The unusual and strange from news and popular culture.
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BC and Frenchy are classified by Show and Tell Music as “Hillbilly Synth Wave”. This page discusses the two musicians, Bruce (last name?) and Carroll Frenzilli. An Italian named Frenchy. Nice.
Obiously a DIY album cover. |
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Reverend Dexter Wise Rapper In Disguise Rappin’ with the boyz Makin’ joyful noise Is it gangsta rap? He ain’t into that! Not sure when this one came out. |
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Here is Mylon, being photographed for his 1977 LP “Weak at the Knees” while trying to get a piece of Kentucky Fried Chicken out from between his teeth. While he is from the Southern US, I claim that his French name qulifies as international (hey, it’s my blog, I can do what I like!).
Mylon LeFevre was a top-selling songwriter, having had many of his songs sold to the likes of Elvis Presley. He is credited with recording with The Charlie Daniels Band, and Sammy Johns. In the 1970s, can i buy viagra members of his group Broken Heart went on to form The Atlanta Rhythm Section. |
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At least you may not need to understand Hebrew to get that this is likely comedy album. Otherwise, I can’t explain the use of a telephone as a musical instrument.
Hagshash HaHiver, literally “The Pale Trackers” is Israel’s offering to the world as a major comedy group. At least they were big in Israel, adding many phrases to the Hebrew lexicon. The HaGashashim wish you to “drive in peace; the keys are locked inside”. |
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This is April Fool’s Day, so I thought that it would be a good time to post albums that don’t exist. In fact, I will be doing nothing but fake albums for the month of April.If you have been an avid reader of my postings, you would have noticed that the band names depicted here were the same ones I made up in this post.Looks like any of hundreds of indie band album covers.
If you want to know how to put these things together, scroll down. And yes, these were photoshopped. |
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If you want to boost album sales, there’s nothing like watermarking a “Parental Advisory/Explicit Lyrics” logo on the cover so that people will ignore your artistic message and simply buy your album to listen for all the F— words. And if there aren’t any, they can’t really sue a rating system for false advertising, can they?
You can getchy’er parental advisory sticker by Googling it (there are plenty out there), then layer it in Photoshop (shrink it first if necessary), setting the opacity to under 50% so that it simply shows up as a watermark. When you’re done with inserting the title and band name, cropping the photo and so on, you then flatten the image and save it as a jpeg. |
Here are the instructions for making up your own artificial crappy album cover, courtesy of emptees.com, together with my own commentary:
A Do-It-Yourself Indie Band Album Cover:
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I thought I was looking for a human when I Google’d “Maria Leonora”.
Get ready for this: Maria Leonora Theresa (I’ll just say MLT) was a 3-foot high ceramic doll with her own recording contract, television program and feature film in the Phillippines in the early 1970s. She had her own makeup, wardrobe, and jewellery. MLT fans reportedly wrote fan letters to her, which were answered back. This may have contributed to the urban legend that she was actually a living person. “Forsaken Doll” was likely recorded near the end of MLT’s career, when her “mommy” and “daddy” divorced (Guy and Pip [played by Nora Aunor and Tirso Cruz]). The fans turned away, then the entertainment exects wanted nothing to do with MLT. She was washed up before her fifth birthday. She was last seen on a derilict street corner on crack, and trying to hustle herself to Ken in front of Barbie. |
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The British musical group The Jack Emblow Sextet played often on the BBC in the 50s and 60s. Jack Emblow himself played the accordion.
This sheds light as to why “playtime” for a housewife meant “tea time”. |
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I wish I could say this was a joke. But the 1966 American release of “Yesterday and Today”, which I don’t remember, probably because I only remember the santiized version of this record cover, really did exist. 750,000 of these were released, but most of them had the alternative cover pasted on after the controversy ensued.
So this is how The Meat Puppets got their inspiration. It goes without saying that collectors are reportedly paying at least $40,000 for this album cover, and still more if it is one of the stereo releases.
