Tag: bad art

Crappy Album Covers #254 — More Chix as Marketeers

I am not sure who decided to put “School’s Out” and “Tumbling Dice” alongside songs like “Song Sung Blue” and “Mary Had a Little Lamb”.

I would be very, very surprised if these songs were from the original artists.

Another token chick on the cover to act as the sales rep for this LP.
Not sure what country these are from (Netherlands? South Africa?), but we have another lovely saleslady here, with almost unrecogniseable songs (at least in North America). Supertramp’s “Give A Little Bit” seems to be there, but the other titles could be the titles of tons of tunes done by any number of artists.

The saleslady appears to be sitting in the deepest peat bog I’ve seen in a while. But hey, they say it’s good for your skin.

Visits: 103

Crappy Album Covers #253 — Exploit me! Exploit me!

Coverbrowser.com (click on the graphic) has this “Squirt” LP all over its website.  Wouldn’t you? Here is an LP with little toy Mexican musicians, and a face of a pretty young lady next to the title “Squirt Does Its Thing”.

Now, before you get too heatedup over the pornographic possibilities of the photo and the title, “Squirt” is a lemon-flavoured soft drink that was popular in the late 1960s and early 1970s. This promotional LP is called a commercial “tie-in” with the product. Squirt is still popular in smaller markets, and currently owned by Dr Pepper/Snapple.

Sorry to deflate you. You can stop salivating now.
You can start salivating again. I hear that The Crazy Girls squirt, too.

Visits: 113

Crappy Album Covers #252 — The Overthrow of the Proletariat

The Key record label, during the Red Scare, released a series of anti-Communist screeds such as this spoken-word LP. The Office Naps blog tells of other Key releases.

In really good condition, I have seen this LP listed for $78.00
And as for pro-Communist screeds, this one is in the form of song. This is an American release, but I know little else about it.

Trade unions closed the gap between rich and poor to a great extent. Today, this would be called “extreme left”. In its day, it was just “the left”.

Visits: 96

Crappy Album Covers #251 — More Phallic Symbols

This is the 1981 LP from the L.A. Boppers called “Bop Time!”. Great concept except for the use of the second hand. Speaking of time, the LP consists of 8 tracks, and is just over a half hour.

This LP now sells in Europe for the equivalent of $39.00 in “VG++” condition. It appears to be a listed on this site as a promotional LP.
If I am correct, this is a 3-record set various artists compilation released in 1970. Hard to tell, since the cover art is missing in the site I was searching at.

But a web site that has this cover suggests that this is only a 1-record compilation, featuring artists such as T. Rex, Ike&Tina Turner, and other signatories to the Blue Thumb Record label during the late-60s/early 70s period.

Visits: 99

Crappy Album Covers #250 — Triple Love

Today, we have a triple bill, kiddies! That is, instead of the usual two albums, this post will show three albums.

Designers for the album “Rome With Love” put in all the things that would be cliche these days (and was likely cliche then also): a Vespa Lambretta scooter, and cargo in the form of shopping things and an attractive lady wearing capri pants.
Same scooter, different guy and girl. “Berlin With Love” gives the impression to people who have never been there that Berlin is nothing more than Rome in disguise. Except that there are one or two visual cues that give a sense of Deutschland. The lady holding a beer stein, for one; an open advocacy of drinking and driving.

Hey, to heck with German engineering! Everyone knows that Italian Vespas are better! Capri pants too!
Hey… do you notice that each time Jo Basile makes another album “with Love”, there is a different guy and girl, and the Vespa seems more crowded than before? This time, there is more of a sense of formula. The Vespa, the national garb, the shopping things which are more noticeably culture-specific, but no capri pants this time.

There are others, many others… Here is another cover “From Rio with Love”, for example.

Joss Baselli (1926-1982) was born to Italian parents who emigrated to France. He is a virtuoso accordionist who plays under the pseudonym Jo Basile.  This formulaic approach lasted for 24 of his 40 or so albums. He has worked in TV and movies, and has recorded with the likes of Dick Hyman, Bobby Rosengarden, and Phil Kraus.

