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In Memoriam 2015

January 1: Donna Douglas: Played daughter Elly May Clampett in The Beverly Hillbillies. (Age 82). 1: Mario Cuomo: Governor of New York (1983 to 1994) (Age 82). 2: James Cecil Dickens: Known as Little Jimmy Dickens, best known for his song May the Bird of Paradise Fly Up ...

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The disappearance of misc.activism.progressive and the emergence of Thought Crime Radio

Almost four years ago, the articles in the USENET newsgroup misc.activism.progressive ground to a halt, and moderator Rich Winkel has all but disappeared from the USENET, whom I learn resided in Harrisburg (up until 2010, at least), a half hour or so drive from his ...

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Sounding off on the end of CanCon and the CRTC

I guess with the recent decision to axe all cancon requirements for daytime programming in Canada, the CRTC is crawling toward its own irrelevance. Let's not be naive, Canadian culture is that much more weakened without the protection it partially enjoyed from American influence. With ...

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Eldred, Saskatchewan on the map … barely

Eldred, Saskatchewan on the map ... barely

I've written about obscure Saskatchewan communities before. Here is another community far to the north of Unity. My ancestors from France settled here. Many of my ancestors were pioneers that broke new farming ground nearest to a community called Eldred, Saskatchewan. Eldred was about 10 km ...

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Zero

Once upon a time, around the year 525 during the reign of Pope John I, a monk named Dionysius invented the idea of Anno Domini by producing a calendar which marked the time since the birth of Christ. The numbering of the years was adopted ...

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Fortune Cookies for Human Rights

Fortune Cookies for Human Rights

You know, I was minding my own business in this classy Chinese restaurant, engorging myself on their copious buffet, had my fill, and was handed the bill with an accompanying fortune cookie. This fortune cookie (the one to the left) really existed, and I never saw ...

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Getting f(x) notation to work in Maple

Getting f(x) notation to work in Maple

Maple is a robust math environment which can graph, solve equations, and solve for the unknown with the aid of its computer algebra solver (CAS), which is capable of computing exact roots of cubic functions, for example. I wanted to demonstrate for myself that Maple could ...

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Kudos to the 1050 CHUM Memorial Blog

Kudos to the 1050 CHUM Memorial Blog

Recently, I've been hit (my website that is) by someone possibly checking his plethora of links from his/her website, and when I back-traced it, I find this cool blog which acts as a convincing historical shrine to the late great 1050 CHUM Radio in Toronto. ...

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The Obfuscation of Electronics: The Behringer Xenyx 502

The Obfuscation of Electronics: The Behringer Xenyx 502

This is more like a meta-review. I have gone to Canada Computes where nearly the entire Behringer line is sold, and was impressed by the specs. But does it do what I want, the way I want it? I face a number of obstacles, being a ...

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Famous Teetotalers 013: She’s a little bit country, and he’s a little bit rock and roll

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Crappy Album Covers #240 -- Overdone

Tweet The Funk/R&B/Disco group Parliament has built thier image on over-the-top costumes and stage settings. Parliament’s 1976 LP “The Clones of Dr Funkenstein” is no exception. George Clinton seems to be saying “Hey! Who put boobs on this clone?!?” Manowar, if you have read my last entry on them, were noted for their independent business practices, a more […] […]

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Crappy Album Covers #239 -- More Exotica (or how does the chick keep her bra on?)

Tweet More exotica, yet, due to the surfeit of strapless gowns, strapless brassieres, and strapless halters, we return to the same eternal questions. How do they stay on? Why aren’t the chicks modelling for WonderBra instead of propping up the Exotica industry? In this phot lies part of the answer. The chick couldn’t keep hers on. […] […]

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Crappy Album Covers #238 -- Extreme Exotica

Tweet Juanita Banana appears to be a major musical comedy act in the French-speaking world. She appears to have been doing this for quite a while. Below is a YouTube video with Juanita Banana. It is completely in French, but I think the visual humor survives translation. It appears that it is someone else lip-synching her, but […] […]

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Crappy Album Covers #237 -- Lamers!

Tweet There’s Lennon, McCartney; Elton John, Bernie Taupin; There’s Bacharach, David; and Holland/Dozier/Holland; But do you recall the most earth-shat’ring duo of all I’m talking about – Nimoy and Billy Shatner; Singin’ with their shiny prose And like a moss infection You would even say it grows People who were non-Trekkies Used to laugh and call them names You’d wonder why they’d still make records ‘Cause most of what they […] […]

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Crappy Album Covers #236 -- More family Bands

Tweet The previous version of this posting was accidentally deleted. This was God’s way of telling me that my soul will burn in hell for eternity for making CAC entries, especially those mocking Christian-oriented family bands. Oh well… in for a penny, in for a dollar… In this photo, the father is illiterate but can sing. So […] […]

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Crappy Album Covers #232 -- Judgement Issues

