Random Thoughts » Strider's Journal

Crappy Album Covers #55 — I don't need no STIIINKING album cover artist! — I'll just do it myself!

Good evening, ladies and gentlemen. Welcome to the amateur hour, as our guest Manfred, presumably Manfred Voss sings you the love songs of song meister, Arthur E. Werlang.

We have to be fair here. These albums are definitely as low-budget as you can get, and it wouldn’t surprise me if the photo of “Manfred” was scotch-taped on the cover, and the lettering was hand drawn directly on to the cover.

As is true of all of the albums in today’s entry, this album is very likely from back in the days when cutting and pasting was an act that involved xacto blades and glue, rather than a computer and Photoshop.

I just worry that our hero Manfred is singing these love songs “with a new accent”. His old accent was too obvious, so he had to make up a new one? Is that how that works?

“Gongs: An Audio-Mystical Trip to the Orient”, by Nesta Kerin Crain claims to be “an excellent aid for meditation”. I know of few meditation aids involving gongs that I would call excellent.

This is another scissors and glue effort with more pen work than “Love Songs”.

What’s the swastika doing there in the lower right-hand corner? Creepy.

I now wonder what this album will instill in you as you are meditating while the album is playing.

I also have a certain paranoia about playing records and meditating, outside of all talk about swastikas and other nonsense: what if the record skips?

This is by a fellow named Gary Baker, who in 1982, penned an album entitled “Why?” This time, there is no cutting and pasting, just pen and pencil.

Too much is made of this existential question. Much ink has been spilled trying to pursue the meaning of the question, and then trying to formulate an answer.

One essay writer in a university-level Philosophy exam answered it best: “Why not?”

The album is supposedly Christian, but the question and the artwork seems to convey a mood of Elton John’s “If There’s a God In Heaven (then what’s he waiting for?)”, a 1976 song from his Blue Moves album. So, maybe that’s healthy.

Whenever a title is misspelled, such as “psychodelic”, (should be “psychedelic”) you get the impression that the mistake is intentional, and that Jr. and His Soulettes are merely taking artistic license.

All fine and dandy, and if that is the case then that really changes the meaning of the word. Perhaps the album is more “psycho” and less “delic”. Hard to say.

Visits: 146

Crappy Album Covers #53 — With all those Santas, Kids will start asking Questions: A gallery

	I guess I might have figured sooner or later that Santa would get sick of the North Pole and would want to go to Hawaii, get on a surfboard, and take in a few rays. Looks like Santa took a few rays too many. Also, his red suit is now going to be a little too warm. If this is his new way of travelling the globe, I think that there will be a few problems. First of all, if you live in places like Saskatchewan, Montana, Utah, or South Dakota, Santa definitely won’t come to your house, because all of those places are land-locked. Same goes for entire nations like the Czech and Slovak Republics.
	Perhaps there are humorous possibilities in Santa being played by a drunk negro. There is no indication on the album as to who the comedian is, being billed on the cover as the “Clown Prince of Comedy”. The cover, as you might notice, is rated “XXX” and “FFF” (Fabulous, Funky and Funny). lpcoverlover.com has this album listed under the category “Black Comedy”. This must be a new definition, since I always thought that this was black comedy (the audio below is by Charles Bukowski (1920-1994)): This is not the most extreme example, but it could qualify as part of a suite of tragedy skits dressed up as comedy. The folks at lpcoverlover seems to think that “Black Comedy” is comedy performed by black people. They might have to find another name for it.
	Santa is thinking to himself, “If I find out where this thing folds up, I could get it into the chimney!” A reader contributed that the shepherd’s staff is a throwback to the days of Saint Nicholas, who was a bishop somewhere within the third and fourth centuries. He used his inheritance to help the poor. But few know Saint Nick as a bishop. People mostly know Saint Nick the way Coca-Cola depicted him in the 1930s, which is the way he is seen here. The photographers put a staff (called a crosier) in his hand to make the imagery more religious. Either you’re going to emphasize the materialism of Christmas or its spirituality. There is nothing wrong with doing either one. But when you mix the two, you just confuse people.
	Another black Santa. Well, I guess no one can accuse me of having a color imbalance in this posting, since this entry now has two white Santas and two black ones. If we are to take this posting as a gauge of how blacks prefer to depict themselves, it seems as though they are seen as either drunk or womanizing. Great way to bash those racist stereotypes!

Visits: 143

Crappy Album Covers #52 — Sorry Individuals

“Cook’s Tour of High Fidelity” is really a “sound check” record, or maybe even a sound effects record for sorry individuals.

The guy in the picture is clearly more interested in that reel-to-reel tape deck he has there than the chick in the polka dot bikini. This can only create tension here, since all the lady now has for company is the puppet in her hand.

Perhaps instead of sound effects, it is a recording of pretty women cracking up as they are being ignored by their male partners who instead fall in love with their stereo systems.

Guys and their gadgets… I’ll tell you…

While we are on the topic of sick relationship guys have with their stereo systems, I don’t know what comedian Dave Ketchum thinks he is doing, but obviously, his lady has long left him, and he is getting lonely.