The Beatles themselves reportedly had mixed reactions. Lennon and McCartney were OK about it, while Harrisson reportely was more retrospect. Personally, I would have left the blood and gore for Ozzy Osbourne and Alice Cooper. I can’t see McCartney biting off the heads of chickens on stage. Not even Lennon.
Even after using this sanitized album cover, this album remains as the only money loser for The Beatles that Capitol ever released, despite the hit songs that were on it: “Yesterday”, “We Can Work It Out”, “Nowhere Man” and “Day Tripper”; and despite the fact that it hit #1 on Billboard, and became certified Gold.
This is way off the other end. Clinically sanitized. The Beatles are neither extreme, and that is their whole appeal, in my view. They established their reputation by taking artistic risks while being in full control of their craft.
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This is a 2005 first official release of a 1962 recording that Dave Van Ronk helped record which had been a bootleg for decades.
Now, I have nothing against Dylan making money where he can. But does anyone agree that putting “The Times They Are A-Changing” in a bank commercial, as he agreed to do for Bank of Montreal in the last decade constituted good product placement and promotion of the “Dylan” brand? Do you want that message to be given to you by a folk singer or your bank?
This album was recorded by Dylan before he became well-known. It is done in the packaging which Starbucks approved of for their 6-month exclusive 2005 deal for which he once again became infamous as a sellout. Much ink and electrons have been spilled on this topic, and I won’t venture there. More interestingly, he was also reviled by record/CD retailers such as HMV for doing this. After all, HMV feels (somewhat rightly) that they shouldn’t be competing against a coffee shop to sell CDs.
Give Dylan a break. First of all, “Live at The Gaslight” is a bootleg, and what better way to stick it to the bootleggers than having your own authorized relase? And coffee shops are where common, ordinary, grass-roots people meet, isn’t it? That is, common people who commonly order $5 lattes and $3 biscottis in fake Italian. Near where I live, such common folk walk their 3″ tall toy poodles and wear Florsheims. These customers take about 3 minutes to say the order in a nearly operatic key; then the server takes another 3 minutes to repeat the order in-tempo to another server who works the espresso machine. Who will sing their songs? Who will sing about the time that the chashier, who has a nose ring and a Master’s degree in Anthro for his thesis on “The Impact of the Roncesvalles Streetcar Terminal on Popular Culture in Toronto”, thought he nearly got skin cancer by scanning so many fifty-dollar bills under the UV? And after the customer pays an inflated price for coffee, he leaves out that tip jar. Now, that takes real guts. And no one sings their pain like Dylan.
Here’s one way to really “stick it to the man”: Go to Starbucks, and order “instant”. That ought to throw a monkey wrench in the system. I guarantee you that because most of these people are from a generation that hasn’t heard of “instant” and don’t know how to cook their own meals, no one will know how to handle the order, but everyone will feel that they absolutely must or fear getting fired. For one thing, it’s not fake Italian, and it doesn’t take 3 minutes to say.
This is also believed to be a bootleg. Now I am beginning to believe that if Leonard Nimoy can be bootleged, anyone can. Wonder what price bootleggers were getting for this album?
Two late ’60s standards are on this single. One is Peter, Paul and Mary’s “If I Had A Hammer”, and the other is Bobby Hebb’s jazz standard “Sunny”, which quickly got covered by Ella Fitzgerald, Pat Martino, James Brown, Dusty Springfield, and just about every lounge lizard act with a pulse. My father had a James Last LP with Sunny on it. Boney M even put out a disco version of Sunny.
In case you were not alive during the 60s, I started scratching around for a You Tube video to show you. The original Bobby Hebb versions are out there, but you have to go to You Tube directly to view them. Instead, I have a double-bill: a duet with Tom Jones and Ella Fitzgerald from 1970, more than likely on Tom Jones’ own variety show:
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I’ve noticed that in the past copule of posts, album covers of middle eastern music/belly dancing of the ’50s and ’60s appear to prefer redheads. Here, even the blonde has to settle for being upstaged by this redhead. If the bald fella hits the gong, the performance is over and the dancer gets escorted off the stage. |
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“Orienta: The Marco Polo Adventures” could have been made in the late 50s and early 60s when most blockbuster movies consisted of stories of history and exploration. But no exact information exists. |
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Mambo at Midnight, by Belmonte and his Afro-American Music. At least it’s not that other Midnight Mambo: the horizontal one.
