the case, then, is it Donnie fretting the strings on the guitar or is that the hand of Joe? Am I still tripping on acid?

Also, the background of this photo looks like it was rented from the same outfit that shot their high school photos. Soul-Sides.com has found some actual digitized tracks from this album for your listening pleasure.

album-cover-crap-4_lp-cover-lover“Sterling Blythe Sings” is one of those crappy record album covers with crossover appeal. I don’t know whether to say that it fits in as a “crappy cliche checklist” album, or as a “crappy-by-ambiguousness” album. The background for this album cover could also have come from some kind of background used in high school photos.

On the empty cliche checklist:

  • Cowboy hat? Check.
  • Tight pants with rhinestones? Check
  • Cowboy boots with fancy stitching and dye work? Check.
  • Sitting on a … uh….

… and that’s where the ambiguousness comes in. What the heck is he sitting on? A long branch with his legs dangling in the sky? Or a fence (with his legs still having nothing to rest on)? Looks like he could easily topple over and fall down, and that could be the end of his career.  What we do know, and what the artwork appears to show, is that his right heel is off-camera.  So, if that is the case, then he is sitting on a fence with his feet on the ground. With his legs allowed to rest at that angle, the fence can’t be more than 2 feet off the ground, and so the fence can’t be of the type to keep animals (horses, cows, sheep) out, if this were a real farm. In fact for all we know he could be sitting on a fence in a suburban part of Los Angeles or Boston, the only purpose of the fence being to keep the neighbours off his lawn.

Visits: 213

The TI-Inspire is not what it is cracked up to be

84_pad_max192wThis is the TI-Nspire, the calculator that promises to foment lazier minds in students than ever before. I teach math, and I look at all these new calculators with jaundiced eye. Ever see the new caclulators these days (non-graphing) which can come up with exact answers to sum and difference functions of trig angles? This is stuff I want my students to do. Those calculators are banned from tests in our school.

But, OK, I’ll pull in my horns for the moment. This next-generation calculator, which has an interchangeable keyboard so it can also emulate a TI-84+, does most of the TI-84 operations with better graphics, but with more menus and steps, with some new features thrown in.

But there is missing stuff in the Inspire which the TI-84 makes obvious. For one thing, there is no “startup” program. That seems trite, but it is not. In a school setting, a startup program can put an image on the screen which can identify the calculator number and the school name. It is hard to change or erase, which makes it a good addition to a physical marking on the calculator (an etched serial number on the case, for example) to identify the calculator and keep easy track in case a student may carry one of these things and it gets mixed up (this happens sometimes). My personal graphing calculators can do this (TI-84+ and TI-83+), all except the TI-Nspire. The TI-84+ “personality” of the Nspire can do it, except that it flashes the image on for only a split second. It doesn’t wait for a keypress.

But what is more pressing is that the Nspire has no way (yet) to find the intersection of two graphs. The method I am using to find this, and the x-intercept does not seem like a surefire method, and does not seem as intuitive.

The programming language with the Inspire is more sophisticated than with that of the TI-84. It allows for user-defined functions, for example. But it does not have an “INPUT” command to my knowledge. The TI-84 has one, but not the Nspire. The NSpire has an I/O menu, and the only selection there is “DISP”, which is like BASIC’s PRINT command. Without a means for input from the keyboard, the programming functions are pretty useless, unless you want to call up one of their spreadsheets and fill things in manually. In the TI-84, I would be prompted for a number of different inputs and I would allow the calculator to figure out which row/column my input could go in. With the TI-84, I could program statistics commands, fill in tables, and do row/column calculations, all inside my program. I would often use the last row in the table after the program executed to give a bar chart of that data. This has been very useful to get a picture of class mark distributions, for example.

I have to amend what I have said earlier that there is no way to run the code. You can run the code in calculator mode, but without an INPUT statement, you need to pass parameters to it as if it were a function. Of course, I would guess the NSpire’s functions (which are new to the NSpire) work the same way, meaning there is probably little syntactic difference between calling functions versus programs in my view. I have written my first function and ran it in calculator mode, and it works as advertised. But no input.