What is even more pathetic, however, is that the turntable is pretty dinky looking. I just hope he cleaned the tonearm. I mean, you don’t know where that tonearm has been.

Ketchum has been a character actor throughout the 60s and 70s in shows such as The Odd Couple and Happy Days. There has been no open admission of whether this is the same Dave Ketchum as the one associated with this album, but the photo sports a strange likeness … hmm.

Talk about Mission Accomplished! Now that a black dick is in the white house, attached as it is to a black body, I think that this album has achieved its object.

Most of Obama’s economic advisors who will set the scene are the ones who accelerated the long slope downward under Clinton. It looks as though the people telling him who to appoint are Obama’s version of Uncle Tom. Some things will never change.

Thaddaeus Martin’s “Black Dick for President” is basically the same joke spread out over all three of its volumes. This is a 3-record set, all spoken word, and containing a sprinking of profanity.

Very little other information on Thaddaeus Martin or the album is available.

Visits: 162

Crappy Album Covers #51 — The International Language of Bad Taste II

In this virtual tour, we go to what seems to be outer space’s Latin Quarter, then back to China.

	This album, “en el espacio”, by Los 4 Amigos, is another obvious competitor to the Devo album cover lookalike contest. We can learn a lot from pictures of aliens. As you can see, they are aliens with tiny bodies and large heads. On their planet, they seemed to have found a way of playing instruments that are merely printed on their space suits. This enables them to play while floating in deep space. “Los 4 Amigos” appears to be a common phrase that on a Google search I got everything from restaurants to art exhibits. The group also doesn’t show up on allmusic.
	Jalaito Sabroson and their album, “Los Ases del Ritmo”. I almost read that as “Jailbaito”. Where is my head? Translated, this title seems to be saying “The Pace of Aces”. No info available. Probably another Latin-inspired dance record, by that title.
	Red China Rocks was a band, that, by all accounts, attempted to play in China in the early 1970s. They succeeded in playing most of the way through one gig, then were immediately deported. The Chinese shouldn’t have been so harsh. See this cover? Doesn’t Chairman Mao-Tse Tung (in this decade, I’ve seen his name commonly spelled “Mao Zedong”) look dapper, dressed for a night on the town? It is likely Mao’s head could have been pasted, Oswald-style, on someone else’s body. But clearly, the photo retouchers of this album could have done worse.
	Here, a more conventional-looking Chairman Mao meets Richard Nixon. I have no idea what this album is about. Any Chinese translators out there? Or does someone have this album? But I just thought you needed to see these two leaders in the same picture.One supplied arms and personnel to the South Vietnamese, while the other supplied arms and personnel to the North Vietnamese. While it is true that Nixon was bombing the crap out of Vietnam and Cambodia, the war ended soon after Nixon left office.

Visits: 163

Crappy Album Covers #50 — Christmas Records

Images for this blog entry came largely from the Amy Oops blog.

The song “All I want for Christmas is My Two Front Teeth” has been around as a recording since at Daryl Gardner penned it in 1946. The one I remember most was one sung by a kid I don’t know the name of, who whistled all his S’s due to lack of said front teeth.

I sometimes think of that kid. He got so famous for not having front teeth that when they did grow back, he probably paid someone to punch him in the mouth so that he could be without them for the rest of his life and stay famous. He probably grew up to be Norberto de Frietas, a crappy album cover maker from another entry.

It was probably not sung by the kid depicted in this photo. As you can see, he clearly has his front teeth. But what is more worrisome, and what he really needs are corrective lenses.

If I have to spend Christmas with Rico, I will pay him to take off the costume. And what makes him think that colouring his eyebrows blue makes him into any more of a Santa Claus?

You get the feeling he has a screw loose. Santa is supposed to be cheerful and jolly; Rico does not appear to be smiling. I think I remember seeing a guy like that lined up at a soup kitchen once.

I hope his eyebrows grew back into their proper colour.

In the last post, comedians Joe and Bill were wrestling a rifle from a cockeyed farmer. There seems to be a trend with comedian crappy album makers that they just go by their first names.

Here, we can see Swedish comedians Stan and Doug adding the comic conclusion to the saga begun by Rico.

The house looks so bare and dishevelled, that it looks like these guys are breaking into it and stealing everything in sight. They appear to have even stolen the family photos from the walls. You’re a mean one, Mr. Grinch!

Visits: 144

Crappy Album Covers #48 — Couldn't hit the broad side of a barn …

Not clear on this idea of double-barreled handguns. Especially guns that use actual wooden barrels to guide the bullet.

Some guns are not made for actual shooting, I suppose.

Dave and Ansel Collins put this reggae album out in 1971. The title track of this album peaked at #22 on Billboard back then. It was a bigger hit in the UK, where it topped the singles chart.

If that’s double-barrel, then it’s a trigger and a hammer short.

There’s farmer John with a rifle. And there’s the broad side of a barn. I think he missed.