Click here to hear a sampling of what Belmonte sounds like. |
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I have no idea how many remakes of the Hair soundtrack there were. You know, this hippie chick looks like she has a case of running out of conditioner and shampoo. While this doesn’t hurt album sales in the least, it is still part of the problem. Once again, we see a gorgeous naked woman but for her hair, “Hair” in large letters and “Music from” in small letters. In the same small lettering are the performers, called “The Sunshine Generation”.Would you rather hear songs like Aquarius and Good Morning Starshine from The Sunshine Generation or from The 5th Dimension and Oliver respectively? |
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This was not going to be a bad hair album until I realised that the lady in this photo is wearing a wig.
The plot line to the movie is something like: A bachelor tries to save a friend’s marriage only to end up getting married himself, I think, to the friend’s mistress. This is a soundtrack to this 1968 comedy starring Dean Martin opposite Stella Stevens, with music by Micheal Legrand. |
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Never mind what the (usually male) record company exectives tell you. The real record salesmen are women. All they need to do to sell a record, regardless of its quality, is take off some or all of their clothes and pose for the album cover. Too bad the ones in this blog are entry are nameless, as they are most of the time. |
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This model remains possibly clothed and looks suggestively at the camera lens. Definitely a “money shot”. Believe me, I have nothing against women who play no part in the music performance on album covers, but what makes this cover crappy is that it has little else going for it. Just a spinning globe in the forground to keep the guys guessing. |
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Rock set to classical music, especially in the 60s and 70s, was done with no small measure of contempt for the rock genre. Here, the greater works of The Beatles is set to opera.
I can see Elanor Rigby being set to opera, or Yesterday, but Can’t Buy Me Love? Or the song Revolution? And the line drawings on this cover is an obvious send-up to similar drawings of The Beatles’ Revolver album, which has some of these tracks on it. If it were really a send-up to Revolution, what artwork would they parody? The White Album? |
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This 1968 album cover is not really crappy, since the general design would be predictable for Shatner: kitschy late 60s computer lettering; Shatner in a trance; and so on.
What is legendarily horrible about this album lay in its contents. The album’s pièce de résistance for masochists was in his reading of the Beatle’s Lucy In The Sky With Diamonds. Those who boldly assert that Shatner’s talents extended beyond acting usually quiet down whenever they hear Shatner take a hatchet to recite this track. I have a link to a video of Shatner doing Lucy, which is so brilliantly done and animated, that I felt it deserved its own entry. Warning: Once you view the video, you can’t UN-view it. Sorry. |
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This is Jazz artist Mike Pacheco with his 1957 LP “Bongo Date”. Back then, there was the fascination with Beatnik culture. It was the Hip-Hop of the 1950s.
Guy says to the girl: “Wanna come to my place and I’ll show you my instrument?” And the pick-up line actually works! It’s a date! Or maybe the girl is saying it to the guy. For me, it works both ways in this photo. Cherche la femme, indeed! |
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Johnny Puleo (1907-1983) was a pantomine artist, dramatic actor, and in his later years, master of the harmonica. He has recorded at least two albums with “His Harmonica Gang”, and has had at least two solo efforts.
