|Comedian Bill Barner was a comedian for a short stint in the Florida area in the 1960s. His comedy records are one of the earliest to appear. However, his career didn’t go too far, according to my informants (actually, it was from an interview between Woody Woodbury and WFMU in New York, which was podcasted).
You can see clearly this is some kind of ’60s anaesthetic aesthetic. A woman is showing herself off, and Barner seems to show his appreciation.
Barner had to travel to San Francisco to get this recording made, signing up with Arrow Records. Lots of hints that this is from SF: Recording is done in “Mirth-Quake”; and Barner is standing (sort of) on a trolley.
|Perhaps Duo and Arrow Records are the same company, since both have the “Mirth-Quake” monacre, and both have mostly the same messages on top and bottom as a whole. Both also show the same love for excessively large heads in the album artwork.
Barner apparently plays piano, and does so live in front of a night club audience (as was the above album). They don’t say which night club allowed them to record. It would have been great publicity for the night club. But for all we know, a laugh track may have been his only audience.
He has released six other albums that I am aware of. Those lack the requisite big heads to be in this entry, but they are still pretty bad. One of them is a sequel called Trolley Bar Party II. Some of these records, depending on the condition, are collectors’ items.