Visits: 127

Crappy Album Covers #249 — Head-Scratchingly Crappy

Out of Abbfinoosty comes this crappy album cover from 1996, called “Comes the Storm.” It’s supposed to look spooky, but it just looks like someone got a little too happy with Photoshop. This album was not listed on the official website, so I had to go to Amazon to find info on it.

I don’t list metal albums on this blog for many reasons. One big one is that you expect them to be over the top and that is what metalheads are looking for.

This looked like a metal album, and whenever I make an exception and discuss it, it is usually for good reason. See the guy on the right?

That’s Billy Joel.

A young Billy Joel, posing with drummer Jon Small, for their 1970 album, Atilla. It was reviewed on Allmusic.com as like making a musical impression of “having a hole drilled through your head.”

Great. I’ll put it on my list of things not to buy.

Visits: 86

Crappy Album Covers #171 — Pinin' for the lord

Album_Cover_Crap_244_-_Rodgers_Kenny_-_bizarrerecords_com This is Kenny Rodgers, with his 1981 open declaration of love to his saviour, “Kenny Loves Jesus”.

The next sweet odour you smell may be the sweet smell of the Holy Spirit, which will draw you closer to the Lord. It says so on the back cover of this LP.
Album_Cover_Crap_238_-_bizarrerecords_com I have resisted this crappy cover from Country Church, because, you know, this album has been shown on so many websites in the Crappy Album Blogosphere, that there comes a point where you feel that, such as it is, it already counts as too much publicity.

There is so much wrong with this cover, I don’t know where to begin, so I’ll just let it speak for itself.

Visits: 81

Crappy Album Covers #170 — Unhealthy lifestyles

Album_Cover_Crap_285_musicforants_com_mew-and-the-glass-handed-kites The idea of heads being depicted as eating other heads on this “Mew” album, as an attempt to look disturbing, fails miserably and just becomes another Photoshop hack job.

However, Mew’s CD released some time around 2007 is reputed to be a decent album content-wise.
Album_Cover_Crap_309_progulus_com Carnival in Coal was a French Death Metal band that had been together for 12 years from 1995 to 2007. For those keeping track, they mixed many avant-garde genres, but all releated to death metal.

Maybe they were tired of walking out on stage like corpses. Corpses with lipstick and mascara.

Bunk Strutts has requested at least a video, a link, something that might add another dimension to these people. I was looking at “Carnival in Coal”, and passed over titles like “Shemale Whoregasm”, and “Fuckable (live in Paris)”. Instead, I have them doing “Don’t be Happy, Worry”, a new take on an old Bobby McFerrin tune. (no longer available)

Visits: 84

Crappy Album Covers #169 — Bad Steely Dan Covers

Album_Cover_Crap_288_rateyourmusic_com You are looking at the two albums once rated by band members Walter Becker and Donald Fagen as being the two worst album covers of the seventies, bar none, according to Wikipedia. 

I disagree. I think I could come up with several seventies’ past postings that could be worse than this.

I grew up with this kind of music. I never knew what Steely Dan were about. Did anyone? Becker and Fagen never seemed to be quite sure either, in trying to define their style, which only had tenuous points of contact to rock. For this, they risked having the cover artist also unable to pictorally define their style. There is too much going on in the artwork to make heads or tails of it.

“Can’t Buy a Thrill” was their first LP, released in 1972, sounds more bluesy and jazzy than anything. It was a big album for them, having yielded their two signature tunes: “Reeling in the Years”, and “Do It Again”.
Album_Cover_Crap_289_rateyourmusic_com … And from “The Royal Scam”, “Kid Charlemagne” could arguably be another signature tune. 

A homeless dude asleep on a bench underneath images of mutating skyscrapers? I dunno. Doesn’t work for me, although it is supposedly an artistic attempt to shatter the Horatio Alger myth, that if everyone works hard enough, that one day everyone can own their own skyscraper (or something like that). And the imagery is of the hit-you-over-the-head-with-a-shovel variety.