He’s the short guy in the foreground. Standing at 4′ 6″ tall (1.37 metres), he would show up on Ed Sullivan playing a bass harmonica that was almost the size of his head. He started in Vaudeville playing all of the large night clubs in the United States. His last performance was on television in 1982, when he appeared once on SCTV. |
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Proof that the lady on Blonde Redhead’s 2007 album “23” has an infinite number of legs:
1) This woman has 4 legs 2) 4 is an even number 3) 4 is an odd number of legs for a woman to have 4) The only number that is both even and odd is infinity Therefore, this woman has an infinite number of legs. Tennis, anyone? I have this one in my collection. The contents are pretty good, and the CD has had great reviews. 23 was one of the top 10 alternative albums of 2007. I’ve heard comparisons with other bands; but no — they stand on their own. They are very melodic and very listenable. I think the reason for the crappiness of this cover is that, on one hand, it doesn’t look “alternative”, but it doesn’t look terribly normal. It’s a cover which confuses its audience. It also is not really an indication of what is inside. What’s inside is pretty consistent, well-done, and not so “weird” as this cover would suggest. The cover has since been modified. |
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As was mentioned by this blogger, with this 1979 album by Jimmy Sturr and his Orchestra, we witness the union of the two most repulsive words in music.
And to make things worse, it is actually a double album. But one has to realise that this album wasn’t made to further tighten the noose on disco; it was done to popularise polka. Jimmy Sturr still makes music and has his own website, sponsored by Mrs. T’s Perogies. |
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I can’t resist adding this second Tubby Boots album, called “Goes Topless”.Whoa.
This one is crappy on so many levels. Recall in our first Tubby Boots record shown last week that he thought he was a hipster. Now he thinks he is a female stripper. A female stripper wearing a Roman war helmet. And pink underwear with a bearded man drawn over his crotch. And, of course, the pasties. On the bottom it says: “For the Mature-Minded Adult”. I am unsure how many “mature-minded” adults would be seen with this record. But if you are an adult and not mature-minded, you are obviously spared from having to buy this record. |
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Bill Carty’s album here is also crappy on many levels. Imagine pulling up your blinds, to be confronted with this guy staring back at you?We have already seen Carty’s head go into orbit with the last album we saw, when we witnnessed him as the world’s first suicide bomber. Now his head is landing in front of your window.
His eyes popping out of his head could be a mirthful look, or it could be hyperthyroidism. Or it could be his forever frozen look of surprise when he found out all he needed to set off the grenade was to pull the pin. |
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Comedian Bill Barner was a comedian for a short stint in the Florida area in the 1960s. His comedy records are one of the earliest to appear. However, his career didn’t go too far, according to my informants (actually, it was from an interview between Woody Woodbury and WFMU in New York, which was podcasted).
You can see clearly this is some kind of ’60s anaesthetic aesthetic. A woman is showing herself off, and Barner seems to show his appreciation. Barner had to travel to San Francisco to get this recording made, signing up with Arrow Records. Lots of hints that this is from SF: Recording is done in “Mirth-Quake”; and Barner is standing (sort of) on a trolley. |
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Perhaps Duo and Arrow Records are the same company, since both have the “Mirth-Quake” monacre, and both have mostly the same messages on top and bottom as a whole. Both also show the same love for excessively large heads in the album artwork.
Barner apparently plays piano, and does so live in front of a night club audience (as was the above album). They don’t say which night club allowed them to record. It would have been great publicity for the night club. But for all we know, a laugh track may have been his only audience. He has released six other albums that I am aware of. Those lack the requisite big heads to be in this entry, but they are still pretty bad. One of them is a sequel called Trolley Bar Party II. Some of these records, depending on the condition, are collectors’ items. |
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The comedy rock group Axis of Awesome will set out to prove that all songs since the Beatles’ Let It Be sound like Waltzing Matilda, and that Waltzing Matilda sounds like intro to “Don’t Stop Believing” by Journey. By syllogistic reasoning, therefore, all songs sound like Journey. This is only a five-minute video, but it’s five minutes of the same four piano chords, without tempo changes or changing the order the chords that are played. That may take some patience. But the fact that it applies so widely over 45 years of music fascinates me, although it could easily apply over 100 years. I could imagine singing “Should auld acuaintance be forgot and never brought to mind?” to those chords. And since Robert Burns wrote Auld Lang Syne over 300 years ago, that would make Journey a band of Johnny-Come-Latelies by comparison.
Waltzing Matilda is heard about halfway through, just after that other Australian hit, “Down Under”, by Men at Work. Quite compelling.
