Crappy Album Covers #295 — A Fink Fixation

There have been many electrons spilled recently (I can’t say “much ink spilled”, this being the Internet) over a certain kind of woman who seem to always fall in love with jerks, then they meet a nice guy who they tell their problems to, they become friends, then she dates the jerk again, leaving the more deserving “friend” empty-handed. 

Jackie Kannon has those ladies figured out. They are called “rat fink lovers”. And to turn this part of the music-buying market into a cash cow for him, he has music for these rat fink lovers to love their rat fink boyfriends.

In reality, this 1964 album contains many standards that were current with the early-to-mid ’60s “lounge music” that had its heyday back then. The album is considered rare, and a copy was being sold on Amazon, used, for US$49.

This album loses on all fronts. The title is a poorly-constructed pun (“Sing along with Mitch”, I think is the general idea). Alfred E. Neuman is depicted with the trademark Mitch Miller ghoti. 

Mitch Miller (1911-2010) was a household name in the mid-1960s, known for his television series and accompanying record series, “Sing Along With Mitch”, which was active between 1961 and 1964. He was also head of artists and reperoire for Columbia Records.

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Crappy Album Covers #168 — Sucky Latino

Album_Cover_Crap_320_Latino_Love This is Richard Hayman’s 1969 cheezily synthesized “Genuine Electric Latin Love Machine”. Hear synthesized versions of songs like “The Girl From Ipanema”, “The Windmills of Your Mind”, and “Hare Krishna”. 

Wait … “Hare Krishna” is a Latin tune? Naw! And “Windmills” isn’t exactly Latin either, come to think of it. Looks like the robot needs to be re-programmed.

Album_Cover_Crap_295_funniez_net The Pachacamac is an ancient Peruvian site, thought to be nearly 3000 years old. Legend has it that every so often, on a clear sunny day, this dark haired guy in a tank top rises up from the Lurin River nearby and sings Latin hits. 

Of course, it is only the stuff of legend, and no one knows if it’s true.

One blog has Beto Mendez’s nationality as Ecuadorian. The album was produced likely some time in the mid-1960s.

 

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