So far, they are making customers wait for a long time before they put out these new features. And so far, I consider the lack of programmability make the NSpire less useful than the TI-84. The Nspire has been available to the mass market for about 2 years, and it looks like we are going to be made to wait a lot longer for features like these. What is the reason they put out a $200 product that is only half-finished in many areas? I purchased it expecting it to be at least as complete in itself as my other TI calculators. But I have come to the conclusion that it is still a work in progress.

For now, I am not shelving my TI84+ just yet, and am still doing most of my math on it. And for the record, I don’t feel totally ripped off. After all, they do update their operating system and allow us to update our calculators with new firmware upgrades. And some of those upgrades will change the way you do things before the firmware upgrade. Maybe one of these days, one of those changes will be the inclusion of an input statement, and the making of a more genuine programming language.

I attended a conference on the TI-NSpire recently, and one thing I heard teachers say is that kids pick up on the technology a lot faster than us. But of course, there is a motivator. The calculator just hands you the answers, which relieves the student of all the bother of having to think. Well, if you’re a kid who ought to be learning the concepts, that must feel REALLY motivating. Thinking is hard. Pushing buttons is easy. The kids that they had there helping us out at the conference were as stumped as I was when they were presented with my NSpire, having only worked on the CAS. Eventually, I got it to do most of the things we were doing. I hope they were being paid to be there. Looks like they were there as cheap, untrained labour.

At any rate, as for us teachers, we are really focusing on the concepts. My concern is whether this new gadget will deliver the concepts to them better than if I worked examples out by hand on the board. My focus is not on the calculator, it’s on the curriculum. We can change questions to make people think about what the calculator is doing and why, but we are moving away from doing the algebra. The question “why” is a good one, and I make sure I get people to think about things like “what does the log of a number give us?” and so on, every chance I get. But people always need to be drilled on algebra, all the time, every day. Letting a caclulator do this work for us can give the impression that it isn’t as important as it used to be. Algebra is important, even if you will never use it again, because it helps kids develop analytical skills needed in everyday life.

Visits: 100

Crappy Album Covers #46 — Fugly people

album-cover-crap-1_lurch_lp-cover-loverOK. I’m being unfair. Lurch was already ugly. We expect him to be ugly, and he plays the part. We watched the Addams Family series when we were kids because of all the ugly characters, and all of the strange ways that were totally unlike a normal family.

Ted Cassidy played a Frankenstein-like character called Lurch in the series the Addams Family, back in the days when color television was just starting. But we were lucky in our family. We still had a black-and-white TV, which is really the only proper way to watch the Addams Family.

In black-and-white, Morticia had cigarette-white skin and looked like death warmed over, for example. Color invites the danger of adding flesh tones, which ruins the “undead” effect, which I think lies at the heart of the whole Addams Family atmosphere they were trying to get across.

A Morticia that is more lifelike? A Fester that doesn’t look like he was carved out of soapstone? A Lurch that is not gray-faced, and that doesn’t look like he forgot to take his meds? What’s the point?

album-cover-crap-23_lp-cover-lover

It’s perfectly OK to love your mother, I suppose. Heino has taken this to its ultimate futility, it seems, with this offering, called “Liebe Mutter”, or “Dear Mother”, as I believe it is translated.

Heino has, like many albums I have here, have been a staple of crappy album cover blogs. But this time, rather than have widespread photoshopping of Heino or the rest of the album (which may well have really happened), a website called “faceinhole.com” has a concept where they provide a photo with the face already covered in “transparent” pixels so that you can plop any face you like  in place of folks like Heino.

So, my choice of face was that of George W. Bush. He has had his issues, but they may not have been principally maternal in nature. But what the hell…

gbush_liebemutter
Create your own FACEinHOLE

Yeah, I admit it’s a hack job. But that is kind of like Bush’s presidency.

The glasses weren’t pixeled out, so I had some time trying to fit Bush’s eyes inside the glasses.

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album-cover-crap-7_lp-cover-lover1Fred Emney (1900-1980) just wants you to buy his record then f**k off.

He was a British comedian, playing a gruff, fat bloke wearing a monacle, just as he is depicted here for his fans. As part of his act, he often played his own piano compositions.

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album-cover-crap-24_lp-cover-loverSome people you would rather see fully clothed.  Liz Lyons is a comedian, whom I would guess was into a bawdier kind of humour than normal. For 1975.