After farmer John’s 10th attempt at seeing if he could hit the broad side of a barn with his shotgun, Joe and Bill come on the scene, trying to take the gun away, because he is getting dangerous with it.

And, during the ensuing struggle, the damned thing goes off again.

Visits: 136

Crappy Album Covers #47 — I don't get this

Donnie and Joe Emerson’s 1979 offering, Dreamin’ Wild, is classed in some blogs in the psychedelic rock genre.

So, then I if I look at this picture and think that I see two heads growing out of one body, then I suppose that it’s because I am on acid?

If this is not the case, then, is it Donnie fretting the strings on the guitar or is that the hand of Joe? Am I still tripping on acid?

Also, the background of this photo looks like it was rented from the same outfit that shot their high school photos. Soul-Sides.com has found some actual digitized tracks from this album for your listening pleasure.

“Sterling Blythe Sings” is one of those crappy record album covers with crossover appeal. I don’t know whether to say that it fits in as a “crappy cliche checklist” album, or as a “crappy-by-ambiguousness” album. The background for this album cover could also have come from some kind of background used in high school photos.

On the empty cliche checklist:

Cowboy hat? Check.
Tight pants with rhinestones? Check
Cowboy boots with fancy stitching and dye work? Check.
Sitting on a … uh….

… and that’s where the ambiguousness comes in. What the heck is he sitting on? A long branch with his legs dangling in the sky? Or a fence (with his legs still having nothing to rest on)? Looks like he could easily topple over and fall down, and that could be the end of his career. What we do know, and what the artwork appears to show, is that his right heel is off-camera. So, if that is the case, then he is sitting on a fence with his feet on the ground. With his legs allowed to rest at that angle, the fence can’t be more than 2 feet off the ground, and so the fence can’t be of the type to keep animals (horses, cows, sheep) out, if this were a real farm. In fact for all we know he could be sitting on a fence in a suburban part of Los Angeles or Boston, the only purpose of the fence being to keep the neighbours off his lawn.

Visits: 214

The TI-Inspire is not what it is cracked up to be

This is the TI-Nspire, the calculator that promises to foment lazier minds in students than ever before. I teach math, and I look at all these new calculators with jaundiced eye. Ever see the new caclulators these days (non-graphing) which can come up with exact answers to sum and difference functions of trig angles? This is stuff I want my students to do. Those calculators are banned from tests in our school.

But, OK, I’ll pull in my horns for the moment. This next-generation calculator, which has an interchangeable keyboard so it can also emulate a TI-84+, does most of the TI-84 operations with better graphics, but with more menus and steps, with some new features thrown in.

But there is missing stuff in the Inspire which the TI-84 makes obvious. For one thing, there is no “startup” program. That seems trite, but it is not. In a school setting, a startup program can put an image on the screen which can identify the calculator number and the school name. It is hard to change or erase, which makes it a good addition to a physical marking on the calculator (an etched serial number on the case, for example) to identify the calculator and keep easy track in case a student may carry one of these things and it gets mixed up (this happens sometimes). My personal graphing calculators can do this (TI-84+ and TI-83+), all except the TI-Nspire. The TI-84+ “personality” of the Nspire can do it, except that it flashes the image on for only a split second. It doesn’t wait for a keypress.

But what is more pressing is that the Nspire has no way (yet) to find the intersection of two graphs. The method I am using to find this, and the x-intercept does not seem like a surefire method, and does not seem as intuitive.

The programming language with the Inspire is more sophisticated than with that of the TI-84. It allows for user-defined functions, for example. But it does not have an “INPUT” command to my knowledge. The TI-84 has one, but not the Nspire. The NSpire has an I/O menu, and the only selection there is “DISP”, which is like BASIC’s PRINT command. Without a means for input from the keyboard, the programming functions are pretty useless, unless you want to call up one of their spreadsheets and fill things in manually. In the TI-84, I would be prompted for a number of different inputs and I would allow the calculator to figure out which row/column my input could go in. With the TI-84, I could program statistics commands, fill in tables, and do row/column calculations, all inside my program. I would often use the last row in the table after the program executed to give a bar chart of that data. This has been very useful to get a picture of class mark distributions, for example.

I have to amend what I have said earlier that there is no way to run the code. You can run the code in calculator mode, but without an INPUT statement, you need to pass parameters to it as if it were a function. Of course, I would guess the NSpire’s functions (which are new to the NSpire) work the same way, meaning there is probably little syntactic difference between calling functions versus programs in my view. I have written my first function and ran it in calculator mode, and it works as advertised. But no input.

So far, they are making customers wait for a long time before they put out these new features. And so far, I consider the lack of programmability make the NSpire less useful than the TI-84. The Nspire has been available to the mass market for about 2 years, and it looks like we are going to be made to wait a lot longer for features like these. What is the reason they put out a $200 product that is only half-finished in many areas? I purchased it expecting it to be at least as complete in itself as my other TI calculators. But I have come to the conclusion that it is still a work in progress.

