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In Memoriam 2015

January 1: Donna Douglas: Played daughter Elly May Clampett in The Beverly Hillbillies. (Age 82). 1: Mario Cuomo: Governor of New York (1983 to 1994) (Age 82). 2: James Cecil Dickens: Known as Little Jimmy Dickens, best known for his song May the Bird of Paradise Fly Up ...

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The disappearance of misc.activism.progressive and the emergence of Thought Crime Radio

Almost four years ago, the articles in the USENET newsgroup misc.activism.progressive ground to a halt, and moderator Rich Winkel has all but disappeared from the USENET, whom I learn resided in Harrisburg (up until 2010, at least), a half hour or so drive from his ...

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Sounding off on the end of CanCon and the CRTC

I guess with the recent decision to axe all cancon requirements for daytime programming in Canada, the CRTC is crawling toward its own irrelevance. Let's not be naive, Canadian culture is that much more weakened without the protection it partially enjoyed from American influence. With ...

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Eldred, Saskatchewan on the map … barely

Eldred, Saskatchewan on the map ... barely

I've written about obscure Saskatchewan communities before. Here is another community far to the north of Unity. My ancestors from France settled here. Many of my ancestors were pioneers that broke new farming ground nearest to a community called Eldred, Saskatchewan. Eldred was about 10 km ...

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Zero

Once upon a time, around the year 525 during the reign of Pope John I, a monk named Dionysius invented the idea of Anno Domini by producing a calendar which marked the time since the birth of Christ. The numbering of the years was adopted ...

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Fortune Cookies for Human Rights

Fortune Cookies for Human Rights

You know, I was minding my own business in this classy Chinese restaurant, engorging myself on their copious buffet, had my fill, and was handed the bill with an accompanying fortune cookie. This fortune cookie (the one to the left) really existed, and I never saw ...

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Getting f(x) notation to work in Maple

Getting f(x) notation to work in Maple

Maple is a robust math environment which can graph, solve equations, and solve for the unknown with the aid of its computer algebra solver (CAS), which is capable of computing exact roots of cubic functions, for example. I wanted to demonstrate for myself that Maple could ...

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Kudos to the 1050 CHUM Memorial Blog

Kudos to the 1050 CHUM Memorial Blog

Recently, I've been hit (my website that is) by someone possibly checking his plethora of links from his/her website, and when I back-traced it, I find this cool blog which acts as a convincing historical shrine to the late great 1050 CHUM Radio in Toronto. ...

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The Obfuscation of Electronics: The Behringer Xenyx 502

The Obfuscation of Electronics: The Behringer Xenyx 502

This is more like a meta-review. I have gone to Canada Computes where nearly the entire Behringer line is sold, and was impressed by the specs. But does it do what I want, the way I want it? I face a number of obstacles, being a ...

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Why it doesn’t suck: Music from the seventies I

This new series is inspired by another blog where writers Wes Clark and Bob Hargus just list out a raft of seventies songs that “suck”, with some subjective criteria included, not to mention the odd bit of commentary. Among those listed are, of course, the music we all think about when we think of tacky songs of that period: a good chunk of ABBA, “Feelings” by Morris Albert, “I Will Survive” by Gloria Gaynor (I once saw this single nailed to a pillar in front of a Toronto used record store on Yonge Street, south of Bloor — rotate that!), Dan Hill’s “Sometimes When We Touch”, and most things found in any K-Tel catalogue.

You probably expect me to list those things, along with the predictable tut-tutting of what we all listened to, and how it makes us feel foolish. But you know what? I won’t. And that’s because what passes for a monster musical hit these days is worse than the worst seventies song. Yes, there are exceptions, there are always exceptions, but there are many good reasons that songs these days suck so much, mostly having to do with the changes in the music industry. It seems to me, that in an attempt to become a predictable source of revenue to its shareholders, the hit songs of today have to sound like previously existing hit songs. Punk rock also saved the major labels a load of money in not having to book so much studio time so that the band could get its act together. This was because not rehearsing or even checking to see if their instruments are in tune is the whole point of punk rock. But as music fans started to understand the political statement behind being a punk, they probably started to discover that they can take control of their lives and improve their communities without needing to listen to such shitty music while they’re doing it. It also doesn’t seem quite as necessary as it used to be to dye your hair purple, wear a mohawk, or stick a clothes pin through your nostril to rebel against vanity and fashion. Although, that kind of fashion idiocy has been replaced by another form of fashion idiocy, inspired by Rap and Hip-Hop. I have already previously commented on the similarities in tastes in clothing and how it is worn, to that of rednecks. What goes around comes around.

So, for my first instalment in this series, I present to you my reasons for why Diana Ross, and “Touch Me In the Morning”, does not suck. I think this song is actually a good song, foremost because of the fact that it is better than any torch song or ballad sung these days. But even on its own merit, it is classic motown, and the song reached number 1 and charted on Billboard for nearly 6 months. Most motown artists worked through the sixties making hit records, but it wasn’t until the seventies that the craft of artists like Stevie Wonder, Roberta Flack, The Supremes, and Marvin Gaye was perfected, and we heard the best motown could offer. The part I like best in this song is the beginning, as it builds up. When it does build up, I imagine that people might say it sounds too much like disco. But remember, this was 1973, and disco did not become big until much later. Maybe disco was trying to sound too much like Diana Ross.

Play Diana_Ross_-_Touch_Me_In_The_Morning

 

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