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Guys, keyholes and topless women are a staple in the CAC blogosphere. This is Woody Woodbury’s big comedy album from the 1950s, Woody Woodbury Looks at Love and Life, put out by the Stereoddities label. This was one of the first comedy records ever made (probably the first), and are considered innovative. Woody put out comedy records before Bill Cosby, or Bob Newhart, or any of the other ’50s and ’60s comedians.
Woodbury was a big name, and he almost had the job of hosting The Tonight Show, except that the plum job was instead taken up by some wisecracker named Johnny Carson. Woodbury was a guest host of that talk show in the past, and thought he had the job.
Proving that the suckiness of album covers are never limited to English-speaking countries, we present Jacinto O Donzelo, looking into a keyhole of his own. When this name came up in most searches, it appeared without the comma.
From what I can make out, Jacinto has made what appear to be comedy records, well into the 1980s. He has sold apparently well in Spain, Portugal, and Brazil. MP3s of his comedy are ripped and traded on several websites.
I shall declare that this cover is so bad, that merely gazing upon it will make you feel as though you stepped on something warm and brown. I’ve called the cops, Jacinto. They’re on their way down.
The photo of Jacinto and the keyhole was photoshopped at lpcoverlover.com, who uses the photo as an overlay to indicate that the album cover “underneath” is X-rated. It is not so much serving as a warning, and more like an urging to “click here you idiot if you want to see some nudes”. Great system they have. Anyone who is highly moral has to put up with having to stare at Jacinto eternally pointing at the keyhole, which by itself simply forces visitors to click on the photo if they want to make Jacinto go away. Once they do, they see the album cover depicting nudes underneath. Prudishness is inherently maladaptive in the blogosphere.
My blog isn’t nearly that high-tech. I put “Adult Content” in my title as a warning, telling patrons that they should visit my site as an invitation to see a really cool posting. Isn’t that how it’s supposed to work? Every time I view a movie on TV that has an announcer saying “This movie may involve mature subject matter and scenes of sex/violence/coarse language” what the television folks are really saying is “whoa, this show is really cool, folks — watch this one!!” Just imagine that if they didn’t use that disclaimer and you didn’t know the movie, would you really watch it? I almost never do. And I think that the TV folks know me, since I think they make that disclaimer in almost evey movie. I think I even saw it once on Bambi. That’s for the part that when Bambi’s mother dies, I think I heard Bambi say something like “Oh, shit”. Of course you have to keep kids away from that kind of nonsense.
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1960 crappy album cover (CAC) maker and, oh yeah, comedian to boot, Bill Carty has a variety of albums which all fit the high standards of crappiness that gives this blog such longevity. Here, we see a standard technique for CAC making that has been imitated by many CAC makers in many countries worldwide: thoughtless photo retouching.Workers at a construction site on the other side of Pompano Beach were probably scratching their heads after it appeared that ten of their blasting caps went missing.If Bill Carty is really “Blasting Off”, it’s only his head that is blasted off. Spectators below stare aghast at this horrid spectacle. This would mean that the late 60s the audience in The Space Sattelite Motel in Pompano Beach, Florida were witness to the world’s first suicide bomber. In those days, they didn’t have Homeland Security, either.
The Space Sattelite Motel, which was located in a city located north of Miami and closer to Fort Lauderdale was the epitome of 50s kitch. Carty would have been placed on a stage in the middle of an audience and a bar which surrounded the stage. The motel does not show up anywhere I have looked in the Pompano Beach area, and it may no longer exist. lpcoverlover.com says this is from “Stere Oddities”, but I think that on seeing another record from the same label, I think it should be “StereOddities”. |
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This is the other record I saw. See? The words are closer together. StereOddities just seem to love big heads on their records. And there are more. Many more. CAC collectors even have a special section for albums depicting disproportionately big heads (or disembodied big heads) of the artist on their covers. This is true for lpcoverlover, and it is also true of another account of a curio record store in the states that I have heard about.Nino Nanni (b. ?- d. circa1991) was another comedian on the same label. Both Nanni and Carty are mentioned in WFMU’s Beware of the Blog as “Nobodies”. Nanni did in fact have a great braritone voice, and perfect enunciation, apart from his talent with the piano. The main attraction from Stereoddities will be presented later in this series. |
Both of these albums are rare, and are discussed at length, halfway through this WFMU podcast, starting at about 30 minutes:
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The ’50s were a time whose memory lay in impossibly tasteless kitsch, but whose song and literary history told a different story. It was a time of Rock and Roll, Beatniks, and zoot suits as much as it was about McCarthyism, brush cuts, television, sattelites, and the banning of high school dances. It was quite possible to be “hip” in those days (even the word “hip” itself was a beatnik concept that got co-opted in the 1960s by the “hippie” generation).