For now, I am not shelving my TI84+ just yet, and am still doing most of my math on it. And for the record, I don’t feel totally ripped off. After all, they do update their operating system and allow us to update our calculators with new firmware upgrades. And some of those upgrades will change the way you do things before the firmware upgrade. Maybe one of these days, one of those changes will be the inclusion of an input statement, and the making of a more genuine programming language.

I attended a conference on the TI-NSpire recently, and one thing I heard teachers say is that kids pick up on the technology a lot faster than us. But of course, there is a motivator. The calculator just hands you the answers, which relieves the student of all the bother of having to think. Well, if you’re a kid who ought to be learning the concepts, that must feel REALLY motivating. Thinking is hard. Pushing buttons is easy. The kids that they had there helping us out at the conference were as stumped as I was when they were presented with my NSpire, having only worked on the CAS. Eventually, I got it to do most of the things we were doing. I hope they were being paid to be there. Looks like they were there as cheap, untrained labour.

At any rate, as for us teachers, we are really focusing on the concepts. My concern is whether this new gadget will deliver the concepts to them better than if I worked examples out by hand on the board. My focus is not on the calculator, it’s on the curriculum. We can change questions to make people think about what the calculator is doing and why, but we are moving away from doing the algebra. The question “why” is a good one, and I make sure I get people to think about things like “what does the log of a number give us?” and so on, every chance I get. But people always need to be drilled on algebra, all the time, every day. Letting a caclulator do this work for us can give the impression that it isn’t as important as it used to be. Algebra is important, even if you will never use it again, because it helps kids develop analytical skills needed in everyday life.

Visits: 102

Crappy Album Covers #45 — Teenagers

Teenagers are a difficult demographic to reach, unless you don’t know anything about them. If you know nothing about the demographic, then it does’t pose a difficulty for you. I know that’s kind of like saying that if you don’t know anything about painting a portrait, then slashing the brush in any direction or color at random poses no problem to the painter. It seems that way, with the covers below. If your album overtly suggests that “This album is for teenagers”, I will guarantee you teens won’t buy them. On the other hand, if you say this is “R-rated”, and contains cuss words and sexual suggestions that would put a blush on a two-dollar hooker (you know, like Rap), and that young people shouldn’t buy them at all, then they will fly off the shelves and teens would be the biggest part of the market.

Case in point, this realistic portrait of teenagers having a good time. I bet you already knew they were listening to this very record, recorded by Bobby Krane and His Orchestra, and distributed by Bravo! Records.

Look! The young lady in the foreground is saying it too! — Bravo! Bravo! At least that looks like what she could be saying.

Look at the photo and indulge in the fantasy that there is still a world where young teen girls don’t dress like sluts; the guys stay straight and sober (by “straight” I meant drug-free, but I guess it could also be taken the other way) and don’t dress like plumber-butt pimps. And the guys even ask the girls “may I have this dance with you?”

And then there’s Tex Ritter. Tex Ritter? And that’s when I woke up.

The TOPS record label, which previously warned us about the world ending, are shown here producing records of “12 Top Hits” so you can party like it’s 1999, or more to the point, like it’s 1959.

You have to admit that the one thing that stands out most about this cover is that the lady who is dancing is wearing argyle socks. I thought there was a law passed by Joe McCarthy’s HUAC banning women from wearing argyle socks. It was supposed to be a guy thing. It totally clashes with the pink blouse. If this is a fashion statement, then she should be arrested by the fashion police for bad fashion grammar.

Once again, the cover consists of the tamest teenagers you’ve never seen. And I don’t think they existed in 1959 either. Even in 1959, teens got drunk, and they had sex. Perhaps the only worthwhile thing that the photo realistically illustrates, is that in 1959, the guys didn’t have the bad taste to wear plumber-butt pants or hoodies, which would have made the chick in argyle look like Elizabeth Taylor (I mean Liz Taylor in 1959, not in 2008).

To anyone born after the 1960s: HUAC = “House Un-American Activities Committee“. It’s sort of like Homeland Security against commies and hippies.

These seemingly adult-age folks may as well be adolescent, since they are depicted in the way their parents would approve. “I Love Music” was a sampler sent to radio stations across North America from Capitol Records back in 1958. The album cover gives every indication that the HUAC would have approved of this album. Going by the cover, for instance, it is obvious that these two folks are not planning the overthrow of the proletariat, and of taking over the means of production.

The artlessness of these depictions are a sure symptom of the McCarthy era. I recall when I began collecting old issues of Mad Magazine (digested in paperback form) going back to the 1950s, the most boring and least funny issues were during the period of 1958-1963. It couldn’t have been a good time to be a satirist.

And there was one more I forgot to add:
tammy_casual-slack-080726 Yes, this 12″ LP of hits, which by the cover seems to treat teenagers as younger than they really are, may not have been headed for any kind of landmark success.

A toy doll with a toy record goes to a toy jukebox to pretend to play music on it. And, what’s left? You can only sing along to the music you are pretending to play.

