|Former trucker Vance Edwards should know better than to pose in front of a trailer without the requisite truck. And I, along with many other bloggers in the CAC-o-sphere question the use of unintelligible yellow patches on eithr red or blue clothes. The electric guitars and keyboards that could not possibly be plugged into anything has been a staple of many CAC makers, to the point where I am now convinced that it is some kind of low-brow literary technique. The chick on the drums brings a kind of feminist Keren Carperteresque overtone to the cover, while keeping the group locked into its focus as CAC makers of the first order.Then, like hours on the clock, there are these graphics arranged in a pattern similar to the bottom graphic in this post. Except that they are trucks, not sex positions. While Truckin’ came out in 1973, it is hard to know which idea came first.
Not much else is known about Vance or his band.
|Another circular graphic of another band, this time with an actual clock watermarked on to the photo. We have two bouffont-encrusted ladies playing electric guitar — one of them showing off a subconscious desire to play like Ace Frehley (or pick your heavy metal fave) by sporting a dual-necked guitar. Both ckicks are in their cut-below-the-knee Century 21 Real Estate suits and red turtlenecks, matching Ricky Ricardo’s (?) dinner jacket.Not much else is known about the Calvary-Aires; though much speculation and prognostication pervades the CAC blogosphere, which I will not repeat here. The Calvary Aires had warned me that it is against the Scriptures to prognosticate. Not sure they knew what the word meant.|
|No idea who this cowboy wannabe is, but Gercei Camargo’s idea of being a cowboy — and a singing one at that — is to wear something strange over his nether region (looks like a kilt with a cushion) and frilly pants over his cowboy boots.|
|Sharon McNight’s “Another Side Of” was likely released after 1989. Many blogs I have seen referred to the shirtless cowboy who looks like he is about to spew chunks; and the two dogs next to Sharon who blend into the carpet too well. I can add that her black dress makes her white as a ghost. And doesn’t the set seem a little tilted?
Sharon is (or has been) a Tony award-winning actress on Broadway, and is still performing between New York and her native San Francisco.
|Felix Lorentz will sing your requests whether you want him or not. He comes out of his shack near the lagoon to the bar in the nearby village and rips the mike out of the hand of the entertainer that was scheduled to arrive, and yells out “I take requests!”After a few moments of stunned silence, someone says in a timid voice: “Can you sing ‘Tiptoe Through the Tulips?'”
Someone else pipes up: “Happy Birthday To You!” “Row, Row, Row your boat!” It was then Lorentz realised that he had barged into an old folks home, an the bar was next door.
|Ahh, the games you can play with a title like “Wild Country”. A hootenanny gone wild…wild music by wild musicians….Your wildest guesses won’t know who is on the playlist. Wild musicians: “Your Cheatin’ Heart” played by Jimi Hendrix. “Achey Breakey Heart” played by AC-DC. “Till I Gain Control Again” by Pink Floyd.
None of them made it to the sessions for this album, but thank you for your purchase of this fine vinyl record album, and thanks for coming out.
I was going to name this blog entry “family style”, but then I remembered that was the name of a 1990 duet album by brothers Jimmy and Stevie Ray Vaughan. It would have been an insult to SRV’s memory, I thought. So, I changed it to a straight title.
Now they say that the way to raise a family is to run a tight ship. Now if you can have your family live on a real ship on the high seas and in shark-infested waters, then you have it made. You can rule the roost and threaten to make the kids walk the plank if they misbehave.
According to my reliable secret sources, this “vanity press” album hearkens back to around 1974, and Captain Hook, whose name does not appear to be revealed as otherwise, really does have a hook for a left hand. He lost a leg and an arm in a motorcycle accident and was “born again” while in hospital. Hook became a tele-evangelist in Indiana for over 20 years after he “became Christian”. He also performs ventriloquism as part of his act.
The McKeithens’ self-titled LP, likely from 1976, likely marks the start of a ministry of singing and fellowship that began in 1976, and lasted until 1991. I can’t say for sure where they hail from. There is a Myspace blog about them, but it is unlikely that the family had anything to do with the blog. I mean, would a family like this make virtual friends with people with usernames such as “Lady Stinky Puss”, “Chris Crocker”, or “Phat Gurl”? Don’t think so. Clearly, the blog is set up to make fun of this record cover. However, there is almost no original content in the blog, and it appears to have been abandoned.
This would have been a plain album that would have been ignored, but for the Winebago-sized hairdo the mother has. I think it’s a wig. A wig that large could serve a purpose, you know. You could use it to store food, prescription medication, house and car keys, a change of clothes, photo ID, passports, train tickets, the King James Bible, sheet music … all the things you need to go on an evangelical singing tour.
The Heitt family are a study in obscure, small Saskatchewan villages that are little known even inside Saskatchewan. If you blink as you drive past these places, you might not see them, so be careful.
Most of the family belonging to the Heitt Orchestra are natives of Revenue, Saskatchewan, consisting of not much more than two crossing roads, about 200 km west of Saskatoon, as the crow flies (more like 230 km by highway, going by Google Earth). If you look for it on Google Maps, Revenue is where the low resolution area begins.
The Heitt family consist of Brothers Larry (drums), Blaine (electric bass), and Glen (banjo); their father Frank (accordion) and mother Adeline (guitar).
The only non-family member is vocalist is Donna Boser (holding the tambourine), who lives one hour’s drive deeper into Google’s low-resolution area, and closer to the Alberta border, in Fells, Saskatchewan. Although if you ask Donna, she’ll probably tell you she comes from Reward, Saskatchewan, which is a larger community close by. The “Where the Hell is Fells, Saskatchewan?” T-shirts must be selling like hot cakes over there. Boser still sings in the same part of the province.
Donna now lives in nearby Unity. At least they paved the main highways over there. Unity is still a small town where someone spent an idle afternoon counting the houses, and Unity has 960 of them (population is about 2500). And the deal is that Fells and Revenue are much smaller than Unity. Unity boasts its own website. And here is a virtual tour of Unity, where you can see how flat it is (should take about a minute).
The prison thing that the late Johnny Cash had going on was quite a cash cow for him. And so it was too for other singers like Porter Wagoner. There must have been quite a spate of prison records during that period, because so many of them have crappy album covers.
|Not that the intention is necessarily to ride on their coattails. Take this album here. This was produced by Folkways, and was meant as a field recording for a folklore society in Louisiana.
It is likely that it is intended to be the social record of the work songs of prisoners in that prison in that period.
Anthropologists would be sent to Angola prison located on the Mississippi River, also near the Mississippi border. The prison was a former plantation whose slaves came from Angola, a country on the African continent.
|Ronnie Neuman appears to have been (and continues to be) a popular jazz musician, since I see him prominently on many search engines. However, I have learned in my researches that this does not necessarily where buy viagra in us mean that there is actually any information about Mr. Neuman.
Little information is known about Neuman or his album “A Little Bit of Latin and a Little Bit of Jazz”, recorded at a Minneapolis night club called The Padded Cell.
|A wrestler I knew from Chapionship wrestling in my childhood, Sweet Daddy Siki looked unusual to me as a child because of his black skin and what appears to be blonde hair. He hails from Texas, but came to Toronto in 1961 to tour in wrestling. Despite his name, he played the villain in some of his wrestling matches.
Here, Mr. Siki is doing something more villainous than taking a piece of wood and beating his opponent with it. Here, he goes outside of his talents in wrestling to sing you a song. And to make it worse, a country and western song (OK, I hate country music, so sue me). He is said to “square off” with Country Music. My bet is that Country Music loses.