Something that is currently under high rotation on my iPod (actually, it’s an el-cheapo SanDisk that does the same thing) is a song called “Calling on Mary” by Aimee Mann. Aimee Mann has had a few good tracks after she parted from ‘Til Tuesday. But for some reason, this one, from what must be one of the moodiest Christmas albums I have ever heard (“One More Drifter in the Snow”), has me addicted. The song has that addictive quality of hitting all the right notes and the has all the right chord changes to keep it engaging. I would like it to be a love song or something, but here it is, a Christmas song. There is definite heart-ache in the music, more so than the words. It is an articulation of feeling I would put up there with George Harrisson. At least in that tune.
One wonders why she hadn’t been bigger as an act. There is definite hit quality in her music. It seems her “image” is of a female who thinks, who ponders, who is moody and introspective. None of these qualities are common in female acts.