I must say that much of the advertising I see today parallels the kind of mentality depicted on all of these albums in today’s blog. There is a certain advertising these days that points to a certain clientele, or a certain lifestyle as we would like to see it. But it is made to look artsy, so that you can’t accuse advertisers of appealing to people that don’t really exist. Instead, it can look naive, even idealistically so. Sticking to album covers, the Putumayo Collection, discussed earlier, is an example of album covers that are like this.

Visits: 137

Crappy Album Covers #44 — Ye Are Used

If you click on the graphic, you will be sent to the page featuring this album, “Jesus Use Me” from The Faith Tones, from LP Cover Lover. The comments were so hilarious that I feel that I can’t add any original humour, except to say that it appears that they either are wearing wigs, or they have used up a truckload of hairspray. (OK, so that’s more of an observation and not exactly funny). The commonly-held suspicion that these are actually guys in drag has been bandied about so much in so many blogs, that I won’t add to that aspect of the discussion either. But I, along with thirty Helens agree, that they would not be out of place in a scene from Kids in the Hall.

In looking for information about these young ladies, who they are, where they are from and what they’re doing now, I came up empty-handed. However, I do believe I can make a blog regarding all the attempts to parody this album cover.

They have drawn comparisons to fellow crappy album cover makers “The Braillettes”. Except that The Braillettes have blindness as an excuse for bad hair. At any rate, a recent LP of “Jesus Use Me” has been rumored to have sold on E-Bay for $21.00. I see that as utterly exhorbitant.

Consider this blog entry to be the reverse of the “Joyce’s Head Pasted On Other People’s Bodies” post. Click on the graphic to go back to the original blog where these graphics originated.

In this post, it will be the heads of other people pasted on the Faith Tones’ Bodies. Sometimes they take liberties like they are doing here and not keep the hair. I would suppose it would not be Sarah Palin without the hair.

Once again, so much has been made out of Palin’s fanatical Christian views, ignorance about aspects of governing applying to the national scene, and her support of the gun lobby, and so on, that it is hard to add anything original, so I won’t. I think the picture says it all. I have to admit, however, it seems as though having Sarah replace the one in the middle is a surefire way to reduce hecklers and bring up ticket sales. Whether Sarah can actually sing is another matter. Note the similarity of my reasoning to our conventional reasoning about Palin in general: Sara is sure to get more people to vote Republican: whether she can govern — or even understand her role — is another matter.

Here is an attempt of three young ladies who go by the names of Becky, Lisa, and Emily to take a crack at fame and fortune by riding on the coattails of The Faith Tones.

Here, total respect was given to the trademark that makes the original Faith Tones famous — or rather not that famous: the hair. In photoshopping this photo, they were careful to preserve the hair.

I get the feeling that these ladies enjoy Jesus using them a bit more than is, uh, Christian. The next album cover takes this idea to its ultimate futility.

Of course, pasting other people’s heads on their bodies is not the only possible modification to the album cover. You can also alter the title.

Just think of the possibilities of them praying for Jesus to bring along the Astroglide when he uses them. Just think of the possibilities….or not.

Visits: 147

Crappy Album Covers 43 — The International Language of Bad Taste I

For this part of our tour, we go to France and across the ocean to Mexico.

So, I know a bit of French. The Brothers Jacques (a literal translation of “les freres jacques”) consists of, as the cover would suggest, four members, much like The Brothers Gibb, except that these folks are less well known.

The Brothers Gibb were better known by the name “The Bee Gees”. So, by that metric, that would make The Brothers Jacques what … the Bee Jays?

Let’s not go there. But of course to state the obvious, “Frere Jacques” is also the name of a child’s French nursery rhyme. Unlike the Brothers Gibb, none of these guys are named Jacques.

These much-mustachioed mavens of vocal music have the quality of essentially a barbershop quartet. Except, they often parody classical pieces, or offer humour and satire along with the occasional sad song.

In Mexico, even the females can be one-eyed bandits.

I suppose that some guys get turned on by a sexy female holding a gun. I think she would be a whole lot sexier without the gun. Also, it would help matters if she took a hairpin and moved her hair away so we could see both eyes.

Information on this record or on Los Bandidos was hard to pin down. It seems as if it is a popular name for some recent punk rock bands.

There is some evidence that this album might actually be either Spanish or Brazilian. I just can identify some Spanish words, and have taken the mention of bandits to be an attempt to play on a Mexican stereotype.

Visits: 74

Crappy Album Covers #41 — Jackdaws II

And that’s all I have, folks! I have to take a break to prepare for work when September starts, and I will be taking a few days off of posting. I will likely fall back into my infrequent mode of posting as I have done in the past, since my work absorbs most of my time.

But it was enjoyable, and your response in terms of comments and hits to my site have been, in terms of my own experience, tremendous. Since I have started this series in the last week of July, I received more hits than in all of the months since February when I started my blog.

