Rosanna, a 1982 single by a collection of former studio musicians called Toto would not be here due to the overall cheesiness of the video, but for a few overwhelming facts:
The drum beat on the song, called a “half-time beat”, is a notoriously difficult one to play, but played gracefully by drummer Jeff Porcaro. It makes the whole song. It was called the “Purdie Shuffle” after the blues musician Bernard Purdie; and later got re-christenedls – “The Rosanna Shuffle”.
The song is also unique in that it is one of the few that has two lead singers, but is still not what you would call a “duet”.
The dancers are played by Cynthia Rhodes and a bunch of other guys, one of whom is the late Patrick Swayze (1952-2009). If you recall, they both ended up in the film Dirty Dancing five years later.
I didn’t need to say anything else, didn’t I? MacArthur Park is that unlistenable 1968 hit whose only strength lay in the instrumental piece. How often does Jimmy Webb need to remind us that someone left his bloody cake out in the rain, then strech the metaphor until it loses all focus and meaning? But, ah! it’s that 90-second instrumental near the end that rescues it. That 90-second piece often impinges on younger ears as cliche beyond belief. But that is only because this original recording has appeared so often in advertisements, theme songs, and the like in the decades since, that it in fact has become cliche. Stuff like that only happens to really good music (unfortunately). And that 90-second part is so different from the rest of the 7-minute tune that it doesn’t seem to belong. And it’s the orchestration, not the words or the vocalist, that won the Grammy in 1969. For your edification as well as for a bit of nostalgia, here is the 90-second passage in question:
But of course, this is the difficult listening moment, and I’m afraid that wasn’t difficult enough to listen to. And no, I won’t subject you to Richard Harris’s singing, or even Donna Summer. What I will do is to play for you the Cockney version by The Burtons. The whole thing reeks of Morgan Fisher.
On a faraway planet, children crawl out of their homes inside of outdoor toilets to greet the Sun God. They call their place the “Houses of the Holey.”
Led Zeppelin’s 1973 classic “Houses of the Holy” yielded a minor single, D’yer Maker, but it did end up as one of the top 200 albums of all time, according to the Rock and Roll Hall of Fame, and also won a Grammy in 1974.
The Korean version of this album is a lot crappier where the robot (or whatever it is) is fishing the band members out of a rusty trash barrel (or a busted rooftop, it’s hard to tell).
This is the album containing the 1977 monster hit “We Will Rock You/We Are The Champions”.
How to pick up chicks: Lesson 1: Tell her about your “wheels”, your “dream machine”, your “love bug”. The ladies often are attracted to a guy with a nice car, since it is a symbol of financial stability and a well-maintained car is a sign that you are conscientious, mature, and tend to take care of your belongings.This is the cover of the 1977 single, “A Real Mother For Ya” by Johnny “Guitar” Watson (1935-1996). It’s a great funk album. E-Music calls it hip-hop (must have been a youngster that called it that). The title track can be heard below. Excellent tune. Click on the album cover to get the album from emusic.com.
He won a grammy in 1996, just before his death, and has left behind a musical style that had influenced the likes of Jimi Hendrix and Stevie Ray Vaughan. He died while performing a concert in Japan in May 1996, collapsing in the middle of a guitar solo.
“A Real Mother For Ya”:
[media id=16 width=320 height=24]
Surfer dudes The Lively Ones even have their own website. Jim Masoner, Tim Fitzpatrick, and Joel Willenbring still play the odd gig together in the SoCal area. The Lively Ones have been a 5-piece band since 1963, with two of the band members changing over the years. The link above tells all.