It was a period of the best blues and jazz that music has ever produced. Imagine grownig up to the music of Thelonius Monk, Count Basie, John Coltrane, Miles Davis, Dizzy Gillespie, Charlie Parker, and many more jazz and blues giants, all in the same decade, at the height of their powers. Books by Kurt Vonnegut, Isaac Asimov, Joseph Heller, and became pop culture classics in the lifetime of their authors. Of course we can’t forget the beatnik movement, and the poetry of Jack Kerouac, Allen Ginsburg, William Burroughs, and others, also becoming living legends for their contribution to modern literature. If you looked in the right places, it was actually a pretty cool decade to grow up in. As for Clay Tyson digging the Beatniks, I am not sure if this is comedy or music.It would have been hard to even know the decade of the album, but the zoot suit places this record solidly in the early 1950s. Copies of Clay Tyson albums appear to be snapped up by collectors for as much as 80 bucks. Check out musicstack.com. |
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Comedian Tubby Boots is here to tell you that thin is “square, man,” and “fat’s where it’s at, daddy-o”.
The title is an old cliche, and if you dress up like a mentalcase on his weekend pass, you could still get a few laughs. And he seems to have a point. Clearly, his photo tells us that he has anorexia beat, so he has a few bragging rights there. |
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Some of my readers, in particluar the members of the LoudFans mailing list listened to WFMU, at least once, since The Loud Family appeared on there in 2000 or so to be interviewed. They had performed there to promote tracks from their album which had just been released, called Attractive Nuisance.
WFMU also seems to be pretty heavy on this guy: Robbie The Werewolf. Except that this is not a current album. “At The Waleback” was recorded way back in 1964, according to WFMU.
I dispute the claim that this was done in 1964, mostly because of this song: Tiptoe Through the Wolfbane, an obvious send-up to “Tiptoe Through the Tulips”, a folk song made famous by Tiny Tim. Except that Tiny Tim didn’t release his single for another 4 years. But he is ahead of his time in other ways. Back then, the themes he covered were considered sexually explicit, and would not be considered kosher until at least the mid 1970s.
“Tiptoe” is an obvious parody, but if it were released after 1968, it would have had way more impact. The album is considered rare, commanding between $200 and $500.
Once again, here is a foreign-language record, whose album cover speaks “scary” in all languages.
Columbian musician Calixto Ochoa released “El Dentista”, a 1962 album that presumably drills down into the heart of Latin music.
I have not heard too much about the author, or, regarding the listenability of the album: “is it safe” to listen to most of the tracks?
This is probably what the dentist is asking the patient in this photo.
I hear that, on the whole, some parts of the album will only hurt a little bit.
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K-Tel International, I have been reminded, is a Canadian company run from its headquarters in Winnipeg, who can be credited for almost single-handedly rescuing Western Canada from its stereotype of rednecks, farmers, and bald, flat prairie.
This is a 1977 K-Tel release, “For Elvis Amateurs Vol. 2, By Popular Demand”, containing songs sung by Quebec singer and Elvis tribute artist Johhny Farago. Could Johnny just shave off his beard so that he looks at least a little more like Elvis? And maybe grow some sideburns or something?
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C-SPAN coverage of Santa Claus asking Congress for a financial bailout of the North Pole – Present Giving Industry. If they dont approve his aid package request, it will be the end of Christmas as we know it … watch now
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