LPcoverlover.com reports that this 1975 album had reviews on the back cover which said things like: “When this kitten lays one on you, you know you’ve been laid…on” and “I laughed so hard I fell off my wife and broke my arm.”

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album-cover-crap-22_lp-cover-loverThis single by The Hendersons has been traced back to 1981.

Now, photoshop wasn’t created until the early 1990s. So, this cover came about due to good old-fashioned photo retouching of the kind that framed Oswald in the Kennedy assassination.

Visits: 101

Crappy Album Covers #45 — Teenagers

Teenagers are a difficult demographic to reach, unless you don’t know anything about them. If you know nothing about the demographic, then it does’t pose a difficulty for you. I know that’s kind of like saying that if you don’t know anything about painting a portrait, then slashing the brush in any direction or color at random poses no problem to the painter. It seems that way, with the covers below. If your album overtly suggests that “This album is for teenagers”, I will guarantee you teens won’t buy them. On the other hand, if you say this is “R-rated”, and contains cuss words and sexual suggestions that would put a blush on a two-dollar hooker (you know, like Rap), and that young people shouldn’t buy them at all, then they will fly off the shelves and teens would be the biggest part of the market.

album-cover-crap-19_bizarrerecords_comCase in point, this realistic portrait of teenagers having a good time. I bet you already knew they were listening to this very record, recorded by Bobby Krane and His Orchestra, and distributed by Bravo! Records.

Look! The young lady in the foreground is saying it too! — Bravo! Bravo! At least that looks like what she could be saying.

Look at the photo and indulge in the fantasy that there is still a world where young teen girls don’t dress like sluts; the guys stay straight and sober (by “straight” I meant drug-free, but I guess it could also be taken the other way) and don’t dress like plumber-butt pimps. And the guys even ask the girls “may I have this dance with you?”

And then there’s Tex Ritter. Tex Ritter? And that’s when I woke up.

album-cover-crap-20_bizarrerecords_comThe TOPS record label, which previously warned us about the world ending, are shown here producing records of “12 Top Hits” so you can party like it’s 1999, or more to the point, like it’s 1959.

You have to admit that the one thing that stands out most about this cover is that the lady who is dancing is wearing argyle socks. I thought there was a law passed by Joe McCarthy’s HUAC banning women from wearing argyle socks. It was supposed to be a guy thing. It totally clashes with the pink blouse.  If this is a fashion statement, then she should be arrested by the fashion police for bad fashion grammar.

Once again, the cover consists of the tamest teenagers you’ve never seen. And I don’t think they existed in 1959 either. Even in 1959, teens got drunk, and they had sex. Perhaps the only worthwhile thing that the photo realistically illustrates, is that in 1959, the guys didn’t have the bad taste to wear plumber-butt pants or hoodies, which would have made the chick in argyle look like Elizabeth Taylor (I mean Liz Taylor in 1959, not in 2008).

To anyone born after the 1960s: HUAC = “House Un-American Activities Committee“. It’s sort of like Homeland Security against commies and hippies.

album-cover-crap-18_lp-cover-loverThese seemingly adult-age folks may as well be adolescent, since they are depicted in the way their parents would approve. “I Love Music” was a sampler sent to radio stations across North America from Capitol Records back in 1958. The album cover gives every indication that the HUAC would have approved of this album. Going by the cover, for instance, it is obvious that these two folks are not planning the overthrow of the proletariat, and of taking over the means of production.

The artlessness of these depictions are a sure symptom of the McCarthy era. I recall when I began collecting old issues of Mad Magazine (digested in paperback form) going back to the 1950s, the most boring and least funny issues were during the period of 1958-1963. It couldn’t have been a good time to be a satirist.

And there was one more I forgot to add:
tammy_casual-slack-080726Yes, this 12″ LP of hits, which by the cover seems to treat teenagers as younger than they really are, may not have been headed for any kind of landmark success.

A toy doll with a toy record goes to a toy jukebox to pretend to play music on it. And, what’s left? You can only sing along to the music you are pretending to play.