Visits: 94

Crappy Album Covers #40 — Jackdaws I

I refer to anything I could not put into any specific category as a “Jackdaw”. I am aware that jackdaws are also a species of bird (C. monedula), but I have heard them use a lot by libraries to refer to uncategorizable books, and on the other end of the spectrum, primary source documents. In modern usage I see that the word “jackdaw” is used by some libraries to describe or give a name to their search engines.

We’re only down to a few crappy album covers, which I either felt little inspiration to comment on, or were just pushed aside in the search for an album cover that suited the theme of the day. That is not to say that these are obscure. Some are, but others have remained as common fodder by crappy album cover web pages all over the net, just as was the case in previous posts.

Visits: 169

Crappy Album Covers #39 — Still More Gays

	Paddy Roberts, whom allmusic.com claims is in the Rock genre, released this album in the mid-60s, probably the last decade where “gay” only meant “happy”. Likely not an album for queers. Not even queer dogs.In 2006, this album was re-released on CD, bundled with another album, “Funny World”. No detailed information on Paddy Roberts could be found anywhere.
	Sticking to the 1960s, this was apparently one of a series of queer parody albums consisting of males singing in effeminate voices. These were released by the Camp Records label, and were advertised in a gay magazine called Vagabond in 1965. J. D. Doyle tells the whole sordid tale, at great lengt (with MP3s).You know this album will not be complimentary toward gays when you notice all of the stereotypes are in the artwork, along with the choice of color. This label had produced songs with titles like “I’d Rather Fight Than Swish”, “Florence of Arabia” and “London Derriere”. But it has variously been called a “Queer stag” album, and other things. Nearly all of the credits are pseudonyms, and one name stands out: Rodney Dangerfield. That doesn’t sound like a pseudonym.The rest, it is claimed, are famous people, but being the mid-60s, no-one would reveal their names publically. However, Doyle is doubtful that it is the same Rodney Dangerfield as that fellow Crappy Album Cover maker that got “No Respect”.
	Jose Angel’s album “Madre Soy Cristiano Homosexual” translates (I think) to “Mother, I am a Christian Homosexual.” The date of release is unknown. Here is an MP3 of the title track.By all accounts, this is a story of a man who comes out to his mother, that he is a gay Christian. Imagine this confession takes place today. Of course the mother probably flips out. Not over being gay, but over being one of them “Christians”. With all those “Christian Right” people ruining the United States, how dare he come into the house and disgrace the family that he now cavorts with a band of greed-obsessed Jesus freaks? This photo was taken after Mother disowned him from the family inheritance, and told him he is no longer welcome in their house until he kicks this Christian habit. Maybe living on his own would be good for him.
	This is another Jackdaw. I have nowhere else to place the retro Swedish group Larz Kristerz (this link is in Swedish only). So, they are in this post for lack of a better place.It would appear that all of their albums are called “Stuffparty”, their titles differing only by the sequel number. They seem to have the 70s kitsch mastered. Probably a little too well, right down to the tasteless hairdos. I tried to get Google to translate “Stuffparty”, from Swedish, but to no avail.

Visits: 92

Crappy Album Covers #38 — Sports people with something to sing about

Evel Knievel (1938 – 2007) needs no introduction. Motorcycle daredevil and religious convert, Robert Craig Knievel was also a reader of Napoleon Hill, a fellow crappy album maker, mentioned in an earlier posting. Wikipedia cites Hill’s book, Success Through a Positive Mental Attitude as one of Knievel’s influences through life.

No daredevil has suffered more broken bones than Evel. The Guiness Book of World Records says that he had suffered 433 broken bones in his lifetime. He was a man who truly suffered for his art so that we may be entertained.

So, what the f**k was he doing making records? “Oh yeah, and before I jump, I’d like to sing you a song off my new album”. That would have raised ticket prices.

Muhammad Ali, originally Cassius Marcellus Clay, also needs no introduction from me. And here is Mr. Ali fighting Mr. Tooth Decay (with two album designs).

Now I only know one way to fight Mr. Tooth Decay that involves boxing, usually involving the loss of said Mr. Teeth. And I am sure that Mr. Ali has set a good example for us all by brushing his teeth and flossing.

There are some bars that try to kick out their clients near closing time by totally annoying them. But of course it backfires when the bartender discovers that everyone seems to know the Bird Dance, and it only increases the partying atmosphere. Did you ever wonder where they got that recording?

Well, wonder no more. This 1981 recording by the Polka players extraordinaire, The Emeralds, was a common example of what was chosen. And it was on the K-Tel label, so you know you have the guarantee of cheesiness of the highest standard possible. And the public thought so too. This version of the bird dance is the one that is most popular and recognizable in bars and pubs in North America. It has sold several million copies since it was first released in ’81. There are 139 other versions of this song (according to Wikipedia) that had not fared so well. Even versions by Walt Disney Records have flopped. But not so for K-Tel. This album cover has the standard lack of thought and artlessness that we expect from K-Tel. But don’t be fooled: this album was a goldmine, and K-Tel gets the last laugh.

