Freddie Gage has with this album cover, achieved a level of morbidity reserved only for folks like Nietzsche or August Strindberg. He has made a name for himself as an evangelical preacher who has won favour with the likes of Jerry Fallwell.
As a casual passerby who may not have heard of Freddie Gage, I would see that much of the design is taken up by the title.
Obviously, the death of all of his buddies weigh very heavily on his mind. He is from the southern USA and not some war-torn country. I am sure he didn’t lose anyone at Gitmo.
I think in reality, the voices inside his head told him to kill all his friends. Now he lives in regret, and in fulfillment of his persecution comlpex, he is now in actual pursuit by law enforcement.
So, what to do? Well, he could plead insanity when they arrive to apprehend him. However, he still has to live with all that guilt, on top of his illness. How does he do that?
Well, Dr. Murray Banks has the answer. He will be a fountain of advice and wisdom for our poor friend Freddie, telling him how he can live with himself, up until his first psychiatric appointment.
What about the artwork here? Late 50s to mid-60s low-budget cartoon-style artwork. For this, I would like to invent a new word to describe the effect: it’s chugly (cheesy + ugly). I think chugly was a popular style back then. It was during and after the McCarthy era that this artwork seemed to have its heyday. It didn’t offend, it could not be called “sexy” or “political” or anything else that was a virtual McCarthy-era cuss word. It was the artistic drek that could only come from the era and sociopolitical climate in which it existed. Lately, I have noticed that Starbucks and Chapters Bookstores have veered dangerously close to this kind of aesthetic.
For the record, “All My Friends Are Dead” is also the title of a song released around 2003 by the Norwegian punk rock group Turbonegro.
[media id=99 width=400 height=300]
