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You got to hand it to Leonard Nimoy. He had tried so hard to be something more than his public image of Spock, yet the public image of an unemotional, totally logical humanoid was larger than he was.
But he keeps sticking it to himself. In all of these “image makeover” LPs, Nimoy can’t get out of depicting his Spock image somewhere on the jacket. There is Spock in the upper left. In the act of trying to make you forget Spock, he reminds you at every turn. “The Way I Feel” is a title that strikes me as being a little over the top. Also, it’s great artwork; but if you ever want to make the public forget, at least for a short time, who you played, then riding on your own coattails will get you nowhere. He is here coverng songs such as “I’d Love Making Love To You”, “Both Sides Now”, and “Sunny”. |
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This album is a more explicit breaking of the rule. It may have been acceptable as a first attempt. But it was not his first attempt. AMG lists this record as being released in the same year as “The Way I Feel”, 1968.
This time, you see two sides, alright. And rather than being two parts of a whole, they clash. Imagine hearing songs with titles that could appear on a Kraftwerk album (or fill in your own industrial/synthpop group): Amphibious Assault, Spock Thoughts, Once I Smiled, and Highly Illogical; next to songs like: Gentle On My Mind, If I Were a Carpenter, and, The Ballad of Bilbo Baggins, for which I presented a video over a month ago. You don’t have to watch it again, unless you haven’t seen it. I’ll understand. |
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