I must say that much of the advertising I see today parallels the kind of mentality depicted on all of these albums in today’s blog. There is a certain advertising these days that points to a certain clientele, or a certain lifestyle as we would like to see it. But it is made to look artsy, so that you can’t accuse advertisers of appealing to people that don’t really exist. Instead, it can look naive, even idealistically so.  Sticking to album covers, the Putumayo Collection, discussed earlier, is an example of album covers that are like this.

Visits: 137

Crappy Album Covers #44 — Ye Are Used

If you click on the graphic, you will be sent to the page featuring this album, “Jesus Use Me” from The Faith Tones, from LP Cover Lover. The comments were so hilarious that I feel that I can’t add any original humour, except to say that it appears that they either are wearing wigs, or they have used up a truckload of hairspray. (OK, so that’s more of an observation and not exactly funny). The commonly-held suspicion that these are actually guys in drag has been bandied about so much in so many blogs, that I won’t add to that aspect of the discussion either. But I, along with thirty Helens agree, that they would not be out of place in a scene from Kids in the Hall.

In looking for information about these young ladies, who they are, where they are from and what they’re doing now, I came up empty-handed. However, I do believe I can make a blog regarding all the attempts to parody this album cover.

They have drawn comparisons to fellow crappy album cover makers “The Braillettes”. Except that The Braillettes have blindness as an excuse for bad hair. At any rate, a recent LP of “Jesus Use Me” has been rumored to have sold on E-Bay for $21.00. I see that as utterly exhorbitant.

Consider this blog entry to be the reverse of the “Joyce’s Head Pasted On Other People’s Bodies” post. Click on the graphic to go back to the original blog where these graphics originated.

In this post, it will be the heads of other people pasted on the Faith Tones’ Bodies. Sometimes they take liberties like they are doing here and not keep the hair. I would suppose it would not be Sarah Palin without the hair.

Once again, so much has been made out of Palin’s fanatical Christian views, ignorance about aspects of governing applying to the national scene, and her support of the gun lobby, and so on, that it is hard to add anything original, so I won’t. I think the picture says it all. I have to admit, however, it seems as though having Sarah replace the one in the middle is a surefire way to reduce hecklers and bring up ticket sales. Whether Sarah can actually sing is another matter. Note the similarity of my reasoning to our conventional reasoning about Palin in general: Sara is sure to get more people to vote Republican: whether she can govern — or even understand her role — is another matter.

Here is an attempt of three young ladies who go by the names of Becky, Lisa, and Emily to take a crack at fame and fortune by riding on the coattails of The Faith Tones.

Here, total respect was given to the trademark that makes the original Faith Tones famous — or rather not that famous: the hair. In photoshopping this photo, they were careful to preserve the hair.

I get the feeling that these ladies enjoy Jesus using them a bit more than is, uh, Christian.  The next album cover takes this idea to its ultimate futility.

Of course, pasting other people’s heads on their bodies is not the only possible modification to the album cover. You can also alter the title.

Just think of the possibilities of them praying for Jesus to bring along the Astroglide when he uses them. Just think of the possibilities….or not.

Visits: 147

Crappy Album Covers 43 — The International Language of Bad Taste I

For this part of our tour, we go to France and across the ocean to Mexico.

So, I know a bit of French. The Brothers Jacques (a literal translation of “les freres jacques”) consists of, as the cover would suggest, four members, much like The Brothers Gibb, except that these folks are less well known.

The Brothers Gibb were better known by the name “The Bee Gees”. So, by that metric, that would make The Brothers Jacques what … the Bee Jays?

Let’s not go there. But of course to state the obvious, “Frere Jacques” is also the name of a child’s French nursery rhyme. Unlike the Brothers Gibb, none of these guys are named Jacques.

These much-mustachioed mavens of vocal music have the quality of essentially a barbershop quartet. Except, they often parody classical pieces, or offer humour and satire along with the occasional sad song.

In Mexico, even the females can be one-eyed bandits.

I suppose that some guys get turned on by a sexy female holding a gun. I think she would be a whole lot sexier without the gun. Also, it would help matters if she took a hairpin and moved her hair away so we could see both eyes.

Information on this record or on Los Bandidos was hard to pin down. It seems as if it is a popular name for some recent punk rock bands.