Tweet The jumpsuit was never a big hit as a fashion item, being more of a centerpiece in prison haute couture instead. Here are the four escape convicts of the lavender and sky-blue wings of a co-ed maximum security prison who call themselves ABBA: Agnetha, Benny, Bjorn, and Anni-Frid, with a Spanish rendition of the 1977 […] […]

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Crappy Album Covers #223 — More Bodily Functions

Tweet FYI, this was an album cover released, according to my reliable informants, during the fifties, and was meant to be a gag album cover with no actual vinyl LP inside. If it did have an LP inside, you would hear the tunes listed on the back cover, which consisted of titles such as “Just Sittin’ […] […]

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Crappy Album Covers #220 — Poorly thought-out concepts

Tweet This is an awfully dry album cover for the former members of The New Pornographers and Wolf Parade. I mean, a courtroom? In their 2009 album “Enemy Mine”, it is not clear if there is any connection at all between this cover and the album’s contents. Apart from that, this kind of art might be OK […] […]

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Crappy Album Covers #219 — Beefcake or fruitcake? You be the judge!

Tweet Crossing the line between soft porn and insanity, Mike Bones offers us this picture of himself spending time at the Betty Ford Clinic. Honest, he just let one of his buddies play with his camera while he was visiting him, and being too drugged up to notice, a picture was taken of him, desaturated to […] […]

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Crappy Album Covers #218 — Old-School Telephones

Tweet Buy this album and you will always be able to see this beautiful photo of a telephone held by someone in a tasteful suit. Yes, I’ll bet you will stare at this one forever. I’m only saying all this because I’m jealous, of course. Aren’t you, knowing now that Jerry Irby has a hotline to heaven? […] […]

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Crappy Album Covers #217 — Too much for metal

Tweet The only thing this album has going for it is the “Explicit Lyrics/Parental Advisory” sticker that tells adolescents that these are the only kinds of recordings they should buy. The Metal parody group Steel Panther currently play weekly in Los Vegas and Los Angeles. They must be metal, because their website overuses gothic fonts and umlauts […] […]

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Crappy Album Covers #216 -- Stereotypes and other things that bug me

Tweet Come to Sweden, “… where the facts of life are stranger than fiction.” “The most permissive state in the world!” (sez the cover) Well, that’s got to mean only one thing, folks. That they’re all a bunch of debauched perverts, and the rest of us uptight Westerners should pass up this film or become debauched […] […]

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Crappy Album Covers #215 -- Your Miranda Rights

Tweet You have a right to remain silent, while Carmen Miranda has a right to sing her fool head off. It almost isn’t fair, is it? Here she is depicted as being attacked by a fruit bowl, and you stand accused. She’s smiling because she’s hired the best lawyer in the business, and this is how she […] […]

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Crappy Album Covers #214 -- Where they learn to dance

Tweet Cuban born Perez Prado (1916-1989) showed himself as the Head Honcho of Mambo University. I guess it was the Latin kind, not the horizontal kind.  During his tenure, Prado was known as the King of Mambo. Living for most of his life in Mexico, he had a long recording and performing career which extended from the […] […]

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Crappy Album Covers #213 -- More TV and Movies

Tweet Cushy job there, Dean. Dino Paul Crocetti, known as Dean Martin (1917-1995), played secret agent Matt Helm in the 1966 movie The Silencers. I can’t see Matt Helm’s agency remaining secret if he continues to chase women. This looks like the second redesign I’ve seen about the movie Peter Gunn. Same artist, same movie. […]

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Crappy Album Covers #212 -- The love of self and others

Tweet Common wisdom tells us that you must love yourself if you are going to give love to others. Otherwise, if you see yourself as a miserable chump, others will see you the same way, and only other miserable chumps will be your companions. The first step in loving yourself is self-acceptance. And with that, being yourself. […] […]

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Crappy Album Covers #211 — Domestic Affairs

Tweet If you cook either with electricity or briquettes, this album is not for you. I think there was a decade between the mid-50s and mid-60s where there were a spate of “Music for X” albums for every occasion. Cook with gas? Then buy this record! Harry Fields (?-1988) graduated from Julliard with a Ph. D., and […] […]

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Crappy Album Covers #210 — Music From Space

Tweet Not much info on this record, or on who did the recording. The cover of “Soundproof: The Sounds of Tomorrow Today” gives the air, not of a futurstic vision of music, but rather the kind of music composed by aliens. If that is the sound of tomorrow, then it is a future dominated by an […] […]

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Crappy Album Covers #209 -- Keyboard Obsessions

Tweet There was a period of time that just about every “nerdy” musical act wanted to record something by Burt Bacharach and Hal David. They were the Lennon and McCartney of predictability and commerciality in the 1960s and early 70s. While they took few artistic risks, it is not to say that they lacked originality. Their catalogue […] […]

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