Visits: 96

Crappy Album Covers 37 — Self-help for the helpless

The first time I saw this album cover by Jimmy Jenson, I thought it was some kind of self-help manual on the care and maintenance of your household Swede. First and foremost, is the obvious crisis depicted on the album cover. There are nine chilren there, and I would imagine that either she is going to need her tubes tied, or he is going to need a vasectomy. The hatchet and the medical kit bag (which might just be a bottle of scotch) appear to suggest the manner by which this procedure is to be carried out.

But alas, there is no help in this album about living with your resident Swede. Jimmy Jenson is a singer who has had a number of albums in English.

Problem is, his English is apparently not very good. “Your” shouldn’t have an apostrophe. If the apostrophe were placed properly, the contracted “you’re” expands to “you are”, making the title into “Understand You Are Swede”. I think Jimbo meant to title it “Understand Your Swede.” It would appear as though he sings folk tunes, and has sung enough of them to produce three “Greatest Hits” compilations.

Napoleon Hill, this time, really was a self-help expert from way back, in the same league as Andrew Carnegie and Norman Vincent Peale.

When I was growing up, I have seen more of these little statuettes in more bathrooms of more homes than I care to mention. All variations of these statues invariably had some smart-alecky message carved into the bottom part. Such as: “Near this point is where the most important decisions are made.” or the poem that begins “Here I sit broken-hearted …”.

Nowadays we are suspcious of these kinds of records. And since no one really believes you can become anything you can conceive of, nowadays we attach it to mysticism and call it “The Secret”, and blame our bad luck on bad thoughts which bring on bad energy. And once they start bringing in String Theory and theories on atomic energy, you know it is time to find something else to read (or watch if you got the DVD).

Now how do you like this…? Stop smoking without using your willpower…? It is a misinterpretation of the concept of willpower.

We need a will to live. There must be at least that. It is records like these that have contributed to a consciousness among the public that we can overcome any obstacle without the need for concentrated effort or mental exertion. This “easy way out” mentality has ruined a lot of lives and have contributed to increasing hopelessness and despair among people who sincerely wish to stop smoking, or to just give up bad habits in general.

All bad habits require determination and effort to break. Even the modern solution of “going on the patch” is only 7% effective without an accompanying willpower after you stop using the patch.

Visits: 115

Crappy Album Covers #36 — Space, Religion, and Getting Down

Laverne Tripp is the sole proprietor of Laverne Tripp Ministries.

He preaches. He sings. Oh, does he sing! To date he has released 78 full-length albums of his singing.

Pardon the pun, but I find the cover kind of, …, well, … trippy. It plays with your mind, in a way.

It also looks like he’s falling. I hardly feel the impression of being “saved” or being “in God’s presence.” I don’t know if it was one of those ’70s attempts to bring God and religion into the Space Age.

Allmusic.com does not list a single one of his 80 or so albums, and does not mention anything about him. Surely, this is because of the work of Satan.

Tripp still goes on tour around the Southeastern US, and has his own television program on various religious networks and affiliates.

This album is closer to the 1973 listing of the personnel playing in the Jazz group The Stellar Unit. This is either their website, or a fan’s shrine page. I can’t tell.

I think the story kind of goes like this: They were playing in local pizza parlours in Houston, when some guy said, “they sure sound like a stellar unit”.

Curtis Eugene Keen is depicted here with his two marionettes — oh, no, hold on — they’re for real. They are Joe Stroud and Neil Hecht. Their latest lineup adds a female — Peggy Kaye, playing the banjo.

So, we have a trumpet, keyboard, fiddle, trombone, banjo as possible instruments, along with two vocalists (Keen also sings). They play various jazz standardsin the southern US. I am not aware of them being played elsewhere. In fact, I am not aware of any other albums by them.

This 8×10 autographed photo of The Stellar Unit was listed on E-Bay for $3.99. “Shipping and Handling” (whatever that means for an autographed photo) brings the cost up to 10 bucks. I think the seller just wants ten bucks.

I would suppose that they are not sufficiently obscure enough for their paraphanelia to garner high prices.

This next offering is from a supposed Elton John imitator named Dwayne Smith.

It is hard to get the feeling that you are going to make this album the cornerstone of your dance party with a title like “Get Directly Down”.

It is not known who he is or what he does these days. He could get confused with Jazz bassist Dwayne “Smitty” Smith, until you compare the photos.

Dwayne will play weddings and Bar Mitzvahs.