Visits: 188

Crappy Album Covers #168 — Sucky Latino

Album_Cover_Crap_320_Latino_Love This is Richard Hayman’s 1969 cheezily synthesized “Genuine Electric Latin Love Machine”. Hear synthesized versions of songs like “The Girl From Ipanema”, “The Windmills of Your Mind”, and “Hare Krishna”. 

Wait … “Hare Krishna” is a Latin tune? Naw! And “Windmills” isn’t exactly Latin either, come to think of it. Looks like the robot needs to be re-programmed.
Album_Cover_Crap_295_funniez_net The Pachacamac is an ancient Peruvian site, thought to be nearly 3000 years old. Legend has it that every so often, on a clear sunny day, this dark haired guy in a tank top rises up from the Lurin River nearby and sings Latin hits. 

Of course, it is only the stuff of legend, and no one knows if it’s true.

One blog has Beto Mendez’s nationality as Ecuadorian. The album was produced likely some time in the mid-1960s.

 

Visits: 84

Crappy Album Covers #167 — Negative Brand Recognition II

Album_Cover_Crap_279_rateyourmusic_com_2001 This is the Manchester-based group, The Chameleons, with their 2001 CD “Why Call It Anything” with the world’s biggest UPC symbol to bugger up scanners all over the world. Behind that is some kind of dorky, clowny smiley thingy with too many teeth but excellent bridgework. 

What galls me is that the band, or some human, … somewhere, had to approve this album cover before it got released. It could have all been prevented, but I would say now that all those involved are covering their tracks, now.
Album_Cover_Crap_278_rateyourmusic_com_1983 “Script of the Bridge” their first album. A nice pencil crayon design that their Grade 12 art teacher would approve of. 

I have this album, and have owned a copy since at least 1984. The contents of this album are very good, and it was re-released last year with an additional bonus CD.

Visits: 75

Crappy Album Covers #166 — Negative Brand Recognition I: Weezer

Album_Cover_Crap_282_thealmightyguru_com_WeezerBlue Uh, yeah, like, we’re members of this band “Weezer”, and, uh, like, buy our record OK?

Weezer is a band that may, on some level, be authentic and earthy (in the grunge sense); but with these album covers, they just look like some guys that just came out of Starbucks to pose for a cover before going back to their lattes.

This is thier first album, self-titled (or to re-use an old joke, maybe they didn’t title it themselves).
Album_Cover_Crap_283_thealmightyguru_com The Beatles had their songs on albums referred to as “The Red Album” and “The Blue Album”, so why can’t Weezer? This is their third self-titled album, referred to as “the Red Album”, released in 2008. No matter how they dress, they still look like they are about to trot back to Starbucks to order their biscottis and doppio macchiatoes in the best fake Italian they can.

The picture-of-band-members-on-a-primary-colour-background aesthetic has, I believe, run its course, Weezer. Consider that artistic avenue explored, and move on. Please.

Visits: 80

Crappy Album Covers #165 — Just Hanging Around

Album_Cover_Crap_275_rateyourmusic_com This is the second CD released by the Toronto-based group Our Lady Peace. The cover features septuagenarian model Saul Fox, a frequent flier on many of OLP’s album covers. A combination of bad lighting and bad retouching makes it pretty clear that he is standing on the floor, giving little cause for the fear and tension in Fox’s expression. There should have been more effort made to produce the illusion of being airborne. And Fox ought to lose the mascara.

Considering that Canada has roughly the same population as California, selling one million albums in Canada alone is a rare achievement, and is awarded diamond status. OLP’s album Clumsy went diamond in 1997.

In the United States, Diamond is awarded by the RIAA for sales in excess of 10 million.
Album_Cover_Crap_265_funkyjunktrunk_com This lady likes to hang around too, although she looks more relaxed, and besides, she seems to have bagged a couple of hunters for herself. And while she doesn’t look like a “big dame”, I am sure most guys won’t mind her size at all. My only fear is that she might end up on some guy’s mantle as a trophy woman.