There is some evidence that this album might actually be either Spanish or Brazilian. I just can identify some Spanish words, and have taken the mention of bandits to be an attempt to play on a Mexican stereotype.

Visits: 74

Crappy Album Covers #42 — Sucking out loud

Thanks to some folks like Bunk Strutts, I have access to some more awful album covers to comment on. Thing is, I will have to make my postings infrequent. Say about once per week. All of my crappy album posts are still listed under the tag “Crappy Album Covers” so you can have a megadose of crappy album commentary and analysis.

First, I will do a couple of albums from my own downloaded collection from all over the ‘net.

Don Costa (1925-1983) did Jazz and pop, playing lead guitar. He produced records for Little Anthony and the Imperials and Frank Sinatra.

Let’s see… If I wanted to break a sublease, and if I didn’t like my landlord, what would I do? Hmmm… Would I possibly invite 500 of my best friends and play my music as loudly and as obnoxiously as I possibly could? I think then that my landlord would show up just as that lady in the rear of the photo is doing, be properly disgusted with us, and kick us out. Maybe even bring a cop along in the process to get us rapped for disturbing the peace.

The album consists of songs that would have made an older generation sing, out of tune, at the top of their lungs (By the Light of the Silvery Moon is an example). In this album they reportedly provide perfect models of such behaviour.

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Perhaps the landlord could have fought back and played this album of a dog barking at top volume and that may have scared at least some of them.

Grr-r-records is your label of top quality barking, yelping and growling that you won’t be able to find anywhere else.

Just be careful and don’t play it at 45 or 78 RPM. You’ll get a chihuaua instead, and it won’t sound nearly so intimidating.

I get the feeling that the best this record can do is tell the burglar where you have the home theatre placed.

But you know, if you have one of those really old turntables, you could play it at 16 RPM and you can get a deep-throated grizzly bear or lion sound. Now, we’re talking scary.

Visits: 116

A Tale of Two Joes (Joe Sixpack and Joe The Plumber)

It was the best of Joes, it was the worst of Joes; it was the age of connectedness, it was the age of alienation; it was the moment of truth, it was the moment of lies; we were shown the light, we were all kept in the dark; it was the dawn of Change, it was the twilight of monotony; we had everything to gain, we had everything to lose; we were taking the highway to Heaven to listen to Elvis, we were taking the highway to hell to listen to AC-DC.

— Chuck Dickens (I had to get that out of my system)!

Disclaimer: This was meant as a joke and does not confer a preference for the greater works of Elvis Presley on my part. And to put the Elvis fans to rest, I am also not a fan of either the greater or lesser works of AC-DC.

I have heard on the net about people commenting that Joe Sixpack and Joe Plumber have no place in political discourse. Joe Sixpack would likely desire intelligent discourse with a sober Palin maybe after chugging a sixpack or two. Then, sufficiently inebriated, would then proceed to have what would seem to the inebriated mind an intelligent discourse with Palin. This is also how a Joe turns a dog into a fox.

Joe Plumber, unlike Joe Sixpack, is not fictitious. He is properly nicknamed “Joe The Plumber”, and was first reported talking policy with Obama. Joe The Plumber’s actual name consists of neither “Joe” nor “Plumber”. His real name is Samuel Wurzelbacher. So, I guess he is kind of fictitious as well.

Joe Sixpack looked like a hard-working guy and the press has been all over him. It is as if they, after looking strenuously across America for an everyday person to talk to (it being so difficult to locate everyday people in the lower income brackets, consisting of over 60% of the country’s population), they found Joe The Plumber, who is presented to us as just a common hard-working guy grossing about a quarter million per year, as he told Obama. In whose universe is someone with such an income an “ordinary American?” Joe The Plumber does not exist in the sense that the media is fabricating the narrative, anymore than Joe Sixpack would exist anywhere, at any time.

We all await a successor to George Bush The Lesser.

The “real” Joe Sixpack weighs in, with the truth behind the hoopla, as shown in this mockumentary:

And, yet another Joe, some running mate of Obama’s who goes by the name of Joe Biden in this video, is said to “rip apart” McCain and Palin. All sensationalism aside, Joe Biden is simply telling it like it is.

Visits: 173