Visits: 93

Crappy Album Covers #35 — Love, Peace, and Good Bodies

This is Cherone, and the cover could have easily been passed over at the record store by you, because it contains, well, nothing all that special. Yes, I know that it contains the requisite semi-nude female required by marketers, yes the lights are low and it looks intimate. However, there is a problem here in that there is nothing really distinctive about the album. The best I can say is that, for the most part, it is inoffensive.
When you want to get to know what makes someone tick, like say, your wife or husband, for instance … I don’t think that you mean that you will skin them alive and cut out their guts. But I take it that this is an educational record. John Burstein plays Slim Goodbody, the Superhero of health. He appears to be a Children’s educator and entertainer. He would tour around New York City, probably scaring kids with his costume. But he was given a contract by PBS to host the program “Inside Story” in the early 1980s, which this LP is named after. He currently tours and runs his own website.
Happy Louie, Julcia and the Boys put out this album called “Lots of Love and Peace”. I have to say that while Love and Peace are universal and should not be hoarded and be the social message for only certain groups, it still looks dumb, since it is strongly identified with the hippie generation of the 60s and early 70s. Anything is likely, but all things being equal, do you see, even mentally, any of these people smoking pot? Are they the type that would tune in, turn on and drop out?
Now we are going from phony to insular. It is nice that the Murk Family will provide themselves to society as the model for a “Love for All Seasons”. It is difficult to write about families pulling together and providing a network of love and support. Most attempts I have listened to seem to always come out forced and hollow. But I think that is what they’re getting at.

Visits: 92

Crappy Album Covers #31 — Cliches per square inch

As an asside, I would like to know who bought these albums when they were a teenager, then pinned up the album covers on their wall, and threw away the record?

A Gruson & Turium Empty Cliche Checklist:
Topless chicks? Check.
Lit candles? Check.
Ballroom curtains? Check.
Piano to let the buyer know that this is a music album and not something else? Check.
Classy lettering in a colour that matches the piano? Check.
Title that connects in a suggestive way to the photo? Check.

There is no information on Gruson and Turium anywhere that I can find, or on the album “Silk and Satin”.

Candles which are carelessly placed just distrupts my suspension of disbelief. It only looks like they are posing.

Karab Empty Cliche Checklist:

Topless chick? Check.
Chick has blonde hair? Check.
Chick is wearing tight jeans? Check.
Chick has large gazongas? Check.
Her eye color matches her jeans? Check.
Scabs, wrinkles, bruises, pimples, and body hair airbrushed out of the photo? Check.
Chick is posing on a motorcycle? Check.
Chick is wearing minimum 3″ heels that match the motorcycle color and her lipstick? Check.
Her lipstick color matches her motorcycle? Check.
Her lipstick color matches the license plate? Check.
Font chosen for a “kinetic” feel? Check.
Title has a suggestive connection with the photo? Check.

Visits: 77

Crappy Album Covers #29 — More Celebrities

This is a curious album, since Jimmy Carter is talked about, and does not appear on this 1977 album.

Preview Records is a company that keeps track of the history and lore of the song-poem industry. It is not known which company put this out, but it seems to be MSR Records of Hollywood (now defunct).

The song-poem industry is borne of all those tabloid ads you might have seen in the back pages among all those other word ads which Preview aptly refers to as “the human misery ghetto”. They are quite frank in their description of this industry. To quote spokesperson and historian Phil Milstein:

Song-poem music is a scam in which innocent people are deceived into paying to have a poem or song lyric they’ve written set to a tune and recorded. Although the song-poem company suggests in its promotional literature that it will support the finished recording, and that it therefore has a chance to become a smash hit, in reality once the record is completed and returned to the customer it is quickly forgotten about, in favor of the location and seduction of new victims.

Song-poem companies profit by doing volume business, and so must create a literal factory of music, with the songs being shuttled from melody-writing to fabrication on an assembly-line basis. It is the aesthetic clashes between the work of the amateur and often graceless lyricists and that of the professional studio personnel forced to work too hastily that sparks song-poem music’s unique pleasures. The genre has a long and colorful history, much of which is imparted throughout this website.

It turns out that in 1998, Jimmy Carter was in the studio of Boston’s NPR radio station WBUR-FM when the DJ played a song off of this album and piped the off-air feed into the studio Carter was sitting in. He reportedly liked the song, but said he had never heard it before.

Well, that is all the goofy “Democrat” covers I could find. If you have any suggestions, please send them along.

Now, to be fair, to be utterly fair and on the level … this John Wayne album cover doesn’t really qualify as crappy. Look at the depiction: Confederate-era hat, American flag, cowboy clothes. This is not crappy, because this is exactly what we expect to see from John Wayne.

It is with the same attitude that I refuse to spotlight almost all heavy metal album covers. There are just some albums that we expect will suck, and the fact that they suck is the very thing that makes people buy them.

I would rather that the tastelessness be un-intended, and the artists be serious and earnest. That, my friends, is a formula for disaster.

This disaster is a case in point.

In recent years (that is, some time since the 90s), I recall Kreskin offering a reward of 10,000 dollars to anyone who can prove the existence of a subconscious. The subconscious, it is thought, should be revealed by hypnosis. Kreskin swore up and down that all that was utter hogwash. Yet, here is a depiction of Kreskin supposedly putting the person in front of him under a hypnotic trance. And what does hypnosis have to do with ESP?

Known to his parents as George Joseph Kresge, Jr., The Amazing Kreskin maintains his own blog and sells DVDs and other stuff. The website seems to keep the kitch factor to a minimum, to his credit.

Visits: 136

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