This is put out by “Sounds of A Thousand Strings”, although there are many blogs and sites selling used/reissued copies of this LP that claim it is by Art Neville, the New Orleans-based studio musician. Not much other reliable information seems to exist, such as what year this album was made. I am getting years in the 1980s and 1990s, likely the year of reissue. However, the depiction of late Nebraskan model/actress Irish McCalla (1928-2002) places this LP solidly in the mid-1950s.

 

Visits: 83

(Adult Content) Crappy Album Covers #164 — How they do it

Album_Cover_Crap_300_guardian_co_uk This is a 2005 album by Coco Rosie called “Noah’s Ark”. We see unicorns having a threesome over here (a slight departure from Genesis). My impression was that this album was some kind of progressive/heavy metal/grunge/experimental album. However, this is far from the case. Coco Rosie plays folk. Freak folk, to cite Wikipedia.Coco Rosie is a French-based female duo Bianca “Coco” Leilani and Sierra Rose “Rosie” Casady.
Album_Cover_Crap_291_rateyourmusic_com_cooked I put the black bars there myself, and consider it an improvement. The band name and title say it all anyway, doesn’t it? Their oeuvre deals mainly with taboo and edgy subjects ranging from drug addiction to necrophilia. Their approach is rarely serious; mostly absurdist. “Jim Seed Collector” is the name of a seven-inch single, released some time back.Smell & Quim are a British experimental group, performing in England as late as 2007.

Visits: 86

Crappy Album Covers #163 — Lacking a Certain "Je ne sais quoi"

Album_Cover_Crap_200_musicforants_com In a failed attempt to “Out-4AD” the album designs of other groups signed to that label, The Mountain Goats approved this supposedly muted-but-proggy album design. 

You place a cartoony stock image of a boxer painting on top of a splattery concrete background that the Cocteau Twins probably rejected, then place the album and band name somewhere on the cover, and ya gotchyerself a 4AD album all your own. Easy as pie.

Their 2006 album “Get Lonely” was their 15th to be released, but their fifth album on 4AD. It reached #193 on Billboard’s Top 200 that year.
Album_Cover_Crap_202_uncoached_com There is little information on Rulli Rendo’s Orchestra and Chorus. But for those interested, he has a very current website. He has been over 40 years in the music business, and has lived most of his life in Mexico. He currently is residing in Peru, his native country.

Visits: 193

Crappy Album Covers #162 — Tribal Suckiness

Album_Cover_Crap_201_musicforants_com This 2007 album by M. I. A. called “Kala”. It may have hit Billboard’s Hot 200 at #13, but the album by London-born Mathangi Arulpragasam won some kind of informal tastelessness award from crappy album cover blogs across the ‘net. 

Could it have something to do with the color scheme? Or how ’bout the four — count ’em — four negative shots of Ms Arulpragasam with that whatchamacallit on her head? Or could it be the Inca-like design theme for a cover from someone whose ethnicity is actually Sri Lankan? All of the above, I think.
Album_Cover_Crap_317_inspiredology_com Tongues are wagging across the crappy album blogosphere, as to whether the band name is “Tool” or “Fool”? The choice of font for their 2006 #1-charting and Platinum-selling album makes this challenging. 

The name of this California-based band is actually “Tool”. Their Grammy-award winning CD also has this ambiguous triablesque design. The number “10,000” has a distinct name in Greek, which tranlates to “myriad”. I have no idea if it connects with the album in any way.

The contents may be great, but the cover is awful and if anything it ends up emphasising a lack of any connection to anything tribal. As with both albums, any attempt to connect with anything of a tribal nature using bad art simply defeats its own object.

Visits: 86

Crappy Album Covers #161 — The uses of recycled curtains

Album_Cover_Crap_213_-_worstalbumcovers_com June Mary Gough (stage surname is Bronhill) (1929-2005) sports a long dress made from curtains taken from a rummage sale at the Sydney Opera House. 

She is a renowned operatic soprano, and was made an Officer of the Order of the British Empire. She is here posing outside of an opera house in her native Australian state of New South Wales.
Album_Cover_Crap_214_-_worstalbumcovers_com These neatly dressed lads and curtain-wearing ladies probably have no connection to this Canadian rock group that shares their namesake. 

In fact, there are a number of current bands that share this name. One of them is an Irish trad band that sings such ditties such as “Does Your Chewing Gum Lose Its Flavour on The Bedpost Overnight?” That version of the Black Diamonds has no women in it. Needless to say, I couldn’t find any straight information on this group.

Visits: 110

Crappy Album Covers #160 – Elvez Prezley

Album_Cover_Crap_212_-_kristianhoffman_com This would be the soundtrack to Elvis’s first comedy, GI Blues, released in 1960 by Paramount Pictures, where he acts as Tulsa alongside some token girl named Juliet Prowse, who plays Lili.
Album_Cover_Crap_211_-_kristianhoffman_com This is not Elvez, but “El Vez” (The Time), played by Hispanic smart aleck Robert Lopez. He is not strictly an Elvis impersonator, and has been known to do covers of other artists.Lopez was born when the original album was created, and this parody was released almost 40 years later, in 1996.

Visits: 146

(Adult Content) Crappy Album Covers #159 — Another rule: Male nudity doesn’t work as well

Album_Cover_Crap_319_Yes Men and women both buy records. With this idea in mind, I have no idea why it is that female nudity sells even the crappiest records, while male nudity doesn’t. I am not a marketing psychologist, so I have no idea why that is. Yes’s 1977 album “Going for the One”, which sold certified Gold, depicts a naked man in front of L. A.’s Century Plaza Towers. The towers are surreal and distorted, and it has all of these dotted and solid lines that make little sense. Chalk one up for the overly self-indulgent side of prog rock. Despite the album cover’s tastelessness, the album’s contents are considered among Yes’s finest work, and marks the first of many times Rick Wakeman had returned to the group.

This recording has been reissued in 2003 by Rhino Records with a large number of added tracks.
Album_Cover_Crap_276_rateyourmusic_com This 1994 EP, released by Unrest on Teenbeat Records before the time they were signed to the 4AD label, also shows why male nudity is just, well, … limp.

Unrest has had dozens of releases of original work as well as compilations. They started in 1982 in Washington, DC.

 

Visits: 174

Crappy Album Covers #158 — Ladies of the low-rent district

Album_Cover_Crap_206_bad_hair_-_worstalbumcovers_org Harris Glenn Milstead (1945-1988) was a transvestite entertainer, whose live CD “Born to be Cheap” was issued posthumously in 1994. 

He died a week after the release of the movie Hairspray, which he acted in. He was going to audition for Fox’s Married with Children, but died of an enlarged heart before arriving. The people at Fox sent flowers, with a note wryly joking “If you didn’t want the job, all you had to say was ‘no'”. He counted Elton John and Whoopi Goldberg among his friends. They each sent a bouquet to the funeral.

There is a currently-released documentary called “I am Divine”, directed by Jeffery Scwhartz for Automat Pictures, which was released on July 30 of this year.
Album_Cover_Crap_209_-_wikipedia_org Intending to look loud and attention-getting, but ending up looking like a picked-through remaindered album at Wal-Mart, the reality is that this album never even made it to North America, except as an Import, since back in 1999, they no longer had a North American distributor. 

The Swedish duo Roxette, consisting of Per Gessle and Marie Fredriksson, enjoyed worldwide success in the decade from the mid 80s to the mid-90s, releasing about 8 albums during that period. “It Must Have Been Love” gave me one of my nicer memories of 80s music, and was re-used in the soundtrack to the film “Pretty Woman”.

Visits: 101